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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
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AUTRES
Vous avez sélectionné:
The Way We Were - Bass
Violoncelle (partie séparée)
Partitions à imprimer
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The Way We Were
Violoncelle (partie séparée)
Cello Solo - Level 1 - Digital Download SKU: A0.609710 By Barbra Streisand. By Marv…
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Cello Solo - Level 1 - Digital Download SKU: A0.609710 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Busse #5376179. Published by Kevin Busse (A0.609710). This is a simple transcription of The Way We Were in the easy key of C for Cello.
$4.99
4.61 €
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Violoncelle (partie séparée)
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Barbra Streisand
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Kevin Busse
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The Way We Were
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Kevin Busse
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SheetMusicPlus
The Way We Were
Violoncelle (partie séparée)
Cello Solo - Level 3 - Digital Download SKU: A0.609676 By Barbra Streisand. By Marv…
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Cello Solo - Level 3 - Digital Download SKU: A0.609676 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Busse #5376063. Published by Kevin Busse (A0.609676). This is a simple transcription of The Way We Were in the original key for Cello.
$4.99
4.61 €
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Violoncelle (partie séparée)
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Barbra Streisand
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Kevin Busse
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The Way We Were
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Kevin Busse
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SheetMusicPlus
The Way We Were
Violoncelle (partie séparée)
Cello Solo - Level 2 - Digital Download SKU: A0.609693 By Barbra Streisand. By Marv…
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Cello Solo - Level 2 - Digital Download SKU: A0.609693 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Busse #5376117. Published by Kevin Busse (A0.609693). This is a simple transcription of The Way We Were in a good range for Cello.
$4.99
4.61 €
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Violoncelle (partie séparée)
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Barbra Streisand
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Kevin Busse
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The Way We Were
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Kevin Busse
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Cello Quartet
Violoncelle (partie séparée)
Cello Solo - Level 3 - Digital Download SKU: A0.784341 Composed by Joshua Hauser. I…
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Cello Solo - Level 3 - Digital Download SKU: A0.784341 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288685. Published by Slide Ride (A0.784341). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.62 €
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Violoncelle (partie séparée)
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Cello Quartet
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Slide Ride
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SheetMusicPlus
Stone and Steel: Cello
Violoncelle (partie séparée)
String Orchestra - Digital Download SKU: AX.00-PC-0017364_VC1 Cello. Compose…
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String Orchestra - Digital Download SKU: AX.00-PC-0017364_VC1 Cello. Composed by Richard Meyer. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017364_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017364_VC1). UPC: 038081518503.Written to celebrate the 110th Anniversary of the Joliet Township High School Orchestras of Illinois, Stone and Steel is a modern concert overture by Richard Meyer that treats the listener and performer to a myriad of styles and moods. The piece begins with a heavy, ponderous theme marked Molto pesante, which depicts the limestone quarries that first earned Joliet the nickname City of Stone in the early 1800s. The mood soon changes and we can visualize huge barges laden down with stone, making their way through the city's large lift bridges and into the famous Illinois and Michigan Canal on their way to regional customers. With the construction of a steel mill in 1869, Joliet became known as the City of Steel. Stone and steel were now shipped by both canal and railroad, and this exciting new age is represented by a modern, fast-moving theme in a bright major key. The two themes, stone and steel, are then further developed, and the piece culminates in a majestic, celebratory final statement of the steel theme. (6:00)Concert/Contest; Festival.
$5.99
5.54 €
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Violoncelle (partie séparée)
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Richard Meyer
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Festival.
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Stone and Steel: Cello
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
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