Partitions Numériques de from Missa pour Quatuor de Flûtes : 4 flûtes

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TRI ET FILTRES

Tri et filtres :

avec audio

avec vidéo

avec play-along

Non classifié 101

PIANO & CLAVIERS

Piano, Voix et Guitare 7 Orgue 6 Piano seul 5 Piano, Voix 5 Accompagnement Piano 3

Orgue, Trompette (duo) 2 Instruments en Do 1 Piano Facile 1 Piano Trio: piano, violon, violoncelle 1

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GUITARES

Guitare notes et tablatures 1

VOIX

Chorale SATB 119 Chorale 3 parties 20 Chorale 10 Voix duo 7 Chorale Unison 5

Chorale 2 parties 4 Soli, choeur mixte et accompagnement 3 Chorale SSAA 3 Voix seule 1 Chorale SSAATTBB 1 Voix Soprano, Piano 1 Chorale TTBB 1

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VENTS

Clarinette (partie séparée) 5 Quintette de Saxophone: 5 saxophones 4 Quatuor de Flûtes : 4 flûtes 4 Flûte traversière et Piano 3 Quatuor de Clarinettes: 4 clarinettes 3

Flûte, Hautbois, Clarinette, Basson 3 2 Saxophones (duo) 3 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 3 Flute (partie séparée) 2 Hautbois, Piano (duo) 2 3 Flûtes à bec (trio) 2 Ensemble de Flûtes 2 Saxophone Alto 2 Ensemble de Clarinettes 2 Quatuor de Flûtes à bec 2 Saxophone Alto et Piano 2 Quatuor de Saxophones: 4 saxophones 2 Saxophone Tenor et Piano 1 5 Flûtes à bec 1 Quintette de Flûte : 5 flûtes 1 Cor anglais, Piano 1 Clarinette Basse, Piano 1 Hautbois, Clarinette, Basson (trio d'anches) 1 Flûte à Bec 1 Clarinette et Piano 1 Hautbois, Basson (duo) 1 Quintette de Clarinettes: 5 clarinettes 1 2 Clarinettes (duo) 1 Flûte, Hautbois, Basson 1 Hautbois, Violoncelle 1 Flûte traversière 1 Clarinette, Violoncelle (duo) 1 Ensemble de saxophones 1

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CUIVRES

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 4 Trompette 3 Cor et Piano 2 Quatuor de Cuivres : 2 trompettes, trombone, tuba 2 Trompette, Piano 2

Trombone et Piano 2 Quatuor de cuivres: 4 trombones 2 Ensemble de Trompettes 1 Cor anglais, Piano 1 Tuba et Orgue 1 4 Tubas 1 Cor 1 Quatuor de cuivres: 4 trompettes 1 Trombone 1 Quatuor de cuivres: 4 cors 1

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CORDES

Quatuor à cordes: 2 violons, alto, violoncelle 5 Violon (partie séparée) 4 Violon et Piano 2 Harpe 2 Contrebasse (partie séparée) 2

Violoncelle 2 Violoncelle, Piano 1 Quatuor à cordes: 4 violons 1 Contrebasse, Piano (duo) 1 4 Violoncelles 1 Alto, Piano 1 Alto seul 1 Violon, Violoncelle (duo) 1 Alto, Violoncelle (duo) 1

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PERCUSSIONS & ORCHESTRES

Ensemble Jazz 9 Percussion (partie séparée) 5 Orchestre d'harmonie 3 Orchestre 2 Orchestre à Cordes 2

Ensemble de cuivres 1

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AUTRES

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Quatuor de Flûtes : 4 flûtes

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Machaut: La Messe de Nostre Dame for Flute Quartet - Score Only

Quatuor de Flûtes : 4 flûtes

Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259387 Com…(+)

Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259387 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852663. Published by jmsgu3 (A0.1259387). INSTRUMENTATION: 2 Alto flutes, 2 Bass Flutes1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass.Â Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century.Â The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period.Â Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.

