The Slavonic Dances (Czech: Slovanské tance) are a series of 16 orchestral pieces composed by Antonín Dvo?ák in 1878 and 1886 and published in two sets as Opus 46 and Opus 72 respectively. Originally written for piano four hands, the Slavonic Dances were inspired by Johannes Brahms's own Hungarian Dances and were orchestrated at the request of Dvo?ák's publisher soon after composition. The pieces, lively and full of national character, were well received at the time and today are among the composer's most memorable works, occasionally making appearances in popular culture. This arrangement for clarinet quartet includes the following parts: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet.

"In the Hall of the Mountain King" (Norwegian: I Dovregubbens hall) is a piece of orchestral music composed by Edvard Grieg for the sixth scene of act 2 in Henrik Ibsen's 1876 play Peer Gynt. It was originally part of Opus 23 but was later extracted as the final piece of Peer Gynt, Suite No. 1, Op. 46. Its easily recognizable theme has helped it attain iconic status in popular culture, where it has been arranged by many artists. This arrangement for clarinet quartet includes the following parts: 1st Bb Clarinet or Eb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet or Eb Alto Clarinet, Bb Bass Clarinet.

Gabriel Pierne's Opus 30, Pastoral Variations in the Old Style was written in 1894 for piano and he later set the piece for six winds. There are seven brief movements, all in a different style borrowing from older styles (Style Ancien). This is a setting of the piece for clarinet quartet by John Gibson and includes both the score and parts. (3 Bb Clarinets and 1 Bass Clarinet) The music is not too difficult and could be handled by good intermediate players, depending on the tempos taken by the group.

"In the Hall of the Mountain King" (Norwegian: I Dovregubbens hall) is a piece of orchestral music composed by Edvard Grieg for the sixth scene of act 2 in Henrik Ibsen's 1876 play Peer Gynt. It was originally part of Opus 23 but was later extracted as the final piece of Peer Gynt, Suite No. 1, Op. 46. Its easily recognizable theme has helped it attain iconic status in popular culture, where it has been arranged by many artists. This arrangement for Clarinet Quartet includes the following parts: 1st Bb Clarinet or Eb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet or Eb Alto Clarinet, Bb Bass Clarinet.