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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Syl
Sheetmusicplus
Non classifié
359
Piano & claviers
Piano seul
549
Piano, Voix
247
Piano Facile
108
Piano, Voix et Guitare
75
Instruments en Do
65
1 Piano, 4 mains
19
Accompagnement Piano
12
Orgue
12
2 Pianos, 4 mains
6
1 Piano, 6 mains
4
Piano Trio: piano, violon, violoncelle
3
Orgue, Piano (duo)
3
Accordéon
2
Clavecin
2
Piano (partie séparée)
2
2 Pianos, 8 mains
2
Piano grosses notes
1
+ 12 instrumentations
Retracter
Guitares
Guitare
51
Guitare notes et tablatures
49
Ligne De Mélodie, (Paroles) et Accords
43
Ukulele
20
2 Guitares (duo)
14
Basse electrique
8
Paroles et Accords
6
Guitare (partie séparée)
4
Basse électrique (partie séparée)
3
Piano, Guitare (duo)
3
2 Mandolines (duo)
2
4 Guitares (Quatuor)
2
Ensemble de guitares
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
132
Chorale 3 parties
96
Chorale TTBB
48
Chorale 2 parties
42
Chorale SSAA
20
Voix duo
12
Chorale Unison
9
Voix seule
9
Voix duo, Piano
8
Voix basse, Piano
5
Chorale
4
Voix haute
3
Voix, Guitare
2
Voix Soprano, Piano
2
Pack Instrumental pour Chorale
1
Chorale SSAATTBB
1
Voix Mezzo-Soprano, Piano
1
Chorale SSATTB
1
Voix moyenne, Piano
1
Voix Soprano
1
Chorale SAATB A Cappella
1
+ 16 instrumentations
Retracter
Vents
Flûte traversière
63
Clarinette
51
Saxophone (partie séparée)
43
Clarinette (partie séparée)
29
Flûte traversière et Piano
25
Saxophone
24
Flûte et Guitare
23
2 Saxophones (duo)
21
2 Clarinettes (duo)
13
Hautbois (partie séparée)
12
Quatuor de Flûtes : 4 flûtes
12
Flûte à bec Alto, Piano
12
Saxophone Alto et Piano
11
Quatuor de Saxophones: 4 saxophones
11
Hautbois, Piano (duo)
10
Flûte à bec Alto, Basse continue
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
2 Flûtes traversières (duo)
8
Saxophone Tenor
8
Saxophone Alto
8
Clarinette et Piano
7
Flute (partie séparée)
7
Flûte à Bec
7
Quatuor de Clarinettes: 4 clarinettes
6
Trio de Flûtes: 3 flûtes
6
Flûte à bec Alto
6
Saxophone Baryton, Piano
5
Saxophone Tenor et Piano
5
Flûte, Hautbois, Clarinette, Basson
4
2 Hautbois (duo)
4
Flûte à bec Soprano, Piano
3
Saxophone, Clarinette (duo)
3
Hautbois
3
Ensemble de Flûtes
3
Flûte à bec Soprano
3
Clarinette, Guitare (duo)
3
Piccolo
2
Quintette de Clarinettes: 5 clarinettes
2
Hautbois, Flûte
2
Clarinette, Trompette (duo)
2
Flûte traversière, Basse continue
2
Flûte à bec Soprano, Basse continue
2
Ensemble de Clarinettes
2
Clarinette Basse, Piano
2
3 Flûtes à bec (trio)
2
Cor anglais, Piano
2
Flûte, Violon, Piano
1
Hautbois, Basson (duo)
1
Clarinette et Alto
1
Flûte, Clarinette et Basson
1
Clarinette, Trombone (duo)
1
Flûte, Alto (duo)
1
Flûte, Trompette (duo)
1
Ensemble de saxophones
1
Flûte, Clarinette (duo)
1
Flûte, Saxophone (duo)
1
Flûte, Violon et Violoncelle
1
Flûte, Violon
1
Hautbois, Clarinette (duo)
1
3 Clarinettes (trio)
1
Clarinette, Violon (duo)
1
+ 56 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
42
Trombone (partie séparée)
36
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
23
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Cor (partie séparée)
18
Trompette
16
Trombone
13
Cor
12
Tuba (partie séparée)
12
Cor et Piano
8
Trombone et Piano
6
Quatuor de Cuivres
4
2 Trombones (duo)
4
2 Cors (duo)
4
2 Trompettes (duo)
4
Trompette, Piano
3
Tuba
3
2 Euphoniums (duo)
3
Euphonium
2
Trompette, Saxophone (duo)
2
Cor anglais, Piano
2
4 Euphoniums
1
Euphonium, Piano (duo)
1
Trompette, Trombone (duo)
1
Bass Clef Instruments
1
Quatuor de cuivres: 4 trombones
1
Tuba et Piano
1
Ensemble de Cors
1
Euphonium, Tuba (duo)
1
+ 24 instrumentations
Retracter
Cordes
Violon
95
Violoncelle
59
Violon (partie séparée)
58
Quatuor à cordes: 2 violons, alto, violoncelle
45
Violon et Piano
29
Contrebasse (partie séparée)
28
Violoncelle, Piano
26
Alto (partie séparée)
23
Contre Basse
22
Alto, Piano
20
Alto seul
14
Violoncelle (partie séparée)
12
Harpe
9
2 Violons (duo)
6
2 Violoncelles (duo)
5
Trio à Cordes: violon, alto, violoncelle
5
Violon, Alto (duo)
4
Violoncelle, Basse continue
4
Violon, Guitare (duo)
3
Violon, Violoncelle (duo)
2
Violon, Basse continue
2
2 Altos (duo)
2
Alto, Violoncelle (duo)
1
4 Violoncelles
1
Violoncelle , Guitare (duo)
1
Trio à cordes: 3 violins
1
Contrebasse, Piano (duo)
1
Alto, Guitare (duo)
1
Harpe, Flûte (duo)
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
643
Orchestre à Cordes
92
Orchestre
60
Ensemble Jazz
24
Ensemble de cuivres
15
Percussion (partie séparée)
14
Fanfare
13
Batterie
11
Batterie (partie séparée)
11
Jazz combo
6
Orchestre de chambre
5
Cloches
5
Ensemble d'École
2
Ensemble de Percussions
2
Vibraphone
2
2 Caisses Claires (duo)
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vendeurs (tous)
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Note4Piano
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Partitions à imprimer
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1
Pizzicati from Sylvia for Clarinet Quartet
#
Quatuor de Clarinettes: 4 clarinettes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Leo Delibes
#
Andrew Middleton
#
Pizzicati from Sylvia for Clar
#
Andrew Middleton
#
SheetMusicPlus
Composed by Leo Delibes (1836- 1891). Arranged by Andrew Middleton. Romantic Period. 13 pages. Andrew Middleton #3559309. Published by Andrew Middleton...
