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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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186
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127
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13
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10
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8
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8
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1
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1
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1
+ 3 instrumentations
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11
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9
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3
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2
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2
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1
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27
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7
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28
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12
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9
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9
Quatuor de Clarinettes: 4 clarinettes
6
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4
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4
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3
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2
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2
3 Clarinettes (trio)
2
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2
Hautbois (partie séparée)
2
2 Clarinettes (duo)
2
2 Saxophones (duo)
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1
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1
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1
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1
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3 Saxophones (trio)
1
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2 Flûtes traversières (duo)
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Clarinette Basse, Piano
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Flûte et Guitare
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21
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10
Cor et Piano
5
Ensemble de Trombones
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4
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3
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3
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3
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1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
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1
Trombone
1
Quatuor de Cuivres
1
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Quatuor à cordes: 2 violons, alto, violoncelle
28
Harpe
13
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11
Violoncelle, Piano
9
Violon
9
Violoncelle
8
Violon, Violoncelle (duo)
7
2 Harpes (duo)
7
Trio à Cordes: violon, alto, violoncelle
6
2 Violoncelles (duo)
3
Violon (partie séparée)
3
Harpe, Voix
3
Ensemble de Violons
3
Alto, Piano
3
Alto seul
3
Trio à Cordes: 2 violons, violoncelle
2
Alto (partie séparée)
2
2 Violons (duo)
2
Violon, Alto (duo)
1
Alto, Violoncelle (duo)
1
Alto et Harpe
1
Violoncelle , Guitare (duo)
1
Harpe, Violon (duo)
1
Violoncelle, Contrebasse (duo)
1
4 Contrebasses
1
Ensemble de Violoncelles
1
Contre Basse
1
2 Altos (duo)
1
4 Violoncelles
1
Quatuor à cordes : 4 altos
1
Ensemble d'Altos
1
Violoncelle (partie séparée)
1
Harpe, Flûte (duo)
1
+ 28 instrumentations
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Orchestre à Cordes
13
Orchestre
11
Ensemble de cuivres
10
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6
Ensemble Jazz
5
Cloches
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2
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CORNET
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Quatuor de Clarinettes: 4 clarinettes
Partitions à imprimer
6 partitions trouvées
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1
Tico Tico (tico Tico No Fuba)
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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The Andrews Sisters
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Diego Marani
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Tico Tico
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - SKU: A0.528256 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arr...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - SKU: A0.528256 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Diego Marani. Contemporary,Instructional,Latin,Pop,Standards. 21 pages. Diego Marani #5709953. Published by Diego Marani (A0.528256). Tico-Tico no fubá (sparrow in the cornmeal, or, literally, rufous-collared sparrow in the cornmeal) is a Brazilian choro song written by Zequinha de Abreu in 1917. Outside Brazil, the song reached its peak popularity in the 1940s, with successful recordings by Ethel Smith, The Andrews Sisters, Carmen Miranda and others. Other recordings have been made by: Charlie Parker, Berliner Philarmoniker, Henry Mancini, Paquito D'Rivera, Perez Prado and more recently Lou Bega.This arrangement for clarinet quartet includes the following parts: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet.Is is suitable for classroom, repertoire, recital and for a powerful encore.
$19.99
The Royal Court of Aquitaine (Clarinet Quartet version)
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Quatuor de Clarinettes: 4 clarinettes
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AVANCÉ
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James Pybus
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The Royal Court of Aquitaine
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James Pybus
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bass Clarinet - Level 5 - SKU: A0.764636 Composed by James Pybus. Contemporary,Contest,Festival. 15 pages. James Pybu...
