The Carmen Suites are two suites of orchestral music drawn from the music of Georges Bizet's 1875 opera Carmen and compiled posthumously by his friend Ernest Guiraud. They adhere very closely to Bizet's orchestration.

This arrangement includes: Chanson du Tor�ador ? Act 2, introduction and aria (Escamillo): "Votre toast, je peux vous le rendre".

The instrumentation of the clarinet quartet is: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet.

The Carmen Suites are two suites of orchestral music drawn from the music of Georges Bizet's 1875 opera Carmen and compiled posthumously by his friend Ernest Guiraud. They adhere very closely to Bizet's orchestration.

This arrangement includes: Danse Boh�me ? Act 2, Gypsy Dance: "Les tringles des sistres tintaient".

The instrumentation of the clarinet quartet is: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet.

The Carmen Suites are two suites of orchestral music drawn from the music of Georges Bizet's 1875 opera Carmen and compiled posthumously by his friend Ernest Guiraud. They adhere very closely to Bizet's orchestration.

This arrangement includes:

Marche des Contrebandiers ? Act 3, chorus: "�coute, �coute, compagnon!"Habanera: Act 1, aria (Carmen) ? "L'amour est un oiseau rebelle"Nocturne: Act 3, aria (Mica�la) ? "Je dis que rien ne m'�pouvante"Chanson du Tor�ador ? Act 2, introduction and aria (Escamillo): "Votre toast, je peux vous le rendre"La Garde Montante ? Act 1: "Avec la garde montante, nous arrivons, nous voil�!"Danse Boh�me ? Act 2, Gypsy Dance: "Les tringles des sistres tintaient"

For this Christmas here is a dramatic Fantasia for Instrumental Quartet based on the old English carol God Rest You Merry Gentlemen. It is an eclectic fusion of Classical music and 1950's Free Jazz and West Indian/Caribbean rhythms with exuberance and pulse. It is in verse-refrain form, but is very freely treated and each of the four verses is wholly unique. Every single note is written to express, and sometimes expand upon, the word of the text at that point in time. There is an irregular meter which changes every few bars using 2/4, 3/4, 4/4, 5/4, 6/4, and 7/4 but always maintaining a strong pulse. It contains abrupt changes in dynamics and a rubato tempo with many markings of articulation. This is a challenging work with dynamic results.
19 page score, 4 pages each part; 35 pages total
4:45 minutes