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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
S.C.O.
Non classifié
329
Piano & claviers
Piano seul
400
Piano Facile
131
Instruments en Do
117
Piano, Voix
74
1 Piano, 4 mains
39
Accordéon
38
Piano, Voix et Guitare
22
Accompagnement Piano
14
Orgue
10
Piano Trio: piano, violon, violoncelle
5
Accordéon, Voix
2
Orgue, Trompette (duo)
2
Piano grosses notes
2
Orgue, Piano (duo)
1
Clavier
1
2 Pianos, 8 mains
1
+ 11 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
35
Guitare notes et tablatures
20
Guitare
11
Basse electrique
6
Ensemble de Ukulélés
2
Piano, Guitare (duo)
2
Paroles et Accords
2
Mandoline
1
Ukulele
1
3 Guitares (trio)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
115
Chorale 3 parties
17
Chorale 2 parties
12
Chorale TTBB
11
Chorale Unison
11
Voix Alto, Piano
5
Voix Tenor
4
Voix Soprano
3
Voix duo, Piano
3
Chorale SSAA
3
Voix seule
3
Voix Tenor, Piano
2
Voix Soprano, Piano
2
Voix Baryton, Piano
2
Chorale
1
Chorale SSATB
1
Voix duo
1
Pack Instrumental pour Chorale
1
Voix moyenne, Piano
1
+ 14 instrumentations
Retracter
Vents
Saxophone (partie séparée)
32
Hautbois (partie séparée)
20
Quintette de Saxophone: 5 saxophones
15
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
15
Flûte, Hautbois, Clarinette, Basson
13
Saxophone Alto et Piano
11
Quatuor de Saxophones: 4 saxophones
11
Clarinette
10
Flûte traversière et Piano
9
Flûte traversière
7
Clarinette et Piano
6
Saxophone Alto
6
Saxophone Tenor
5
2 Saxophones (duo)
5
3 Saxophones (trio)
4
Flûte, Clarinette (duo)
4
Quatuor de Flûtes : 4 flûtes
4
2 Clarinettes (duo)
3
Quatuor de Clarinettes: 4 clarinettes
3
2 Flûtes traversières (duo)
3
Trio de Flûtes: 3 flûtes
3
3 Clarinettes (trio)
2
Flute, harpe et violon
2
Saxophone et Harpe
2
Quintette de Flûte : 5 flûtes
2
Saxophone Tenor et Piano
2
Ensemble de Flûtes
2
Saxophone Soprano et Piano
2
Hautbois, Piano (duo)
1
Flûte, Trombone (duo)
1
Clarinette, Contrebasse (duo)
1
Ensemble de Hautbois
1
Flûte, Violon, Piano
1
Clarinette, Guitare (duo)
1
Quatuor de Flûtes à bec
1
Ocarina
1
2 Saxophones, Piano
1
Flûte, Violoncelle, Guitare
1
Clarinette et Alto
1
Clarinette, Tuba
1
Hautbois, Harpe
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette, Trombone (duo)
1
Flûte et Guitare
1
Ensemble de Clarinettes
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à Bec
1
+ 42 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
66
Tuba (partie séparée)
52
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Trompette
12
Quatuor de Cuivres
10
Trompette, Piano
8
Trombone
6
Trompette (partie séparée)
6
2 Trompettes (duo)
4
Trombone et Piano
4
Cor
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
2 Trombones (duo)
3
Trompette, Trombone (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Euphonium, Piano (duo)
2
2 Cors (duo)
2
Tuba ou Euphonium ou Saxhorn
1
Ensemble de Trompettes
1
Cor et Harpe
1
Tuba et Piano
1
+ 16 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
29
Harpe
26
2 Harpes (duo)
18
Violoncelle
14
Violon et Piano
13
Violon
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Violoncelle, Piano
7
Alto (partie séparée)
6
Violon, Violoncelle (duo)
6
2 Violoncelles (duo)
5
Violon, Alto (duo)
5
2 Altos (duo)
4
Alto, Piano
4
2 Violons (duo)
4
Alto seul
4
Trio à Cordes: violon, alto, violoncelle
3
Harpe, Trombone (duo)
3
Contrebasse (partie séparée)
2
Contre Basse
2
Harpe, Voix
2
Harpe, Violoncelle (duo)
1
Violon (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle (partie séparée)
1
Flûte, Contrebasse (duo)
1
2 Violoncelles, Piano
1
Harpe, Violon (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
105
Orchestre de chambre
28
Ensemble de cuivres
20
Orchestre
17
Cloches
15
Ensemble Jazz
6
Orchestre à Cordes
5
Jazz combo
3
Fanfare
2
Percussion
1
Percussion (partie séparée)
1
Batterie
1
+ 7 instrumentations
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FLUTE A BEC
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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S.C.O.
