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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Concerto No. 3
Non classifié
400
Piano & claviers
Piano seul
278
Piano Facile
30
Orgue
14
2 Pianos, 4 mains
9
Piano Quintette: piano, 2 violons, alto, violoncelle
5
1 Piano, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Trio: piano, violon, violoncelle
2
Instruments en Do
2
Accompagnement Piano
2
Orgue, Trompette (duo)
2
Clavecin
2
2 Pianos, 8 mains
1
2 Orgues (duo)
1
Piano, Voix
1
+ 10 instrumentations
Retracter
Guitares
Guitare
14
Guitare notes et tablatures
8
4 Guitares (Quatuor)
7
3 Guitares (trio)
5
2 Guitares (duo)
3
Banjo
3
Ukulele
1
Ensemble de guitares
1
+ 3 instrumentations
Retracter
Voix
Voix Soprano, Piano
6
Voix Baryton, Piano
1
Chorale 3 parties
1
Voix Alto, Piano
1
Chorale SATB
1
Vents
Flûte traversière et Piano
50
Clarinette et Piano
43
Hautbois, Piano (duo)
31
Clarinette
22
2 Saxophones (duo)
21
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
Saxophone Alto et Piano
20
Saxophone Soprano et Piano
20
Ensemble de Clarinettes
18
Cor anglais, Piano
17
3 Saxophones (trio)
17
2 Clarinettes (duo)
14
2 Flûtes traversières (duo)
13
Quatuor de Saxophones: 4 saxophones
13
Saxophone Tenor et Piano
13
Flûte traversière
11
Hautbois (partie séparée)
11
2 Hautbois (duo)
11
3 Clarinettes (trio)
10
Saxophone Baryton, Piano
10
Flûte, Hautbois, Clarinette, Basson
9
Clarinette Basse, Piano
8
5 Flûtes à bec
8
Quatuor de Flûtes à bec
8
Quatuor de Flûtes : 4 flûtes
7
Quintette de Saxophone: 5 saxophones
7
Quatuor de Clarinettes: 4 clarinettes
7
Quintette de Clarinettes: 5 clarinettes
7
Ensemble de saxophones
6
Trio de Flûtes: 3 flûtes
6
Flûte à Bec
6
Saxophone Alto
6
Cor Anglais
6
Ensemble de Flûtes
5
2 Cors Anglais Et Pianoforte
5
Hautbois
4
Flûte, Hautbois, Clarinette (trio)
4
Saxophone (partie séparée)
3
Flûte et Guitare
3
Saxophone Tenor
3
Saxophone
3
Flûte, Clarinette (duo)
2
Piccolo, Piano
2
Clarinette, Basson (duo)
2
3 Flûtes à bec (trio)
2
Quintette de Flûte : 5 flûtes
2
Ensemble De Flûte à bec
2
Clarinette, Orchestre
1
Flûte, Violon, Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Ensemble à vent
1
Clarinette Basse
1
Flûte, Hautbois, Basson
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Clarinette et Alto
1
Flute (partie séparée)
1
Ensemble de Hautbois
1
2 Flûte à bec (duo)
1
3 Hautbois
1
Clarinette (partie séparée)
1
2 Flûtes traversières, Piano
1
Flûte, Clarinette et Basson
1
Hautbois, Clarinette (duo)
1
Flûte et Trio à cordes
1
+ 60 instrumentations
Retracter
Cuivres
Cor et Piano
23
Trombone et Piano
21
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Cor anglais, Piano
17
Euphonium, Piano (duo)
14
Trompette, Piano
14
Trompette
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Cor
11
2 Trompettes (duo)
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Tuba et Piano
6
Cor Anglais
6
2 Cors (duo)
5
Trompette (partie séparée)
5
2 Cors Anglais Et Pianoforte
5
Trombone
5
Cor (partie séparée)
4
2 Trombones (duo)
4
Trombone (partie séparée)
3
Quatuor de cuivres: 4 trompettes
2
2 Euphoniums (duo)
2
Quatuor de cuivres: 4 cors
2
Trombone basse et Piano
2
Trio de Cuivres
2
Quatuor de cuivres: 4 trombones
2
3 Trombones (trio)
2
Ensemble de Cors
2
3 Cors (trio)
1
Ensemble de Tubas
1
Trompette, Trombone (duo)
1
4 Tubas
1
Trompette, Cor (duo)
1
Euphonium, Tuba (duo)
1
3 Tubas (trio)
1
2 Tubas (duo)
1
Quatuor de Cuivres
1
+ 32 instrumentations
Retracter
Cordes
Violon et Piano
100
Quatuor à cordes: 2 violons, alto, violoncelle
89
Violon
64
Violoncelle, Piano
58
Alto, Piano
36
2 Violons (duo)
27
Violoncelle
24
Violon, Violoncelle (duo)
24
Violon (partie séparée)
19
Alto seul
18
Trio à Cordes: violon, alto, violoncelle