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet - Level 5 - SKU: A0.764636 Composed by James Pybus. Contemporary,Contest,Festival. 15 pages. James Pybus #34151. Published by James Pybus (A0.764636). The Royal Court of Aquitaine is an original composition for SATB Saxophone Quartet or Clarinet Quartet and is dedicated to the Three Rivers Saxophone Quartet who are based in Pittsburgh, in appreciation for having me as one of their guests at their 20th Annual Saxophone and Woodwind Workshop held at California University of Pennsylvania, June 27- July 2, 2010. I began working on the piece just prior to attending the workshop and completed it a few days after returning home to Mississauga, Ontario. The title was suggested by my lovely bride after she first heard the piece. Raised in a family where medieval history was a frequent topic of discussion since her father was a Professor of Medieval Studies at the University of Toronto, my wife says she had a vision of Eleanor of Aquitaine arriving by ship in England with her entourage, while her husband King Henry II awaited her. Since I had no title in mind, and after having researched the medieval Queen, I decided my wife’s suggestion was particularly apt. The piece is in ternary form, with the first theme in C Dorian mode, perhaps depicting Eleanor’s strength and conviction as a monarch. This leads into the second section in Eb major, which is more lyrical and calming in nature, suggesting her influence over the Courtly Love Movement while residing in Poitiers. The first section then returns to bring the piece to a balanced conclusion. The performance time is 3:15. Contact me at james.pybus56@gmail.com.
$15.00
Five Mighty Meaty Morsels From Johann Georg Albrechtsberger for Clarinet Quartet.
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Quatuor de Clarinettes: 4 clarinettes
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Johann Georg Albrechtsberger
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Stephen Davies
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Five Mighty Meaty Morsels From
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Stephen Davies
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SheetMusicPlus
Clarinet - SKU: A0.1071010 Composed by Johann Georg Albrechtsberger. Arranged by Stephen Davies. Classical,Standards. Full Performance. Duration 746. St...
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Clarinet - SKU: A0.1071010 Composed by Johann Georg Albrechtsberger. Arranged by Stephen Davies. Classical,Standards. Full Performance. Duration 746. Stephen Davies #5725759. Published by Stephen Davies (A0.1071010). The Austrian composer Johann Georg Albrechtsberger was an organist, teacher and theorist, indeed one of his many influential pupils was a certain Ludwig Van Beethoven. His own musical works were and still are a tour-de-force and widely recorded. In fact his Alto Trombone Concerto is very much a part of the repertoire for that instrument. He also wrote, what might be today regarded as quite strange, no less than 7 Concerti for the Jaws Harp and String Orchestra. The 5 pieces here are representative of his masterly fugal output, tweaked here and there to suit the Clarinet Quartet format! Five Meaty Morsels, suitable for Vegans and Vegetarians alike!! Also available in Saxophone Quartet flavour...... 3 Sopranos and Tenor!
$1.99
Na Na Na
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Pentatonix
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Lisa Ochoco
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Na Na Na
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Lisa L Ochoco
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 4 - SKU: A0.559952 By Pentatonix. By Avriel Kaplan, Kevin Olusola, and Taylor Parks. Arranged b...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 4 - SKU: A0.559952 By Pentatonix. By Avriel Kaplan, Kevin Olusola, and Taylor Parks. Arranged by Lisa Ochoco. Contemporary,Pop,Rock. 26 pages. Lisa L Ochoco #5982819. Published by Lisa L Ochoco (A0.559952). Pentatonix is a fantastic Grammy-winning acapella quintet group. Their ability to harmonize is truly incredible, and their songs are quite catchy. This song is no exception.
$15.00
Machaut: La Messe de Nostre Dame for Clarinet Quartet - Score Only
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1259372 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contes...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1259372 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852647. Published by jmsgu3 (A0.1259372). INSTRUMENTATION: 2 Clarinets in Bb, 1 Alto Clarinet, 1 Bass Clarinet1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
Machaut: Le Messe de Nostre Dame for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
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Guillame de Machaut, 1300-1377
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James M
#
Machaut: Le Messe de Nostre Da
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.1260025 Composed by Guillame de Machaut, 1300-1377. Arranged by Jam...
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.1260025 Composed by Guillame de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 86 pages. Jmsgu3 #853210. Published by jmsgu3 (A0.1260025). INSTRUMENTATION: 2 Clarinets in Bb, 1 Alto Calrinet, 1 Bass Clarinet1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
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