Quatuor de Clarinettes: 4 clarinettes
Partitions à imprimer
3 partitions trouvées
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O Magnum Mysterium for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Thomas Victoria
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James Haynor
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c
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O Magnum Mysterium for Clarine
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James Haynor
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - SKU: A0.782220 Composed by Thomas Victoria. Arranged by James Haynor. Praise & Worship,Renaissan...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - SKU: A0.782220 Composed by Thomas Victoria. Arranged by James Haynor. Praise & Worship,Renaissance,Sacred,Spiritual. 17 pages. James Haynor #3604661. Published by James Haynor (A0.782220). Tomás Luis de Victoria (sometimes Italianised as da Vittoria; c. 1548 – 27 August 1611) was the most famous composer in 16th-century Spain, and was one of the most important composers of the Counter-Reformation. Victoria was not only a composer, but also an accomplished organist and singer as well as a Catholic priest. However, he preferred the life of a composer to that of a performer. O Magnum Mysterium written for four voices is a great example of his work and transcribes well for clarinet quartet. ( Duration 3:47 )
$10.00
5 Famous Songs by Bach for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
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Classique
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Christian Petzold, Johann Seba
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Ander
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5 Famous Songs by Bach for Cla
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - SKU: A0.1137849 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arrange...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - SKU: A0.1137849 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738108. Published by Woods Only, Arrangements (A0.1137849). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for clarinet quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
Sones y Jarabes Mixes - Cuarteto para Clarinetes
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Rito Marcelino Rovirosa
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Everardo GarcÃa Vargas
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Sones y Jarabes Mixes - Cuarte
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Everardo GarcÃa Vargas
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble - Level 3 - SKU: A0.1240957 Composed by Rito Marcelino Rovirosa. Arranged by Everardo GarcÃa Vargas. Chamber,Class...
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Clarinet Quartet,Woodwind Ensemble - Level 3 - SKU: A0.1240957 Composed by Rito Marcelino Rovirosa. Arranged by Everardo GarcÃa Vargas. Chamber,Classical,Holiday,Multicultural,Traditional,World. 17 pages. Everardo GarcÃa Vargas #836352. Published by Everardo GarcÃa Vargas (A0.1240957). Sones y Jarabes Mixes - Cuarteto para ClarinetesLa obra musical ceremonial “Sones y Jarabes Mixesâ€, compuesta por Rito Marcelino Rovirosa, es ampliamente reconocida como uno de los himnos representativos de la región Mixe. Además de ser una pieza musical, también es un baile que forma parte integral de la cultura Mixe del estado de Oaxaca, México. El mismo autor también compuso un himno especÃfico para la región titulado “Himno Mixeâ€. En la tradición y costumbres de esta región, se realizan ceremonias y ritos para agradecer o pedir a las potencias naturales como el rayo, el viento, el agua, el sol, la montaña, la madre tierra y al rey “Konk ëy†(rey bueno), quien representa el vÃnculo con lo sagrado. Estas ceremonias pueden tener como objetivo tener una buena cosecha, alejar un mal sobrenatural, mejorar las condiciones de vida, tener abundancia económica o un buen año. Durante estas ceremonias se ofrendan bebidas como tepache y mezcal, alimentos y música, incluyendo sones y jarabes para bailar.Rito Marcelino Rovirosa, es un ilustre compositor mexicano conocido como el “hijo de la sierra mixeâ€, nació en Asunción Cacalotepec, Mixe, Oaxaca el 07 de abril de 1908 y falleció en Santiago Zacatepec Mixe, Oaxaca el 05 de julio de 2000 a la edad de 92 años. Rovirosa dejó un legado de más de 200 obras que se extendieron más allá de su región y fueron interpretadas por las bandas filarmónicas de casi todos los estados de la República Mexicana. Entre sus creaciones se encuentran sones y jarabes mixes, himno mixe, los mixes, fandango mixe, raza mixe, rey condoy, lustre, fiesta animada, viuda alegre, alegrÃa de mi alma, nueva esperanza, mi paisano y pájaro montañero. Sin embargo, no todas sus obras fueron conocidas o grabadas; dejó muchas inéditas e incluso escribió varias piezas a petición de otros músicos quienes le solicitaron que las dejara sin tÃtulo ni autorÃa. Marcelino Rovirosa vivió como cualquier otro campesino; dedicaba su tiempo a cuidar sus cultivos de café, maÃz y frijol. Las noches eran sus momentos favoritos para escribir sus obras inspirándose en la naturaleza, el canto de los pájaros y las convivencias con sus paisanos. Nadie hubiera imaginado que un indÃgena mixe iba a trascender con su música más allá de la frontera mixe. En la década de los años cuarenta del siglo pasado fue humillado por el mandamás de su pueblo quien lo envió a la cárcel acusándolo falsamente. Fue llevado a pie amarrado de las manos y sujetado por una cuerda por los guardianes desde su natal Asunción Cacalotepec hasta la cabecera distrital de Santiago Zacatepec un pueblo que lo adoptarÃa más tarde, después de caminar más de 10 horas en plena serranÃa fue conducido directamente a la cárcel donde permaneció durante tres años. Mientras estaba en la cárcel su creciente fama como buen músico llegó a oÃdos de las autoridades del pueblo, del agente del ministerio público, del juez que llevaba su caso y también de don Luis RodrÃguez Jacob, lÃder de la comunidad y del distrito mixe. A pesar de estar privado de su libertad gozaba de algunos tratos preferenciales que los demás no tenÃan. Fue incluido en la banda de música que viajó a la ciudad de Oaxaca, junto con las autoridades municipales para participar en un evento oficial que resultó ser todo un éxito. Al término de la misión y de regreso a Zacatepec don Luis RodrÃguez encomendó a los maestros de música y al distinguido Marcelino Rovirosa que escribieran una melodÃa representativa de la región mixe. Rito regresó como era natural a la cárcel municipal y puso manos a la obra; le facilitaron papel pautado y pluma y en pocos dÃas la obra solicitada quedó lista y lo tituló “fandango mixe†nombre sugerido por don Luis RodrÃguez.
$38.50
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