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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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3
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2
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2
Quatuor de cuivres: 4 trompettes
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CORDES
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70
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52
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26
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24
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17
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14
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13
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9
Harpe
9
2 Violons (duo)
7
2 Harpes (duo)
7
Ensemble d'Altos
4
Ensemble de Violons
4
Violon, Alto (duo)
4
Contre Basse
3
Trio à Cordes: 2 violons, violoncelle
3
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2
4 Violoncelles
2
Piano Trio: Violon, Alto, Piano
2
2 Violoncelles (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Quatuor à cordes: 4 violons
1
Alto, Guitare (duo)
1
2 Altos (duo)
1
Violoncelle, Contrebasse (duo)
1
Alto, Orgue
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Violon, Orgue
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Harpe et Piano
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2 Violons, Piano
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Violon, Basson (duo)
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1
Alto (partie séparée)
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Flûte, Contrebasse (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
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26
Orchestre d'harmonie
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13
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11
Ensemble Jazz
10
Cloches
6
Orchestre de chambre
4
Ensemble de cuivres
4
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1
Quatuor à Vent : 4 instruments à vents
1
Jazz combo
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Percussion
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Xylophone
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Vous avez sélectionné:
Charles King
Saxophone (partie séparée)
Partitions à imprimer
8 partitions trouvées
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Sorry Seems To Be The Hardest Word
Saxophone (partie séparée)
Soprano Saxophone Solo - Level 3 - Digital Download SKU: A0.747036 By Elton John. B…
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Soprano Saxophone Solo - Level 3 - Digital Download SKU: A0.747036 By Elton John. By Bernie Taupin and Elton John. Arranged by Keith Terrett. Pop,Rock. Individual part. 6 pages. Keith Terrett #5902953. Published by Keith Terrett (A0.747036). Arranged for Bb Soprano Saxophone & Piano, Sorry Seems to Be the Hardest Word is a song written by Elton John and Bernie Taupin. It was recorded by Elton John and released in 1976, both as a single and as part of the Blue Moves album. It was John's second single released by The Rocket Record Company. The song is a mournful ballad about a romantic relationship which is falling apart.The song also appeared the following year on Greatest Hits Volume II, though for copyright reasons it no longer appears on the current version of that album. It now appears on Greatest Hits 1976–1986, The Very Best of Elton John and in Greatest Hits 1970–2002, as well as a number of other compilations.The song was covered in 2002 by English boy band Blue for their second studio album, One Love (2002). The song was recorded as a collaboration with Elton John, and was the second single from the album. It peaked at number one on the UK Singles Chart on 15 December 2002 and also reached number one in Hungary and the Netherlands. It peaked within the top 10 in an additional 16 countries.In 2004, Elton John and Ray Charles performed the song on Charles' duet album, Genius Loves Company. It would turn out to be the last recording Charles ever did before his death that June. The duet was nominated for a Grammy Award for Best Pop Collaboration with Vocals. It was also performed by smooth jazz saxophonist Kenny G on the soprano saxophone featuring Richard Marx on his 2004 album At Last...The Duets Album later that year.The song was a Top 20 hit, reaching No. 11 in the United Kingdom, No. 6 in the United States and No. 3 in Canada. In addition, the song went to No. 1 on the US and Canadian Adult Contemporary charts. In the US, it was certified Gold on 25 January 1977 by the RIAA.The single was the lead single for the eight-track remix compilation Good Morning to the Night in collaboration with Australian remixer Pnau, which came out on 16 July 2012.
$9.99
9.02 €
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Saxophone (partie séparée)
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Elton John
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Keith Terrett
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Sorry Seems To Be The Hardest Word
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Keith Terrett
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SheetMusicPlus
Let the Good Times Roll - Tenor Sax 1
Saxophone (partie séparée)
Level 2 - Digital Download SKU: HX.319317 By B.B. King, Fleecie Moore, Ray Charles,…
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Level 2 - Digital Download SKU: HX.319317 By B.B. King, Fleecie Moore, Ray Charles, Sam Theard, and Shirley & Lee. Arranged by Paul Murtha. This edition: scorch. Pop,Rock. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.319317).
$6.00
5.42 €
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Saxophone (partie séparée)
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B
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Paul Murtha
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Let the Good Times Roll - Tenor Sax 1
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Hal Leonard - Digital
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SheetMusicPlus
Let the Good Times Roll - Tenor Sax 2
Saxophone (partie séparée)
Level 2 - Digital Download SKU: HX.319318 By B.B. King, Fleecie Moore, Ray Charles,…
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Level 2 - Digital Download SKU: HX.319318 By B.B. King, Fleecie Moore, Ray Charles, Sam Theard, and Shirley & Lee. Arranged by Paul Murtha. This edition: scorch. Pop,Rock. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.319318).
