This traditional Greek/Turkish song can be traced back to the 800-900 century. Still it's most famous as the opening title for Quentin Tarantino's Pulp Fiction played by surf guitar-legend Dick Dale.


Feel free to contact me on alexander.bosrup@gmail.com if you got any questions.

Check out my other arrangements here:

https://www.sheetmusicplus.com/publishers/alexander-bosrup-karlsen-sheet-music/3016025?ac=1

Backingtracks:

https://www.youtube.com/channel/UCW_SF7NifB-ms_TTNhfRxuQ?disable_polymer=true

Here comes a ballad full of love and passion featuring solo Bugle. No extreme ranges. Vocal part (male) is available on request for free. Check out other compositions and arrangements! Listen to the recording! Here are the words: Give me back my love again, give me back these lonely nights, when my heart went out to talk to you about my love. And give me back these tender words I have sent to you in secret letters, which never found the only way to your heart but now my love has gone and disappeared there is nothing more I feel for you although there's something deep inside my heart (ohohohoh oh) that says to me each lonely night today all day and all forever will something always taste of you in my heart Instrumentation: Clarinet 1 and 2 in Bb, Basset Horn/Clarinet 3 in Bb, Bass Clarinet in Bb

La Feria (The Fair) is a Spanish fiesta! All the sights and sounds of a traditional Spanish street festival.
Paul Lacome wrote mostly operas-bouffes, light comic operas. That same drama and delight comes through in this piece. Originally written for orchestra, there have been many popular arrangements for band. I have arranged it for Clarinet Quartet without losing any of the Spanish tradition or dramatic character of the piece.
The Suite is in 3 sections. The first is entitled Los Toros (The Bulls). The running of the bulls is a tradition of nearly every Spanish fair. This highly energetic and rhythmic section is traditional Spanish fiesta music at its best. The second section is entitled La Reja (loosely-The Gate). This one is in the form of a Serenade. Every fair has a street barred off with a special archway entrance or gate. Inside, tents are set up serving local wine. Strolling street musicians will visit each tent and serenade. This section is scaled back dynamically and also in texture to imitate the solo or duo strolling musician. For the B theme of this section I move the melody to the Clarinet 3 part down low. I like to amuse myself and think of this brief growling melody as a tipsy patron of the tent singing back to the musicians. The street musicians then quickly resume their original song. The final section is entitled La Zarzuela. The Zarzuela is a uniquely Spanish comic opera that is heavy on dance and spoken dialogue. It has much in common with the American vaudeville shows. This section is in the form of a brisk waltz, another high energy rhythmic dance where Clarinet 2 takes the B theme melody.
This piece is of Advanced Intermediate difficulty due to constant movement, articulations, rhythm, and range. Clarinet 1 in particular uses the full range of the instrument.
21 page score, 4 pages @ part, 38 pages total booklet
4:30 minutes
temporary MIDI recording

Italian Folksongs Medley is a collection of six popular traditional Italian and Neapolitan folksongs arranged for Clarinet Quartet. The Titles Include: 1. Bella Ciao 2. Funiculi, Funicula, 3. O Sole Mio, 4. Torna a Surriento (Come Back to Sorrento), 5. Santa Lucia and 6. Tarantella. The piece can be played as a medley with repeats as desired or as individual pieces. This advanced intermediate level arrangement is suitable for a variety of performance application to include general performance, Weddings and other Italian celebrations. The approximate playing time for all songs is 9:30 with repeats and 5:00 without. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/

Nextto nothing is known about the origins of Johann Pachelbel?s Canon in D. Theearliest manuscript dates from the nineteenth century and the piece only emergedfrom obscurity through radio play in the 1970s. Now one of the best-loved andubiquitous classical pieces, the Canon?srepeating chord sequence has inspired countless pop tunes from the Streets of London, to I Should be so Lucky and Don?t Look Back in Anger. This version is arranged andtransposed to a suitable key as a Quartet for three Clarinets in Bb and one Bass Clarinet. The originalnote values have been doubled to make the rhythms easier to read. Musicians at an advanced intermediate level and above will find this ideal for formal andinformal performances, and being a Canon, all but the bass part play themelody. Duet versions of this piece can also be found by browsing from the linkbelow. The overall performance time is around four and a half minutes. Teachers will enjoy using this arrangement as a fun way to helpwith stamina, concentration and rhythmic consistency.

Arrangement of movie soundtrack ?The Grinch?, composed by James Horner. Because the film is based on a children?s picture book, many additions were made to the storyline to bring it up to feature-length, including some information about the backstory of the title character and reworking the story?s minor character Cindy Lou Who as a main character. The film also borrowed some music and character elements (such as the Grinch?s green skin tone) that originated in the 1966 animated television special.