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7
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6
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4
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2
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1
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10
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1
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1
Dobro
1
+ 2 instrumentations
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15
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3
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2
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2
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1
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1
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1
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9
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8
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6
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6
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5
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3
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3
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3
Quatuor de Flûtes : 4 flûtes
2
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2
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2
Clarinette
2
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2
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1
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1
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1
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1
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1
2 Saxophones (duo)
1
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10
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6
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4
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4
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3
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2
Cor
2
Quatuor de Cuivres
2
Cor Anglais
1
2 Trombones (duo)
1
Quatuor de cuivres: 4 trombones
1
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1
Cor et Harpe
1
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15
Violon
11
Harpe
7
Violoncelle
6
Violon et Piano
5
2 Harpes (duo)
4
Violoncelle, Piano
3
Trio à Cordes: 2 violons, violoncelle
3
Alto, Piano
3
Violon, Violoncelle (duo)
3
Alto, Violoncelle (duo)
1
Violoncelle, Orgue
1
Trio à Cordes: violon, alto, violoncelle
1
Contrebasse, Piano (duo)
1
Harpe, Violoncelle (duo)
1
2 Violoncelles (duo)
1
Alto seul
1
Violon, Alto (duo)
1
+ 13 instrumentations
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Orchestre
14
Orchestre d'harmonie
13
Ensemble de cuivres
9
Jazz combo
5
Orchestre à Cordes
3
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2
Ensemble de Percussions
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
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COR ANGLAIS
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CORNET
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Gai Sever
Saxophone (partie séparée)
Partitions à imprimer
4 partitions trouvées
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Feira De Mangaio
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Saxophone (partie séparée)
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Clara Nunez and Sivuca
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Leo Silva
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Feira De Mangaio
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MP Sheet Music
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SheetMusicPlus
Soprano Saxophone Solo - SKU: A0.508785 By Clara Nunez and Sivuca. By Maria Da Gloria Pordeus Gadelha and Severino Dias De Oliveira. Arranged by Leo Sil...
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Soprano Saxophone Solo - SKU: A0.508785 By Clara Nunez and Sivuca. By Maria Da Gloria Pordeus Gadelha and Severino Dias De Oliveira. Arranged by Leo Silva. Latin,Multicultural,World. Individual part. 2 pages. Published by MP Sheet Music (A0.508785). “Feira de Mangaio†foi gravada inicialmente pelo próprio Sivuca, posteriormente incorporada ao repertório de Clara Nunes no LP “Esperançaâ€, de 1979. Este foi um dos grandes sucessos da cantora. Feira de Mangaio foi composto em Nova Iorque. E mais, para os puristas ficarem horrorizados, a letra da canção de Glorinha Gadelha foi finalizada num McDonald's da Sétima Avenida. “Feira de Mangaio†was initially recorded by Sivuca himself, later incorporated into Clara Nunes' repertoire in the 1979 LP “Esperançaâ€. This was one of the singer's greatest hits. Feira de Mangaio was composed in New York. What's more, to the horror of purists, the lyrics to Glorinha Gadelha's song were finished at a McDonald's on Seventh Avenue.
$5.05
Feira De Mangaio
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Saxophone (partie séparée)
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DÉBUTANT
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Latin/Musique du monde
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Jazz
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Maria Da Gloria Gadelha and Se
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Fabio Eduardo de Oliveira
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Feira De Mangaio
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Fabio Eduardo
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SheetMusicPlus
Soprano Saxophone Solo - Level 1 - SKU: A0.1178302 Composed by Maria Da Gloria Gadelha and Severino Dias De Oliveira. Arranged by Fabio Eduardo de Olive...
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Soprano Saxophone Solo - Level 1 - SKU: A0.1178302 Composed by Maria Da Gloria Gadelha and Severino Dias De Oliveira. Arranged by Fabio Eduardo de Oliveira. Jazz,Latin,Standards. Individual part. 3 pages. Fabio Eduardo #778267. Published by Fabio Eduardo (A0.1178302). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadSeverino Dias de Oliveira (May 26, 1930 – December 14, 2006), known professionally as Sivuca, was a Brazilian accordionist, guitarist and singer. In addition to his home state of ParaÃba, Brazil, and cities Recife and Rio de Janeiro, he worked and lived in Paris, Lisbon, and New York City intermittently. He has two daughters, Wilma Da Silva and Flavia de Oliveira Barreto.
$4.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Baritone Saxophone Quartet
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Saxophone (partie séparée)
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Baritone Saxophone Solo - Level 3 - SKU: A0.784333 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288657. Published b...
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Baritone Saxophone Solo - Level 3 - SKU: A0.784333 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288657. Published by Slide Ride (A0.784333). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
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