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230
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106
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58
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10
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9
Piano Facile
5
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4
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3
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2
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1
Clavecin
1
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12
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1
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1
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38
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6
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23
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15
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14
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13
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12
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10
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8
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8
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7
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7
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7
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6
Clarinette et Piano
6
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5
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5
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5
Clarinette, Trompette (duo)
4
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4
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4
Clarinette
4
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4
Clarinette et Alto
3
Flûte, Clarinette (duo)
3
2 Hautbois (duo)
3
Cor anglais, Piano
3
Quatuor de Clarinettes: 4 clarinettes
3
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2
Flûte, Alto (duo)
2
Quintette de Flûte : 5 flûtes
2
Saxophone Baryton, Piano
2
3 Clarinettes (trio)
2
Flûte, Hautbois, Clarinette (trio)
2
Saxophone Alto
2
Flûte à bec Soprano, Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Flûte
1
Hautbois, Clarinette (duo)
1
Quatuor de Flûtes à bec
1
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1
Flûte et Guitare
1
Hautbois, Basson (duo)
1
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1
Flûte, Saxophone (duo)
1
Clarinette Basse
1
3 Saxophones (trio)
1
Saxophone (partie séparée)
1
Flûte à bec Alto, Piano
1
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19
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13
Trombone et Piano
5
Trompette
4
Ensemble de Trombones
3
Tuba et Piano
3
Ensemble de Trompettes
3
Cor anglais, Piano
3
2 Trompettes (duo)
3
Euphonium, Piano (duo)
3
Trompette, Piano
2
Trompette, Saxophone (duo)
2
2 Trombones (duo)
2
Trombone
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
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2
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1
4 Tubas
1
2 Tubas (duo)
1
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1
Cor
1
2 Cors (duo)
1
Cor et Piano
1
Tuba
1
Quatuor de Cuivres
1
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23
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14
Harpe
10
Violon
10
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8
Violoncelle, Piano
6
2 Violons (duo)
5
Violon, Violoncelle (duo)
5
Alto, Piano
4
Violoncelle
4
Violon, Alto (duo)
3
Alto seul
3
Ensemble de Violons
2
Ensemble d'Altos
2
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1
Quatuor à cordes: 4 violons
1
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1
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1
4 Contrebasses
1
Trio à Cordes: 2 violons, violoncelle
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
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1
Ensemble de Violoncelles
1
2 Altos (duo)
1
2 Violoncelles (duo)
1
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18
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12
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7
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6
Ensemble Jazz
5
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3
Cloches
2
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2
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1
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1
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Piano et Orchestre
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ALTO
AUTOHARPE
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BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLAIRON
CLARINETTE
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CORNET
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They Were Not Here
Quatuor de Clarinettes: 4 clarinettes
Partitions à imprimer
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16 Favourite Easter Hymns for Clarinet Quartet or Choir
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
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Musique Sacrée
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Various
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David McKeown
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16 Favourite Easter Hymns for
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David McKeown
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - SKU: A0.587859 Composed by Various. Arranged by David McKeown. Easter,Praise & Worship,Sacred. 8...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - SKU: A0.587859 Composed by Various. Arranged by David McKeown. Easter,Praise & Worship,Sacred. 80 pages. David McKeown #5031033. Published by David McKeown (A0.587859). 16 Favourite Easter Hymns for Clarinet Quartet or Choir is a beautiful collection of well-known traditional Easter hymns. They are arranged in four parts for three Bb Clarinets and one Bass Clarinet. Separate parts are included with the score in one single pdf file. Alternative parts 1 and 3 for Eb Soprano Clarinet and Eb Alto Clarinet are also included. You can watch and listen to two of these hymns (the Saxophone Quartet version), via the youtube link above.16 Favourite Easter Hymns for Clarinet Quartet or Choir are simply arranged in easy keys and are fun to play for musicians with a year or two’s experience and above. Teachers and students alike will find 16 Favourite Easter Hymns for Clarinet Quartet or Choir useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
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Slide Ride
#
SheetMusicPlus
Bass Clarinet Solo - Level 3 - SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Sli...
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Bass Clarinet Solo - Level 3 - SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Slide Ride (A0.784329). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Clarinet Quartet
#
Quatuor de Clarinettes: 4 clarinettes
#
INTERMÉDIAIRE
#
Methodes
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
#
Slide Ride
#
SheetMusicPlus
Clarinet Solo - Level 3 - SKU: A0.784327 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288647. Published by Slide Ri...
(+)
Clarinet Solo - Level 3 - SKU: A0.784327 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288647. Published by Slide Ride (A0.784327). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
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They Were Not Here