$49.95 45.76 € #Quatuor de Flûtes : 4 flûtes #Guillaume de Machaut, 1300-1377 #James M #Machaut: La Messe de Nostre Dame for Flute Quartet - Score Only #jmsgu3 #SheetMusicPlus

Machaut: La Messe de Nostre Dame for Flute Quartet

Quatuor de Flûtes : 4 flûtes

Woodwind Ensemble,Woodwind Quartet Alto Flute,Bass Flute - Level 2 - Digital Download S…(+)

Woodwind Ensemble,Woodwind Quartet Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A0.1260536 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 86 pages. Jmsgu3 #853678. Published by jmsgu3 (A0.1260536). INSTRUMENTATION: 2 ALTO FLUTES, 2 BASS FLUTES1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass.Â Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century.Â The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period.Â Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.

$74.95 68.67 € #Quatuor de Flûtes : 4 flûtes #Guillaume de Machaut, 1300-1377 #James M #Machaut: La Messe de Nostre Dame for Flute Quartet #jmsgu3 #SheetMusicPlus

Lacrymosa by Mozart for Flute Quartet

Quatuor de Flûtes : 4 flûtes

Flute Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1311293 Compos…(+)

Flute Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1311293 Composed by Wolfgang Amadeus Mozart. Arranged by Ander. Christian,Classical,Easter,Religious. 7 pages. Woods Only, Arrangements #900289. Published by Woods Only, Arrangements (A0.1311293). Introducing the sheet music for Lacrymosa from the Requiem Mass (Missa pro defunctis), K. 626, by Wolfgang Amadeus Mozart, for Flute Quartet. This sheet music maintains the entire original structure of the work, without reductions in duration and the like, with only the reduction of the ensemble being made. This arrangement is intended for performance groups that already have experience in musical performance, but can also be used as teaching material for music students, and can be used in academic recitals, concerts and ceremonies, catering to various groups of varied tastes. The Requiem in D minor (K. 626) is a requiem mass by Austrian composer Wolfgang Amadeus Mozart from 17911. Mozart composed part of the Requiem in Vienna in late 1791 but it was unfinished at his death on December 5th of the same year. This sheet music is a unique opportunity to experience Mozartâ€™s genius in an arrangement for quartet.

$7.99 7.32 € #Quatuor de Flûtes : 4 flûtes #Wolfgang Amadeus Mozart #Ander #Lacrymosa by Mozart for Flute Quartet #Woods Only, Arrangements #SheetMusicPlus

Beethoven: Sonata Op. 49 No. 2 for Flute Quartet

Quatuor de Flûtes : 4 flûtes

Flute Quartet Instrumentation: 2 concert flutes, 1 alto flute, 1 bass flute - Interm…(+)