$6.00
5.42 €
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Saxophone (partie séparée)
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B
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Paul Murtha
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Let the Good Times Roll - Tenor Sax 2
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Hal Leonard - Digital
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SheetMusicPlus
Let the Good Times Roll - Alto Sax 2
Saxophone (partie séparée)
By Shirley & Lee, Fleecie Moore, Ray Charles, Sam Theard, B.B. King. Arranged by Paul Murt…
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By Shirley & Lee, Fleecie Moore, Ray Charles, Sam Theard, B.B. King. Arranged by Paul Murtha. Pop, Rock. JZBAND. 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.319338). - JZBAND - Pop,Rock - Hal Leonard - Digital Sheet Music
$6.00
5.42 €
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Saxophone (partie séparée)
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Shirley & Lee, Fleecie Moore, Ray Charles, Sam Theard, B
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Paul Murtha
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Let the Good Times Roll - Alto Sax 2
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Let the Good Times Roll - Alto Sax 1
Saxophone (partie séparée)
By B.B. King, Sam Theard, Ray Charles, Fleecie Moore, and Shirley & Lee. Arranged by Paul …
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By B.B. King, Sam Theard, Ray Charles, Fleecie Moore, and Shirley & Lee. Arranged by Paul Murtha. Pop; Rock. Jazz Band. 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.319337). - Jazz Band - Pop; Rock - Hal Leonard - Digital Sheet Music
$6.00
5.42 €
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Saxophone (partie séparée)
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B
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Paul Murtha
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Rock
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Let the Good Times Roll - Alto Sax 1
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Eagles' Victory Song
Saxophone (partie séparée)
Soprano Saxophone Solo - Level 1 - Digital Download SKU: A0.1183091 By Dirk Quinn B…
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Soprano Saxophone Solo - Level 1 - Digital Download SKU: A0.1183091 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,March,Traditional. Individual part. 1 pages. Zedas Couve #782816. Published by Zedas Couve (A0.1183091). The Eagles' Victory Song was the creation of Charles Borrelli and Richard Courtland Harrison, a Washington, D.C. music teacher and arranger for jazz guitarist Charlie Byrd. The song was mistakenly credited to R. Courtland by the Copyright office and in various editions of Eagles programs from the late 1950s through the 1960s.In 1963, Jerry Wolman purchased the Philadelphia Eagles. Wolman was a sports fan growing up and loved hearing the Washington Redskins' fight song Hail to the Redskins at games. Spawning from his admiration for the Redskins' song, Wolman searched for musicians to implement a team song for the Eagles, and founded The Philadelphia Eagles' Sound of Brass band in 1964. The group included 200 musicians and dancers, and was led by Arlen Saylor, who was appointed as the Eagles' entertainment director in 1966 and is credited with penning an arrangement of the fight song that the band played at home games during halftime in the 1960s. Wolman's push to popularize the fight song flew under the radar, however, and in 1969 the Sound of Brass band was discontinued.The song came back into light in 1997, when Bobby Mansure, founder of an unofficial Eagles pep band, asked team management to allow the band to play in the parking lot during home games. Management gave Mansure's pep band an audition, allowing them to play at two preseason games to gauge fan reaction. The song went over so well that Mansure and the band retained a permanent position as the official Philadelphia Eagles Pep Band.In 1998, following Mansure's reintroduction of the song, Eagles management attempted to rebuild its popularity among fans by changing some aspects of the song: they modified the key, changed the opening lyric from Fight, Eagles Fight to Fly, Eagles Fly, and re-marketed the song with that as the title. In addition, they appended the popular E-A-G-L-E-S chant—which had emerged in the 1980s—to the end of the song. While management planned to play the song throughout the 1998 season, the Eagles' poor performance that year caused them to hold off reintroducing the song until the following year. The Eagles fared better during their 1999 season, and subsequently, the fight song was played after every score.
$4.99
4.51 €
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Saxophone (partie séparée)
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Dirk Quinn Band
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Marcony Carvalho
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Eagles' Victory Song
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Zedas Couve
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SheetMusicPlus
Kiss Tomorrow Goodbye A/k/a Capri C'est Fini
Saxophone (partie séparée)
Soprano Saxophone Solo - Digital Download SKU: A0.508779 Composed by Herve Vilard a…
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Soprano Saxophone Solo - Digital Download SKU: A0.508779 Composed by Herve Vilard and Paul Anka. Arranged by Leo Silva. Multicultural,World. Individual part. 2 pages. Published by MP Sheet Music (A0.508779). Capri c'est fini is a French song, composed and sung by Hervé Vilard. This song enjoyed great success in France from its release in June 1965 and launched the career of the young singer who was then 19 years old. Vilard recorded the song in seven languages ​​and sold 2.5 million copies. The lyrics describe a romantic breakup. The song's title, which is identified with its chorus, uses the Italian island of Capri, where the relationship was formed and lasted, to represent the couple who break up. Hervé Vilard, who had just signed his first contract with Mercury Records, was not successful in singing the songs in English re-recorded in that studio's catalogue. The idea of ​​the title came to him by chance, when he saw a tourist advertisement on the Paris Metro, calling attention to that island, making him think of the song C'est fini, which Charles Aznavour had released in the same year and which Villard often hummed. In that song, there was also a repetition of the phrase C' est fini (it's over).
$4.99
4.51 €
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Saxophone (partie séparée)
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Herve Vilard and Paul Anka
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Leo Silva
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Kiss Tomorrow Goodbye A/k/a Capri C'est Fini
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MP Sheet Music
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SheetMusicPlus
Rejoice, The Lord Is King - Alto Sax (Horn sub)
Saxophone (partie séparée)
By John Darwall and Charles Wesley. Arranged by Keith Christopher. Orchestra. For Alto Sax…
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By John Darwall and Charles Wesley. Arranged by Keith Christopher. Orchestra. For Alto Sax (Horn sub). Concert; Hymn; Sacred. Individual instrument part. 1 pages. Duration 3:05. Published by Hal Leonard - Digital Sheet Music
$7.00
6.32 €
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Saxophone (partie séparée)
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John Darwall and Charles Wesley
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Keith Christopher
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Hymn
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Rejoice, The Lord Is King - Alto Sax
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
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