You will use this arrangement of "Come Thou Fount" over and over again. The harmonies are fresh yet traditional. The second verse has subtle celtic elements and hints at the mixolydian mode. It is suitable for a call to worship or an offertory. Purchase includes 1 score and the following parts: 1st Clarinet in Bb 2nd Clarinet in Bb Alto Clarinet (alt. part for 3rd Clarinet in Bb) Bass Clarinet.

This wonderful arrangement of the hymn tune, AURELIA (which is also used for "Hail to the Lord's Anointed" and "Jerusalem the Golden"), concludes with a triumphant third stanza. Careful consideration has been given to instrument ranges and playability. Works well as a call to worship, offertory, or postlude. It could also be used in a recital setting. It can be played by a clarinet quartet (in several configurations) or a larger clarinet ensemble.

Purchase includes 1 score and the following parts:
Part 1 - 1st Bb Clarinet (or Eb Clarinet)
Part 2 - 2nd Bb Clarinet
Part 3 - 3rd Bb Clarinet (or Alto Clarinet)
Part 4 - Bass Clarinet (or Alto Clarinet).

This well-crafted arrangement for clarinet quartet is suitable for church or the concert hall. Stanzas 2 and 3 provide fresh harmonies after a straightforward statement of this sturdy tune. Works well as a call to worship, offertory, or postlude. The instrumentation is flexible enough to accommodate many different combinations.
Purchase includes a score and the following parts:
Part 1 - 1st Bb Clarinet (or Eb Clarinet)
Part 2 - 2nd Bb Clarinet
Part 3 - 3rd Bb Clarinet (or Alto Clarinet)
Part 4 - Bass Clarinet (or Alto Clarinet).

This beautiful arrangement the hymn tune, NATIONAL HYMN, is perfect for any religious or patriotic setting. A contemplative second stanza in 6/8 gives some contrast to the uplifting nature of the beginning and end. Purchase includes 1 score and the following parts which allows for flexible instrumentation:

Part 1 - Bb Clarinet or Eb Clarinet
Part 2 - Bb Clarinet
Part 3 - Alto Clarinet or Bb Clarinet
Part 4 - Bass Clarinet or Alto Clarinet.

This is one from a collection of 7 gospel songs from the late 18th, 19th and early 20th Century, in their original versions, as arranged for clarinet quartet. The arrangements differ from the choral originals for instrumental purposes in that: some repeated notes in the lower instruments are merged into single long notes various notes are slurred or made into staccatos and fermatas (pauses) are recreated as extended notes and bars, where it makes musical sense to do so. These arrangements are also available as a bundle of 7 (7 Songs of Glory ) for $25 and also separately, at $4.00 each: The Glory Song (C H Gabriel) I Need Thee Every Hour (Robert Lowry) Count your Blessings (E O Excell) Just As I Am (W Bradbury) O for a thousand tongues to sing (Charles Wesley) (Hymn tune known as Lyngham) Tell me the old old story (W H Doane) Trust and obey (D B Towner) In each case the pdfs contain score and parts and the sound samples are electronic previews. I plan to create extended versions, with my own variations, in due course, but these versions are basically transcriptions of the originals.

This is one from a collection of 7 gospel songs from the late 18th, 19th and early 20th Century, in their original versions, as arranged for clarinet quartet. The arrangements differ from the choral originals for instrumental purposes in that: some repeated notes in the lower instruments are merged into single long notes various notes are slurred or made into staccatos and fermatas (pauses) are recreated as extended notes and bars, where it makes musical sense to do so. These arrangements are also available as a bundle of 7 (7 Songs of Glory ) for $25 and also separately, at $4.00 each: The Glory Song (C H Gabriel) I Need Thee Every Hour (Robert Lowry) Count your Blessings (E O Excell) Just As I Am (W Bradbury) O for a thousand tongues to sing (Charles Wesley) (Hymn tune known as Lyngham) Tell me the old old story (W H Doane) Trust and obey (D B Towner)