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Composed by Leo Delibes (1836- 1891). Arranged by Andrew Middleton. Romantic Period. 13 pages. Andrew Middleton #3559309. Published by Andrew Middleton
$7.99
Pizzicati for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
#
Classique
#
Leo Delibes
#
Diego Marani
#
Pizzicati for Clarinet Quartet
#
Diego Marani
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.528171 Composed by Leo Delibes. Arranged by Diego Marani. Classical,Concert,Instructiona...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.528171 Composed by Leo Delibes. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. 10 pages. Diego Marani #5010887. Published by Diego Marani (A0.528171). Sylvia, originally Sylvia, ou La nymphe de Diane, is a full-length ballet in two or three acts, first choreographed by Louis Mérante to music by Léo Delibes in 1876. Sylvia is a typical classical ballet in many respects, yet it has many interesting features that make it unique. The prelude to the first act and the pizzicati in the third are the significantly more famous sections of this already notable score. The latter, the more famous, is a well-known example of pizzicato style. This section is, according to The New Grove Dictionary of Music and Musicians, traditionally played in a halting, hesitant style that appears to have been no part of Delibes's conception.This arrangement for clarinet quartet includes the following parts: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet.
$9.90
Schubert Lieder for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
#
Classique
#
Franz Schubert
#
Erin Miesner
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Schubert Lieder for Clarinet Q
#
Erin Miesner
#
SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 2 - SKU: A0.812150 Composed by Franz Schubert. Arranged by Erin Miesner. 19th Century,Chamber,C...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 2 - SKU: A0.812150 Composed by Franz Schubert. Arranged by Erin Miesner. 19th Century,Chamber,Classical,Romantic Period,Sacred. 28 pages. Erin Miesner #2906839. Published by Erin Miesner (A0.812150). Franz Schubert composed over 600 songs in the course of his short life. These charming works are especially well suited to the clarinet and it's vocal qualities. Short and satisfying, all 3 are suitable for ensembles of any skill level, including younger performers. Selections Include: An Sylvia, D.891 (Op. 106, No. 4), Heidenröslein, D. 257 (Op. 3, No. 3), Der Tod und das Mädchen, D. 531 (Op. 7, No. 3), Die Forelle, D. 550 (Op. 32), and Erntelied, D. 434. Includes score (14-pg.) and parts for Clarinet 1 in B-Flat, Clarinet 2 in B-Flat, Clarinet 3 in B-Flat and Bass Clarinet in B-FlatMore information and other music is available at www.ehmpublishing.com.
$23.95
It Takes Two
#
Quatuor de Clarinettes: 4 clarinettes
#
INTERMÉDIAIRE/AVANCÉ
#
Marvin Gaye And Kim Weston
#
Luiza Lale
#
It Takes Two
#
Luiza Lale
#
SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1310148 By Marvin Gaye And Kim Weston. By Sylvia Moy and William St...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1310148 By Marvin Gaye And Kim Weston. By Sylvia Moy and William Stevenson. Arranged by Luiza Lale. 20th Century,Chamber,Pop,R & B,Soul. 12 pages. Luiza Lale #899283. Published by Luiza Lale (A0.1310148). This up beat Motown classic is a must have for all set lists. Fun to play and great to listen to, so also ideal for student ensembles. Arranged for 4x Bb clarinets, with option versions for Eb and Bass at the top and bottom.
$19.99
Machaut: La Messe de Nostre Dame for Clarinet Quartet - Score Only
#
Quatuor de Clarinettes: 4 clarinettes
#
FACILE
#
Guillaume de Machaut, 1300-137
#
James M
#
Machaut: La Messe de Nostre Da
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1259372 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contes...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1259372 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852647. Published by jmsgu3 (A0.1259372). INSTRUMENTATION: 2 Clarinets in Bb, 1 Alto Clarinet, 1 Bass Clarinet1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
Machaut: Le Messe de Nostre Dame for Clarinet Quartet
#
Quatuor de Clarinettes: 4 clarinettes
#
FACILE
#
Guillame de Machaut, 1300-1377
#
James M
#
Machaut: Le Messe de Nostre Da
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.1260025 Composed by Guillame de Machaut, 1300-1377. Arranged by Jam...
(+)
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.1260025 Composed by Guillame de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 86 pages. Jmsgu3 #853210. Published by jmsgu3 (A0.1260025). INSTRUMENTATION: 2 Clarinets in Bb, 1 Alto Calrinet, 1 Bass Clarinet1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
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