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--INSTRUMENTS--
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Quatuor de Clarinettes: 4 clarinettes
Partitions à imprimer
13 partitions trouvées
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1
All You Need Is Love
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Rock
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The Beatles
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Austin Ralphson
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All You Need Is Love
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Austin Ralphson
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.1232032 By The Beatles. By John Lennon and Paul McCartney. Arranged by Austin Ralph...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.1232032 By The Beatles. By John Lennon and Paul McCartney. Arranged by Austin Ralphson. Pop,Rock. 9 pages. Austin Ralphson #827708. Published by Austin Ralphson (A0.1232032). This song was performed by the Beatles on Our World, the first live global television link; the BBC had commissioned the Beatles to write a song for the United Kingdom's contribution. Recorded in 1967, it had Lennon playing harpsichord, Paul McCartney on double bass, George Harrison on violin (an instrument he had never previously played), and Ringo Starr on drums, plus vocals, piano (played by their producer, George Martin), banjo (by Lennon), guitar and orchestral parts. The song has dramatic time changes and some unusual use of harmony. I have presented it here to work well as a small group arrangement.
$14.99
Intermezzo from "Cavalleria rusticana" (Mascagni) - Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Opera
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Classique
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Pietro Mascagni
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Rob Bushnell
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Intermezzo from "Cavaller
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RBMusic
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1325229 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Clas...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1325229 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 15 pages. RBMusic #913462. Published by RBMusic (A0.1325229). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.This arrangement includes alternative parts for clarinet in E-flat and alto clarinet in E-flat. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcÃa, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.
$15.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Bass Clarinet Solo - Level 3 - SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Sli...
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Bass Clarinet Solo - Level 3 - SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Slide Ride (A0.784329). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Clarinet Solo - Level 3 - SKU: A0.784327 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288647. Published by Slide Ri...
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Clarinet Solo - Level 3 - SKU: A0.784327 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288647. Published by Slide Ride (A0.784327). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
In The Mood
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Jazz
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Ernie Field's Orchestra
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David McKeown
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In The Mood
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David McKeown
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.587997 By Ernie Field's Orchestra. By Joe Garland. Arranged by David McKeown. Jazz. 24 p...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.587997 By Ernie Field's Orchestra. By Joe Garland. Arranged by David McKeown. Jazz. 24 pages. David McKeown #5210859. Published by David McKeown (A0.587997). In the Mood was a huge hit for the Glenn Miller Orchestra in 1940, but the melody for In the Mood had been around in different versions with different bands for at least a decade before. But it was the Glenn Miller version that grabbed the public’s attention, becoming almost the soundtrack to the Second World War. In the Mood has never lost its appeal and has been recognised as culturally significant by the Library of Congress. In 1951 In the Mood became the first piece of music to be played by a computer.This arrangement of In the Mood is written with accessibility in mind. It is arranged for Clarinet Quartet or Choir; that is for three Bb Clarinets, plus Bass Clarinet. There is also an alternative part 3 for Alto Clarinet in Eb. This arrangement aims to deliver the big band sound with a smaller group. The solos from the original Glenn Miller recording are transcribed and notated in full, though players may prefer their own improvisations. This arrangement is ideal for smaller groups and combos looking to add this perennial favourite to their repertoire.The single pdf file you download contains both the full score and the individual parts. Performance time is around four minutes.The key, structure and overall feel is faithful to the original by the Glenn Miller Orchestra.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$12.99
HARK! THE HERALD ANGELS SING - Clarinet Quartet ( SSAB/SSSB) w/ optional Acoustic Bsss and Drum Set
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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Dennis Ruello
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HARK! THE HERALD ANGELS SING -
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Chicory Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.734337 Composed by Felix Bartholdy Mendelssohn. Arranged by Dennis Ruello. Christian,Chr...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.734337 Composed by Felix Bartholdy Mendelssohn. Arranged by Dennis Ruello. Christian,Christmas,Jazz. 12 pages. Chicory Music #2948385. Published by Chicory Music (A0.734337). HARK! THE HERALD ANGELS SING - Clarinet Quartet w/opt. Acoustic Bass and Drum Set Parts Hark! The Herald Angels Sing is a Christmas carol that first appeared in 1739 in the collection Hymns and Sacred Poems, having been written by Charles Wesley. Wesley had requested and received slow and solemn music for his lyrics, not the joyful tune expected today. Moreover, Wesley's original opening couplet is Hark! how all the welkin rings / Glory to the King of Kings.[1] The popular version is the result of alterations by various hands, notably by Wesley's co-worker George Whitefield who changed the opening couplet to the familiar one, and by Felix Mendelssohn. In 1840, a hundred years after the publication of Hymns and Sacred Poems, Mendelssohn composed a cantata to commemorate Johann Gutenberg's invention of the printing press, and it is music from this cantata, adapted by the English musician William H. Cummings to fit the lyrics of Hark! The Herald Angels Sing, that propels the carol known today.This arrangement, in the clarinet friendly key of F concert, can be preformed as a quartet with or without the optional acoustic bass and drum set parts. No extremes in range or technique are required to play this intermediate level piece. Your performers and audience will enjoy the modern harmonies used in this presentation. Performance time approx. 2 minutes 6 seconds.