13
Quatuor à cordes: 4 violons
7
Violon, Alto (duo)
7
2 Violoncelles (duo)
6
Contrebasse, Piano (duo)
6
Contrebasse (partie séparée)
5
Trio à cordes: 3 violins
5
Violoncelle (partie séparée)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Trio à Cordes: 2 violons, violoncelle
4
2 Violons, Piano
4
2 Altos (duo)
3
Contre Basse
3
4 Violoncelles
3
Alto, Violoncelle (duo)
3
Trio à Cordes: 3 violoncelles
3
Alto (partie séparée)
2
Trio à cordes: 3 altos
2
Violon, Guitare (duo)
2
Harpe
2
Violoncelle , Guitare (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Quatuor à cordes : 4 altos
1
Violoncelle, Basse continue
1
2 Contrebasses (duo)
1
Harpe, Violon (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
130
Orchestre
126
Orchestre de chambre
67
Orchestre d'harmonie
24
Ensemble de cuivres
4
Piano et Orchestre
3
Ensemble de Percussions
2
Percussion (partie séparée)
2
Fanfare
2
Batterie
1
Quintette de Cuivres: autres combinaisons
1
Quatuor à Vent : 4 instruments à vents
1
Vibraphone (partie séparée)
1
+ 8 instrumentations
Retracter
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BASSE
BASSON
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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VIBRAPHONE
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Vous avez sélectionné:
Concerto No. 3
Quatuor de Clarinettes: 4 clarinettes
Partitions à imprimer
7 partitions trouvées
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1
Bach - Brandenburg Concerto No. 3 (for Clarinet Quartet & Optional Organ)
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Quatuor de Clarinettes: 4 clarinettes
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AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Kenneth Abeling
#
Bach - Brandenburg Concerto No
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Woodwind Ensemble - Level 5 - SKU: A0.514821 Composed by Johann Sebastian Bach. Arranged by Kenneth Abeling. Baroque,Classical. 63 pages. LINCOLN MUSIC ...
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Woodwind Ensemble - Level 5 - SKU: A0.514821 Composed by Johann Sebastian Bach. Arranged by Kenneth Abeling. Baroque,Classical. 63 pages. LINCOLN MUSIC PUBLICATIONS #3629361. Published by LINCOLN MUSIC PUBLICATIONS (A0.514821). This is the complete Brandenburg Concerto No. 3 Johann Sebastian Bach transcribed for Clarinet Quartet by Kenneth Abeling. It has an optional organ part if so desired, but will work perfectly well without. Originally written for three violins three violas, three celli, double bass and continuo, this transcription despite its difficulty may actually be accessible to more advanced non-professional quartets. It for the most part lays well on all of the instrument and once continuous lines have been dispersed to allow for some breaks. A lead part solo has been created over the second movement Phrygian cadence that would have been originally improvised by the harpsichordist. Either the organist or another Instrument could improvise their own solo here if desired. Playing Time 13:00. To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit www.lincolnmusicpublications.com Preview this score on YouTube: https://www.youtube.com/watch?v=yQh18Hcn45g
$17.99
Brandenburg Concerto No. 3 in G major, BWV 1048 1st Mov. (J.S. Bach) for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Victor Drake
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Brandenburg Concerto No. 3 in
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Minhas Partituras
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet A Clarinet,Bass Clarinet,E-Flat Clarinet - Level 5 - SKU: A0.1251571 Composed by Johann Sebastian Bach. Arranged by V...
