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TRI ET FILTRES
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Vous avez sélectionné:
Home From The Sea
Saxophone (partie séparée)
Partitions à imprimer
3 partitions trouvées
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Proteus
Saxophone (partie séparée)
Tenor Saxophone Solo - Level 4 - Digital Download SKU: A0.912905 Composed by Brando…
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Tenor Saxophone Solo - Level 4 - Digital Download SKU: A0.912905 Composed by Brandon Nelson. Concert,Contemporary. Individual part. 6 pages. Brandon Nelson #1954833. Published by Brandon Nelson (A0.912905). According to Homer (Odyssey iv:412), the sandy island of Pharos, situated off the coast of the Nile delta, was the home of Proteus, the old god of the sea. In the Odyssey, Menelaus relates to Telemachus that he had been becalmed here on his journey home from the Trojan War. He learned from Proteus’ daughter Eidothea that if he could capture her father, he could force him to reveal which of the gods he had offended and how he could propitiate them and return home. Proteus emerged from the sea to sleep among his colony of seals, but Menelaus was successful in holding him, though Proteus took the forms of a lion, a serpent, a leopard, a pig, even of water or a tree. Proteus then answered truthfully, further informing Menelaus that his brother Agamemnon had been murdered on his return home, that Ajax the Lesser had been shipwrecked and killed, and that Odysseus was stranded on Calypso’s Isle Ogygia. This piece, for solo tenor sax, illustrates that mighty conflict between Menelaus and Proteus. Each movement illustrates a different form the god took in his attempt to evade sharing his knowledge. Composition The rhythmic motives are based on the ancient Greek poetic meters. I translated these patterns of long and short sounds to musical notation (using the sixteenth note as the basic unit). I randomized the order and deployed the resulting phrase as a sort of idee fixe. Each movement uses this rhythmic idea beginning at a different point. The melodic content is based on a pentatonic set and its permutations, primarily its modes. I arrayed these pitches into a grid (not unlike the matrix used in dodecaphonic music) and assigned pitches to the rhythmic motives using differing deployment schemes (rotation, chaining, etc). Learn more about me: bnelsonmusic.wordpress.com.
$7.99
7.38 €
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Saxophone (partie séparée)
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Brandon Nelson
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Proteus
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Brandon Nelson
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SheetMusicPlus
I'll Be Home For Christmas
Saxophone (partie séparée)
Tenor Saxophone Solo - Level 4 - Digital Download SKU: A0.839198 By Rascal Flatts. …
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Tenor Saxophone Solo - Level 4 - Digital Download SKU: A0.839198 By Rascal Flatts. By Kim Gannon and Walter Kent. Arranged by Bobby Hesch. Jazz. Individual part. 2 pages. Bobby Hesch #5329209. Published by Bobby Hesch (A0.839198). *** I'LL BE HOME FOR CHRISTMAS*** IS A BEAUTIFUL NOSTALGIC & EMOTIONAL SONG FOR THE HOLIDAY SEASON!!! LET'S PLAY SOME JAZZ!!! IT'S ALL ABOUT PLAYING FROM THE HEART!!! EVERYTHING YOU NEED IS HERE, JUST ADD YOUR EXPRESSION AND MUSICIANSHIP TO BRING IT TO LIFE!!! CHECK OUT THE MP3 FOR JAZZ STYLE AND INTERPRETATION!!! THE NOTES ARE A ROAD MAP YOU ADD FEELING!! KEY C/E!! LOW E-HIGH C#!! CONTACT INFORMATION:bobbyhesch@yahoo.com
$4.99
4.61 €
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Saxophone (partie séparée)
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Rascal Flatts
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Bobby Hesch
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I'll Be Home For Christmas
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Bobby Hesch
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SheetMusicPlus
Eagles' Victory Song
Saxophone (partie séparée)
Soprano Saxophone Solo - Level 1 - Digital Download SKU: A0.1183091 By Dirk Quinn B…
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Soprano Saxophone Solo - Level 1 - Digital Download SKU: A0.1183091 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,March,Traditional. Individual part. 1 pages. Zedas Couve #782816. Published by Zedas Couve (A0.1183091). The Eagles' Victory Song was the creation of Charles Borrelli and Richard Courtland Harrison, a Washington, D.C. music teacher and arranger for jazz guitarist Charlie Byrd. The song was mistakenly credited to R. Courtland by the Copyright office and in various editions of Eagles programs from the late 1950s through the 1960s.In 1963, Jerry Wolman purchased the Philadelphia Eagles. Wolman was a sports fan growing up and loved hearing the Washington Redskins' fight song Hail to the Redskins at games. Spawning from his admiration for the Redskins' song, Wolman searched for musicians to implement a team song for the Eagles, and founded The Philadelphia Eagles' Sound of Brass band in 1964. The group included 200 musicians and dancers, and was led by Arlen Saylor, who was appointed as the Eagles' entertainment director in 1966 and is credited with penning an arrangement of the fight song that the band played at home games during halftime in the 1960s. Wolman's push to popularize the fight song flew under the radar, however, and in 1969 the Sound of Brass band was discontinued.The song came back into light in 1997, when Bobby Mansure, founder of an unofficial Eagles pep band, asked team management to allow the band to play in the parking lot during home games. Management gave Mansure's pep band an audition, allowing them to play at two preseason games to gauge fan reaction. The song went over so well that Mansure and the band retained a permanent position as the official Philadelphia Eagles Pep Band.In 1998, following Mansure's reintroduction of the song, Eagles management attempted to rebuild its popularity among fans by changing some aspects of the song: they modified the key, changed the opening lyric from Fight, Eagles Fight to Fly, Eagles Fly, and re-marketed the song with that as the title. In addition, they appended the popular E-A-G-L-E-S chant—which had emerged in the 1980s—to the end of the song. While management planned to play the song throughout the 1998 season, the Eagles' poor performance that year caused them to hold off reintroducing the song until the following year. The Eagles fared better during their 1999 season, and subsequently, the fight song was played after every score.
$4.99
4.61 €
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Saxophone (partie séparée)
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Dirk Quinn Band
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Marcony Carvalho
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Eagles' Victory Song
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Zedas Couve
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SheetMusicPlus
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