This is one from a collection of 7 gospel songs from the late 18th, 19th and early 20th Century, in their original versions, as arranged for clarinet quartet. The arrangements differ from the choral originals for instrumental purposes in that: some repeated notes in the lower instruments are merged into single long notes various notes are slurred or made into staccatos and fermatas (pauses) are recreated as extended notes and bars, where it makes musical sense to do so. These arrangements are also available as a bundle of 7 (7 Songs of Glory ) for $25 and also separately, at $4.00 each: The Glory Song (C H Gabriel) I Need Thee Every Hour (Robert Lowry) Count your Blessings (E O Excell) Just As I Am (W Bradbury) O for a thousand tongues to sing (Charles Wesley) (Hymn tune known as Lyngham) Tell me the old old story (W H Doane) Trust and obey (D B Towner) In each case the pdfs contain score and parts and the sound samples are electronic previews. I plan to create extended versions, with my own variations, in due course, but these versions are basically transcriptions of the originals.

This is one from a collection of 7 gospel songs from the late 18th, 19th and early 20th Century, in their original versions, as arranged for clarinet quartet. The arrangements differ from the choral originals for instrumental purposes in that: some repeated notes in the lower instruments are merged into single long notes various notes are slurred or made into staccatos and fermatas (pauses) are recreated as extended notes and bars, where it makes musical sense to do so. These arrangements are also available as a bundle of 7 (7 Songs of Glory ) for $25 and also separately, at $4.00 each: The Glory Song (C H Gabriel) I Need Thee Every Hour (Robert Lowry) Count your Blessings (E O Excell) Just As I Am (W Bradbury) O for a thousand tongues to sing (Charles Wesley) (Hymn tune known as Lyngham) Tell me the old old story (W H Doane) Trust and obey (D B Towner)

Instrumental arrangement of Sir Arthur Sullivan's famous choral piece. The pdf file contains score and parts. The sound sample is an electronic preview. The original words (by Henry Chorley) are: No star is o'er the lake, Its pale watch keeping, The moon is half awake, Through gray mist creeping, The last red leaves fall round The porch of roses, The clock hath ceased to sound, The long day closes. Sit by the silent hearth In calm endeavour, To count the sounds of mirth, Now dumb for ever. Heed not how hope believes And fate disposes: Shadow is round the eaves, The long day closes. The lighted windows dim Are fading slowly. The fire that was so trim Now quivers lowly. Go to the dreamless bed Where grief reposes; Thy book of toil is read, The long day closes.?

Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.

Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.