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Woodwind Ensemble,Woodwind Quartet A Clarinet,Bass Clarinet,E-Flat Clarinet - Level 5 - SKU: A0.1251571 Composed by Johann Sebastian Bach. Arranged by Victor Drake. Baroque,Wedding. 24 pages. Minhas Partituras #845846. Published by Minhas Partituras (A0.1251571). Arrangement of Brandenburg Concerto No. 3 in G major, BWV 1048 1st Mov. (J.S. Bach) for Clarinet Quartet.
$12.99
Concerto No1 TWV 40:201 for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Classique
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Georg Philipp Telemann
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Lisa Ochoco
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Concerto No1 TWV 40:201 for Cl
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Lisa L Ochoco
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Clarinet - Level 3 - SKU: A0.559872 Composed by Georg Philipp Telemann. Arranged by Lisa Ochoco. Baroque. 27 pages. L...
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Clarinet Quartet,Woodwind Ensemble Clarinet - Level 3 - SKU: A0.559872 Composed by Georg Philipp Telemann. Arranged by Lisa Ochoco. Baroque. 27 pages. Lisa L Ochoco #5311351. Published by Lisa L Ochoco (A0.559872). Telemann was one of the greatest composers of Baroque music. This concerto was composed for 4 violins with equal voices, as no one part is given a more dominant role than the others.
$10.00
5 Famous Songs by Bach for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
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Classique
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Christian Petzold, Johann Seba
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Ander
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5 Famous Songs by Bach for Cla
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - SKU: A0.1137849 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arrange...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - SKU: A0.1137849 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738108. Published by Woods Only, Arrangements (A0.1137849). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for clarinet quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
Five Mighty Meaty Morsels From Johann Georg Albrechtsberger for Clarinet Quartet.
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Quatuor de Clarinettes: 4 clarinettes
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Johann Georg Albrechtsberger
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Stephen Davies
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Five Mighty Meaty Morsels From
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Stephen Davies
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SheetMusicPlus
Clarinet - SKU: A0.1071010 Composed by Johann Georg Albrechtsberger. Arranged by Stephen Davies. Classical,Standards. Full Performance. Duration 746. St...
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Clarinet - SKU: A0.1071010 Composed by Johann Georg Albrechtsberger. Arranged by Stephen Davies. Classical,Standards. Full Performance. Duration 746. Stephen Davies #5725759. Published by Stephen Davies (A0.1071010). The Austrian composer Johann Georg Albrechtsberger was an organist, teacher and theorist, indeed one of his many influential pupils was a certain Ludwig Van Beethoven. His own musical works were and still are a tour-de-force and widely recorded. In fact his Alto Trombone Concerto is very much a part of the repertoire for that instrument. He also wrote, what might be today regarded as quite strange, no less than 7 Concerti for the Jaws Harp and String Orchestra. The 5 pieces here are representative of his masterly fugal output, tweaked here and there to suit the Clarinet Quartet format! Five Meaty Morsels, suitable for Vegans and Vegetarians alike!! Also available in Saxophone Quartet flavour...... 3 Sopranos and Tenor!
$1.99
Bach: Wachet auf for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Clarinet
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.549861 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,C...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.549861 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 18 pages. Jmsgu3 #3557469. Published by jmsgu3 (A0.549861). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore. Instrumentation: 2 Bb clarinets, 1 alto clarinet, 1 bass clarinet.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbrevia.
$39.95
Concerto Grosso No. 3 - four clarinets
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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Concerto Grosso No. 3 - four c
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Hilltop Music Publications
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SheetMusicPlus
Composed by Antonio Vivaldi (1678-1741). Arranged by A. L. Wyver. Baroque Period. 17 pages. Published by Hilltop Music Publications (S0.163065). - - Baroque Pe...
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Composed by Antonio Vivaldi (1678-1741). Arranged by A. L. Wyver. Baroque Period. 17 pages. Published by Hilltop Music Publications (S0.163065). - - Baroque Period - Hilltop Music Publications
$3.50
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Concerto No. 3