Flute Quartet Instrumentation: 2 concert flutes, 1 alto flute, 1 bass flute - Intermediate - Digital Download Composed by Ludwig van Beethoven (1770-1827). Arranged by James M. Guthrie, ASCAP. Classical Period, Repertoire, European, Wedding, Recital. Score, Set of Parts. 52 pages. Published by jmsgu3
Beethoven Sonata Op. 49 No. 2 arranged for flute quartet. Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the flute quartet. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this isa simple but interesting work in two movements showing the composers sense ofhumor. The first movement “Allegro ma non troppo” and the second movement“Tempo di Menuetto” are both in the key of G. Both Sonatas 19 and 20 (op. 49,No. 1 & 2) are named “Easy Sonatas” because they are technically easierthan the usual Beethoven Sonatas. This makes them very popular among studentsand teachers alike. BeethovenBackground Ludwig vanBeethoven (1770 –1827) was certainly a German pianist. Aboveall, he was probably one of the greatest composers in history. As a result, heis a pivotal character in the progress between the Classical and Romantic periods.He is certainly one of the most famous and hence important of all composers.Seems like his most familiar and noteworthy works include symphonies 1-9; pianoconcertos 1-5; and furthermore, the violin concerto. Also, certainly of extremeimportance are the noteworthy 32 sonatas for the piano; the string quartets1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born andconsequently raised in Bonn. Upon turning 21 he moved to Vienna probablyto study composition with Haydn. That’s when he consequently grew areputation as a brilliant pianist. Furthermore, he probably stayed in Viennathe rest of his life. In his late 20s it seems like his hearing certainly beganto decline. It slowly declined until consequently he was nearly totally deafprobably by the last decade of his life. As a result, he stopped conducting andperforming. Nevertheless, he continued to compose. As a result, some of hisgreatest works probably come from this period. First Period Seems like we often divideBeethoven’s life into three periods. Period 1 begins with Beethoven’s arrivalin Vienna. Hence, during this period, he mastered the Viennese style of Haydn& Mozart. He consequently began increasing the size and scale of his works.Furthermore, he experimented with extreme dynamics, and likewise extreme tempi.He worked similarly with chromatic harmony. His First and Second Symphoniestherefore belong to this period. Other important works also belong here: the firstsix string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began assoon as he realized that he was going deaf. During this period, it seems likehe became obsessed with the idea of heroism. His works consequently become evenlarger and more massive. The most noteworthy of these include the symphonies 3– 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas(Waldstein and Appassionata), the Kreutzer violinsonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's thirdperiod is branded above all by works of incredible intellectual depth, formalinnovation, and penetrating expression. It seems like he continued to expandhis works. Consequently, the string quartet Op. 131 spills over into sevenconnected movements. Likewise, in the Ninth Symphony he adds choral forcesto his orchestra probably for the first time in history. Even more, otherworks from this period include his Missa solemnis, the final 5string quartets (including the enormous Große Fuge) and the finalfive sonatas for piano.Beethoven Sonata Op. 49 No. 2 arranged for flute quartet. Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the flute quartet. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this isa simple but interesting work in two movements showing the composers sense ofhumor. The first movement “Allegro ma non troppo” and the second movement“Tempo di Menuetto” are both in the key of G. Both Sonatas 19 and 20 (op. 49,No. 1 & 2) are named “Easy Sonatas” because they are technically easierthan the usual Beethoven Sonatas. This makes them very popular among studentsand teachers alike. BeethovenBackground Ludwig vanBeethoven (1770 –1827) was certainly a German pianist. Aboveall, he was probably one of the greatest composers in history. As a result, heis a pivotal character in the progress between the Classical and Romantic periods.He is certainly one of the most famous and hence important of all composers.Seems like his most familiar and noteworthy works include symphonies 1-9; pianoconcertos 1-5; and furthermore, the violin concerto. Also, certainly of extremeimportance are the noteworthy 32 sonatas for the piano; the string quartets1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born andconsequently raised in Bonn. Upon turning 21 he moved to Vienna probablyto study composition with Haydn. That’s when he consequently grew areputation as a brilliant pianist. Furthermore, he probably stayed in Viennathe rest of his life. In his late 20s it seems like his hearing certainly beganto decline. It slowly declined until consequently he was nearly totally deafprobably by the last decade of his life. As a result, he stopped conducting andperforming. Nevertheless, he continued to compose. As a result, some of hisgreatest works probably come from this period. First Period Seems like we often divideBeethoven’s life into three periods. Period 1 begins with Beethoven’s arrivalin Vienna. Hence, during this period, he mastered the Viennese style of Haydn& Mozart. He consequently began increasing the size and scale of his works.Furthermore, he experimented with extreme dynamics, and likewise extreme tempi.He worked similarly with chromatic harmony. His First and Second Symphoniestherefore belong to this period. Other important works also belong here: the firstsix string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began assoon as he realized that he was going deaf. During this period, it seems likehe became obsessed with the idea of heroism. His works consequently become evenlarger and more massive. The most noteworthy of these include the symphonies 3– 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas(Waldstein and Appassionata), the Kreutzer violinsonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's thirdperiod is branded above all by works of incredible intellectual depth, formalinnovation, and penetrating expression. It seems like he continued to expandhis works. Consequently, the string quartet Op. 131 spills over into sevenconnected movements. Likewise, in the Ninth Symphony he adds choral forcesto his orchestra probably for the first time in history. Even more, otherworks from this period include his Missa solemnis, the final 5string quartets (including the enormous Große Fuge) and the finalfive sonatas for piano.

$49.95 45.76 € #Quatuor de Flûtes : 4 flûtes #Ludwig van Beethoven #James M #Beethoven: Sonata Op. 49 No. 2 for Flute Quartet #SheetMusicPlus