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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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Short story
Non classifié
100
Piano & claviers
Piano seul
126
Piano, Voix
59
Piano, Voix et Guitare
28
Piano grosses notes
18
Piano Facile
18
Accompagnement Piano
6
Instruments en Do
5
Orgue
3
Piano Trio: piano, violon, violoncelle
3
1 Piano, 4 mains
2
2 Pianos, 4 mains
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5
Mandoline
1
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30
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12
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10
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10
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7
Voix duo, Piano
6
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3
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2
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1
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1
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Voix haute
1
Voix Alto, Piano
1
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28
Clarinette et Piano
25
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18
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12
Hautbois, Piano (duo)
12
Saxophone Alto et Piano
12
2 Saxophones (duo)
10
Quatuor de Saxophones: 4 saxophones
9
Saxophone, Clarinette (duo)
6
Saxophone Soprano et Piano
6
2 Flûtes traversières (duo)
6
Saxophone Tenor et Piano
6
Quatuor de Clarinettes: 4 clarinettes
5
Clarinette (partie séparée)
4
Clarinette, Trompette (duo)
4
Clarinette, Violon (duo)
4
Flûte traversière
4
Saxophone (partie séparée)
4
Hautbois (partie séparée)
4
Ensemble de Flûtes
4
Cor anglais, Piano
3
Flûte, Clarinette (duo)
3
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3
2 Hautbois (duo)
3
Quatuor de Flûtes : 4 flûtes
3
Clarinette
3
Flute (partie séparée)
2
Flûte à bec Soprano
2
Clarinette et Alto
2
Hautbois, Flûte
2
Flûte, Trompette (duo)
2
Hautbois, Basson (duo)
2
Hautbois, Clarinette (duo)
2
Saxophone Alto
2
Ensemble de Clarinettes
1
Flûte, Hautbois, Clarinette (trio)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Harpe et Violoncelle
1
Flûte, Alto (duo)
1
Flûte, Saxophone (duo)
1
Flûte, Violon
1
+ 36 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
20
Trompette, Piano
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Cor et Piano
8
Trombone et Piano
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Trompette, Saxophone (duo)
4
Cor anglais, Piano
3
Tuba et Piano
3
Trompette
3
Trompette, Trombone (duo)
2
Quatuor de Cuivres
2
Trombone (partie séparée)
1
2 Trombones (duo)
1
4 Tubas
1
Tuba (partie séparée)
1
Ensemble de Cors
1
Ensemble de Trompettes
1
Trompette (partie séparée)
1
2 Trompettes (duo)
1
Cor (partie séparée)
1
Trombone basse
1
+ 17 instrumentations
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Cordes
Violon et Piano
33
Quatuor à cordes: 2 violons, alto, violoncelle
32
Violoncelle, Piano
23
Alto, Piano
21
Violon
9
Violon, Violoncelle (duo)
6
2 Altos (duo)
4
Violoncelle
4
Violon (partie séparée)
4
Contrebasse, Piano (duo)
3
Harpe
3
Alto (partie séparée)
3
Trio à Cordes: 2 violons, violoncelle
3
2 Violons (duo)
3
Trio à Cordes: violon, alto, violoncelle
2
Contrebasse (partie séparée)
2
Violoncelle (partie séparée)
2
Alto seul
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violon, Clarinette, Piano (trio)
1
2 Violoncelles (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violon, Alto (duo)
1
Harpe, Flûte (duo)
1
+ 19 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
135
Fanfare
70
Orchestre à Cordes
35
Orchestre
22
Orchestre de chambre
7
Cloches
5
Ensemble de cuivres
3
Ensemble de Percussions
3
Percussion (partie séparée)
3
Timbales (partie séparée)
1
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--INSTRUMENTS--
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AUTOHARPE
BANJO
BASSE
BASSON
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CHORALE - CHAN…
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COR
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CORNET
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Short story
Quatuor de Clarinettes: 4 clarinettes
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1
Intermezzo from "Cavalleria rusticana" (Mascagni) - Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Opera
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Classique
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Pietro Mascagni
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Rob Bushnell
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Intermezzo from "Cavaller
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RBMusic
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1325229 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Clas...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1325229 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 15 pages. RBMusic #913462. Published by RBMusic (A0.1325229). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.This arrangement includes alternative parts for clarinet in E-flat and alto clarinet in E-flat. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcÃa, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.
$15.99
Machaut: La Messe de Nostre Dame for Clarinet Quartet - Score Only
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1259372 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contes...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1259372 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852647. Published by jmsgu3 (A0.1259372). INSTRUMENTATION: 2 Clarinets in Bb, 1 Alto Clarinet, 1 Bass Clarinet1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
Machaut: Le Messe de Nostre Dame for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
#
Guillame de Machaut, 1300-1377
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James M
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Machaut: Le Messe de Nostre Da
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.1260025 Composed by Guillame de Machaut, 1300-1377. Arranged by Jam...
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.1260025 Composed by Guillame de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 86 pages. Jmsgu3 #853210. Published by jmsgu3 (A0.1260025). INSTRUMENTATION: 2 Clarinets in Bb, 1 Alto Calrinet, 1 Bass Clarinet1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
Valse Triste for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Jean Sibelius
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Diego Marani
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Valse Triste for Clarinet Quar
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Diego Marani
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1477876 Composed by Jean Sibelius. Arranged by Diego Marani. 20th C...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1477876 Composed by Jean Sibelius. Arranged by Diego Marani. 20th Century,Classical,Instructional,Opera,Romantic Period. 22 pages. Diego Marani #1055258. Published by Diego Marani (A0.1477876). Valse triste (Sad Waltz), Op. 44/1, is a short orchestral work by the Finnish composer Jean Sibelius. It was originally part of the incidental music he composed for his brother-in-law Arvid Järnefelt's 1903 play Kuolema (Death), but is far better known as a separate concert piece.Sibelius wrote six pieces for the 2 December 1903 production of Kuolema. The first was titled Tempo di valse lente - Poco risoluto. In 1904 he revised the piece, which was performed in Helsinki on 25 April of that year as Valse triste. It was an instant hit with the public, took on a life of its own, and remains one of Sibelius's signature pieces. It is considered one of the most beautiful and moving waltzes in the history of musicThis arrangement for clarinet quartet (Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet) is suitable for any occasion: classroom, repertoire and recital.
$12.99
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Short story
