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Abide With Me! cello duet
Violoncelle (partie séparée)
Cello Solo - Level 3 - Digital Download SKU: A0.816602 Composed by William H. Monk.…
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Cello Solo - Level 3 - Digital Download SKU: A0.816602 Composed by William H. Monk. Arranged by Cydney Olson Van Duker. Christian,Contemporary,Sacred. Individual part. 6 pages. Cydney Olson Van Duker #4795889. Published by Cydney Olson Van Duker (A0.816602). This is one of my favorite hymns. I have arranged it as a violin duet, or, a cello duet, or, a violin and cello duet. Each variation is a separate purchase. I've kept the string parts pretty simple. I just hate it when I can't easily find the melody when listening to a favorite hymn. Don't you?? The piano part is definitely intermediate level. Please don't freak out when you see all those sharps. It's only for a few measures. You can do it! This piece is appropriate for any worship service. I hope you enjoy it.
$4.00
3.7 €
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Violoncelle (partie séparée)
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William H
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Cydney Olson Van Duker
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Abide With Me! cello duet
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Cydney Olson Van Duker
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Cello Quartet
Violoncelle (partie séparée)
Cello Solo - Level 3 - Digital Download SKU: A0.784341 Composed by Joshua Hauser. I…
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Cello Solo - Level 3 - Digital Download SKU: A0.784341 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288685. Published by Slide Ride (A0.784341). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.62 €
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Violoncelle (partie séparée)
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Cello Quartet
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Slide Ride
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SheetMusicPlus
Aria from Concerto Grosso, Op.6-12 HWV330 for Three Violoncellos
Violoncelle (partie séparée)
Cello Solo - Level 3 - Digital Download SKU: A0.777997 Composed by George Frideric …
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Cello Solo - Level 3 - Digital Download SKU: A0.777997 Composed by George Frideric Handel. Arranged by Kamada. Mikio. Baroque. Individual part. 5 pages. ACORDO Sheet Music #4764887. Published by ACORDO Sheet Music (A0.777997). Handel's Concerto Grosso in B minor, Op.6-12 is for solo parts (2 Violins and Violoncello) and string orchestra. The movement III, Aria, is played in tutti of three voices without solos. It consists of a pastoral and beautiful theme and a vibrant variation. It is very enjoyable to play.
$6.20
5.73 €
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Violoncelle (partie séparée)
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George Frideric Handel
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Kamada
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Aria from Concerto Grosso, Op.6-12 HWV330 for Three Violoncellos
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ACORDO Sheet Music
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SheetMusicPlus
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