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241
Piano & claviers
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119
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25
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17
Piano, Voix
11
Orgue
8
Instruments en Do
3
1 Piano, 4 mains
3
2 Pianos, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Clavecin
1
Piano Quatuor: piano, 2 violons, violoncelle
1
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1
2 Pianos, 8 mains
1
Piano Trio: piano, violon, violoncelle
1
+ 9 instrumentations
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Guitare
17
Guitare notes et tablatures
14
Paroles et Accords
6
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5
Basse electrique
4
Ukulele
4
2 Guitares (duo)
2
Mandoline
1
Piano, Guitare (duo)
1
4 Guitares (Quatuor)
1
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1
Banjo
1
Cithare
1
Dulcimer
1
3 Guitares (trio)
1
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36
Chorale 3 parties
13
Chorale SSAA
8
Chorale TTBB
5
Chorale 2 parties
4
Voix Baryton, Piano
3
Voix Tenor, Piano
3
Voix haute
2
Voix basse, Piano
1
Voix Tenor
1
+ 5 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
26
2 Flûtes traversières, Piano
25
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25
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15
2 Flûtes traversières (duo)
15
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14
Quatuor de Clarinettes: 4 clarinettes
13
Flûte traversière et Piano
13
Clarinette
12
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12
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11
Hautbois, Piano (duo)
9
Saxophone Alto et Piano
8
2 Saxophones (duo)
8
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8
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6
Ensemble de Clarinettes
6
3 Saxophones (trio)
5
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5
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4
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4
Saxophone Alto
3
Quintette de Clarinettes: 5 clarinettes
3
Cor anglais, Piano
3
Flûte et Guitare
2
2 Clarinettes (duo)
2
Flûte traversière
2
Saxophone Baryton, Piano
2
Quatuor de Flûtes : 4 flûtes
2
Clarinette, Harpe (duo)
2
Quatuor de Flûtes à bec
2
Trio de Flûtes: 3 flûtes
2
Hautbois, Harpe
2
Clarinette, Basson (duo)
2
3 Clarinettes (trio)
1
Flûte, Clarinette (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Violon, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Flûte à bec (duo)
1
2 Hautbois (duo)
1
2 Clarinettes, Piano
1
Flute (partie séparée)
1
Clarinette Basse, Piano
1
5 Flûtes à bec
1
3 Flûtes à bec (trio)
1
Saxophone (partie séparée)
1
Hautbois, Guitare (duo)
1
Clarinette, Guitare (duo)
1
Cor anglais et Harpe (duo)
1
Saxophone Tenor
1
Flûte à Bec
1
Cor anglais, Guitare (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à bec Alto
1
Saxophone et Orgue
1
+ 51 instrumentations
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
Quatuor de Cuivres
10
Trombone et Piano
9
Ensemble de Trombones
7
Tuba et Piano
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Euphonium, Piano (duo)
5
Ensemble de Trompettes
5
Cor et Piano
4
Trombone
4
Ensemble de Cors
4
Tuba
4
Cor anglais, Piano
3
Trompette
3
Trompette (partie séparée)
2
Cor
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
2 Trompettes (duo)
2
3 Euphoniums
1
2 Euphoniums et 2 Tubas
1
Trompette, Piano
1
2 Cors (duo)
1
Cor anglais et Harpe (duo)
1
Cor anglais, Guitare (duo)
1
+ 19 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
50
Alto, Piano
17
Trio à Cordes: violon, alto, violoncelle
12
Violon et Piano
11
2 Violons (duo)
10
Violoncelle, Piano
7
Violoncelle
7
Harpe, Flûte (duo)
6
Violon
6
Violon, Violoncelle (duo)
4
2 Altos (duo)
3
Harpe
3
2 Violoncelles (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Contre Basse
2
Trio à Cordes: 3 violoncelles
2
Alto (partie séparée)
2
Alto, Violoncelle (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Quatuor à cordes: 4 violons
1
Quatuor à cordes : 4 altos
1
Violon, Alto (duo)
1
Violon, Clarinette, Piano (trio)
1
4 Violoncelles
1
Ensemble de Violons
1
Ensemble d'Altos
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à cordes: 3 violins
1
Alto seul
1
Harpe, Violon (duo)
1
Trio à cordes: 3 altos
1
Violon, Guitare (duo)
1
Violoncelle , Guitare (duo)
1
+ 28 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
103
Orchestre
47
Orchestre à Cordes
19
Orchestre de chambre
18
Ensemble Jazz
6
Ensemble de cuivres
5
Jazz combo
2
Fanfare
1
Cloches
1
Ensemble de Percussions
1
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Xylophone
1
Batterie
1
+ 9 instrumentations
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2 partitions trouvées
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Kommos (Lamentation) / "When the World Moved On" - Viola
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Alto (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Viola Solo - Level 4 - SKU: A0.1018957 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078711. Pub...
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Viola Solo - Level 4 - SKU: A0.1018957 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078711. Published by Benjamin Sajo (A0.1018957). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Pachelbel: Canon in D for Solo Viola
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Alto (partie séparée)
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Solo
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jmsgu3
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SheetMusicPlus
Viola Solo - Level 3 - SKU: A0.552083 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Individual pa...
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Viola Solo - Level 3 - SKU: A0.552083 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Individual part. 2 pages. Jmsgu3 #6116381. Published by jmsgu3 (A0.552083). The famous wedding classic arranged for Solo Viola.Duration: 2:12Score: 2 pages. The famous Pachelbel Canon arranged for Solo Viola. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$32.95
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Move It On Over
