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Quatuor de Clarinettes: 4 clarinettes
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Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Bass Clarinet Solo - Level 3 - Digital Download SKU: A0.784329 Composed by Joshua H…
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Bass Clarinet Solo - Level 3 - Digital Download SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Slide Ride (A0.784329). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.57 €
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Quatuor de Clarinettes: 4 clarinettes
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Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Clarinet Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Clarinet Solo - Level 3 - Digital Download SKU: A0.784327 Composed by Joshua Hauser…
(+)
Clarinet Solo - Level 3 - Digital Download SKU: A0.784327 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288647. Published by Slide Ride (A0.784327). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.57 €
#
Quatuor de Clarinettes: 4 clarinettes
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t Step in the Holes! – Clarinet Quartet
#
Slide Ride
#
SheetMusicPlus
Sones y Jarabes Mixes - Cuarteto para Clarinetes
Quatuor de Clarinettes: 4 clarinettes
Clarinet Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1240957 Com…
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Clarinet Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1240957 Composed by Rito Marcelino Rovirosa. Arranged by Everardo GarcÃa Vargas. Chamber,Classical,Holiday,Multicultural,Traditional,World. 17 pages. Everardo GarcÃa Vargas #836352. Published by Everardo GarcÃa Vargas (A0.1240957). Sones y Jarabes Mixes - Cuarteto para ClarinetesLa obra musical ceremonial “Sones y Jarabes Mixesâ€, compuesta por Rito Marcelino Rovirosa, es ampliamente reconocida como uno de los himnos representativos de la región Mixe. Además de ser una pieza musical, también es un baile que forma parte integral de la cultura Mixe del estado de Oaxaca, México. El mismo autor también compuso un himno especÃfico para la región titulado “Himno Mixeâ€. En la tradición y costumbres de esta región, se realizan ceremonias y ritos para agradecer o pedir a las potencias naturales como el rayo, el viento, el agua, el sol, la montaña, la madre tierra y al rey “Konk ëy†(rey bueno), quien representa el vÃnculo con lo sagrado. Estas ceremonias pueden tener como objetivo tener una buena cosecha, alejar un mal sobrenatural, mejorar las condiciones de vida, tener abundancia económica o un buen año. Durante estas ceremonias se ofrendan bebidas como tepache y mezcal, alimentos y música, incluyendo sones y jarabes para bailar.Rito Marcelino Rovirosa, es un ilustre compositor mexicano conocido como el “hijo de la sierra mixeâ€, nació en Asunción Cacalotepec, Mixe, Oaxaca el 07 de abril de 1908 y falleció en Santiago Zacatepec Mixe, Oaxaca el 05 de julio de 2000 a la edad de 92 años. Rovirosa dejó un legado de más de 200 obras que se extendieron más allá de su región y fueron interpretadas por las bandas filarmónicas de casi todos los estados de la República Mexicana. Entre sus creaciones se encuentran sones y jarabes mixes, himno mixe, los mixes, fandango mixe, raza mixe, rey condoy, lustre, fiesta animada, viuda alegre, alegrÃa de mi alma, nueva esperanza, mi paisano y pájaro montañero. Sin embargo, no todas sus obras fueron conocidas o grabadas; dejó muchas inéditas e incluso escribió varias piezas a petición de otros músicos quienes le solicitaron que las dejara sin tÃtulo ni autorÃa. Marcelino Rovirosa vivió como cualquier otro campesino; dedicaba su tiempo a cuidar sus cultivos de café, maÃz y frijol. Las noches eran sus momentos favoritos para escribir sus obras inspirándose en la naturaleza, el canto de los pájaros y las convivencias con sus paisanos. Nadie hubiera imaginado que un indÃgena mixe iba a trascender con su música más allá de la frontera mixe. En la década de los años cuarenta del siglo pasado fue humillado por el mandamás de su pueblo quien lo envió a la cárcel acusándolo falsamente. Fue llevado a pie amarrado de las manos y sujetado por una cuerda por los guardianes desde su natal Asunción Cacalotepec hasta la cabecera distrital de Santiago Zacatepec un pueblo que lo adoptarÃa más tarde, después de caminar más de 10 horas en plena serranÃa fue conducido directamente a la cárcel donde permaneció durante tres años. Mientras estaba en la cárcel su creciente fama como buen músico llegó a oÃdos de las autoridades del pueblo, del agente del ministerio público, del juez que llevaba su caso y también de don Luis RodrÃguez Jacob, lÃder de la comunidad y del distrito mixe. A pesar de estar privado de su libertad gozaba de algunos tratos preferenciales que los demás no tenÃan. Fue incluido en la banda de música que viajó a la ciudad de Oaxaca, junto con las autoridades municipales para participar en un evento oficial que resultó ser todo un éxito. Al término de la misión y de regreso a Zacatepec don Luis RodrÃguez encomendó a los maestros de música y al distinguido Marcelino Rovirosa que escribieran una melodÃa representativa de la región mixe. Rito regresó como era natural a la cárcel municipal y puso manos a la obra; le facilitaron papel pautado y pluma y en pocos dÃas la obra solicitada quedó lista y lo tituló “fandango mixe†nombre sugerido por don Luis RodrÃguez.
$38.50
35.2 €
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Quatuor de Clarinettes: 4 clarinettes
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Rito Marcelino Rovirosa
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Everardo GarcÃa Vargas
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Sones y Jarabes Mixes - Cuarteto para Clarinetes
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Everardo GarcÃa Vargas
#
SheetMusicPlus
Dans les rues des Paris for Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.984318…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.984318 Composed by Johan de Wit. Concert,Contemporary,World. 62 pages. Concustic #3684741. Published by Concustic (A0.984318). French style inspired by Ibert and Francaix. A fast-paced first movement with a fast-changing key is alternated by an introverted second movement. Based on the effect of a Parisian barrel organ sounds the third movement a melancholy waltz.www.concustic.com post(ät)concustic.comAll the Clarinet quartets by Johan de Wit in SheetMusicPlusLascia chi'o panga G.F. Händel - Item Number: S0.865935 | 4 for 4 - Item Number: S0.477923 | Tanz in die Nacht - Item Number: S0.428167 | Avenue du hêtre - Item Number: S0.424107 | Dans les rues des Paris - Item Number: S0.428403 | Flow my tears - Item Number: S0.428405 | A Set of Renaissance Dances - Item Number: S0.428401 | C'est La Vie - Item Number: H0.959627-SC001319905
$34.50
31.54 €
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Quatuor de Clarinettes: 4 clarinettes
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Johan de Wit
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Dans les rues des Paris for Clarinet Quartet
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Concustic
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SheetMusicPlus
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