$11.99
Do You Hear What I Hear
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Christian contemporain
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Gospel Spirituel
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Carrie Underwood
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Dennis Ruello
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Do You Hear What I Hear
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Chicory Music
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SheetMusicPlus
By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Dennis Ruello. Christian,Gospel,Rock. 10 pages. Chicory Music #3675707. Published by Chicory ...
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By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Dennis Ruello. Christian,Gospel,Rock. 10 pages. Chicory Music #3675707. Published by Chicory Music
Do You Hear What I Hear?" is a song written in October 1962, with lyrics by Nol Regney and music by Gloria Shayne Baker. The pair, married at the time, wrote it as a plea for peace during the Cuban Missile Crisis. Regney had been invited by a record producer to write a Christmas song, but he was hesitant due to the commercialism of the Christmas holiday. It has sold tens of millions of copies and has been covered by hundreds of artists, This Intermediate Level arrangement for clarinet quartet (SSSB) is appropriate for holiday recitals, concerts, church services or busking. Performance time is approx. 2 min. 40 sec.
$12.99
The Shadow of Your Smile (for Clarinet Quartet)
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Jazz
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Tony Bennett
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Kenneth Abeling
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The Shadow of Your Smile
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
By Tony Bennett. Arranged by Kenneth Abeling. Score, Set of Parts. 15 pages. Published by LINCOLN MUSIC PUBLICATIONS (H0.238103-726895). - Score,Set of Parts - ...
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By Tony Bennett. Arranged by Kenneth Abeling. Score, Set of Parts. 15 pages. Published by LINCOLN MUSIC PUBLICATIONS (H0.238103-726895). - Score,Set of Parts - - LINCOLN MUSIC PUBLICATIONS
?The Shadow of Your Smile?, Words by Paul Francis Webster and Music byJohnny Mandel arranged for Clarinet Quartet. This charming song was first introduced in the 1965 film ?The Sandpiper?and won the Grammy Award for Song of the Year as well as the Academy Award forBest Original Song. This is an Intermediate to advancedIntermediate arrangement. To view and listen to this piece in its entirety as well as hundreds ofother arrangements and transcriptions by Kenneth Abeling at the lowest pricesavailable please visit www.lincolnmusicpublications.com. PlayingTime: 3:25
$13.99
Je Te Veux for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Classique
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Contemporain
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Erik Satie
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Diego Marani
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Je Te Veux for Clarinet Quarte
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Diego Marani
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SheetMusicPlus
Clarinet, Woodwind Quartet - Intermediate - Digital Download Composed by Erik Satie (1866- 1925). Arranged by Diego Marani. 20th Century, Modern, Repe...
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Clarinet, Woodwind Quartet - Intermediate - Digital Download Composed by Erik Satie (1866- 1925). Arranged by Diego Marani. 20th Century, Modern, Repertoire, Classroom, Recital. Score, Set of Parts. 22 pages. Published by Diego Marani
Je te veux ("I Want You") is a song composed by Erik Satie to a text by Henry Pacory. A sentimental waltz with erotic lyrics, it was written for Paulette Darty, whose accompanist Satie had been for a period of time.
This arrangement for clarinet quartet includes the following parts: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet.
$12.99
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