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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
What I Got
Non classifié
50
Piano & claviers
Piano seul
61
Piano, Voix et Guitare
37
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26
Orgue
8
Instruments en Do
4
Piano Facile
4
2 Pianos, 4 mains
1
Piano grosses notes
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 4 instrumentations
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Guitares
Guitare notes et tablatures
29
Ligne De Mélodie, (Paroles) et Accords
11
Paroles et Accords
8
Basse electrique
7
Ukulele
6
Guitare
4
Mandoline
3
+ 2 instrumentations
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Voix
Chorale SATB
11
Chorale 3 parties
4
Chorale SSAA
3
Voix duo, Piano
2
Chorale TTBB
2
Chorale SSAATTBB
1
Chorale 2 parties
1
Voix Alto, Piano
1
+ 3 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
5
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4
Saxophone Alto
3
Quatuor de Clarinettes: 4 clarinettes
3
Flûte, Hautbois, Clarinette, Basson
3
Flûte, Alto et Piano
2
Clarinette, Guitare (duo)
2
Ensemble de Flûtes
2
Ocarina
1
Hautbois, Piano (duo)
1
2 Saxophones (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Hautbois (partie séparée)
1
Ensemble De Flûte à bec
1
Saxophone Alto et Piano
1
Flûte traversière
1
Flûte traversière et Piano
1
Cor Anglais
1
Saxophone Tenor
1
Clarinette et Piano
1
2 Flûtes traversières (duo)
1
Clarinette
1
Quintette de Saxophone: 5 saxophones
1
Saxophone (partie séparée)
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone Tenor et Piano
1
+ 21 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Trombone
2
Trombone et Piano
1
Trompette, Piano
1
Euphonium, Piano (duo)
1
Tuba
1
Cor Anglais
1
Trombone basse et Piano
1
Trompette (partie séparée)
1
Cor
1
+ 6 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
18
Trio à Cordes: violon, alto, violoncelle
7
Violon, Violoncelle (duo)
5
Violoncelle
3
Violon
3
Trio à Cordes: 2 violons, alto
3
Violon et Piano
2
2 Violoncelles (duo)
1
2 Altos (duo)
1
Trio à Cordes: 3 violoncelles
1
Alto seul
1
2 Violons (duo)
1
Harpe, Voix
1
+ 8 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
18
Orchestre à Cordes
8
Ensemble Jazz
7
Jazz combo
6
Orchestre
4
Ensemble de Percussions
2
Batterie (partie séparée)
2
Ensemble de cuivres
2
Batterie
2
Orchestre de chambre
1
Ensemble d'École
1
Piano et Orchestre
1
+ 7 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Crtitères actifs :
What I Got
Quatuor de Clarinettes: 4 clarinettes
Partitions à imprimer
3 partitions trouvées
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1
I Love Lucy
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Contemporain
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Eliot Daniel
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Dennis Ruello
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I Love Lucy
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Chicory Music
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.734615 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. 7 pages. Chico...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.734615 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. 7 pages. Chicory Music #6672235. Published by Chicory Music (A0.734615). On October 15, 1951, the very first episode of the I Love Lucy show aired on CBS and became the most watched TV show in the U.S. for four of its seven-year run. Fun trivia about the opening theme song is that during the first season the show opened with their sponsor Philip Morris’ animation of stick figure cartoons of Lucy and Desi climbing down a pack of Philip Morris cigarettes. It was scored with Ferde Grofé’s Jr. The Grand Canyon Suite theme (a composition from 1931).From the second season onwards, the I Love Lucy signature tune we all know so well became the main theme, and one of the most recognizable pieces of music on the planet. It was written by composer Eliot Daniel who cranked it out in an afternoon as a favor to his old Coast Guard buddy Jess Oppenheimer, the show’s producer. Since Daniel still had another year under his exclusive contract to Fox, he asked Oppenheimer to keep his name out of it. Consequently his name does not appear on first or the second season TV credits for what became one of the most popular TV themes. Later, Daniel did seek credit and received royalties from syndicated reruns for the rest of his life.The lyrics were written by Harold Adamson for an episode in the third season in which Lucy believes everyone has forgotten her birthday. So of course Ricky saves the day after a near disaster.This arrangement for Soprano Clarinet Quartet remains faithful to the original.Performance Time Approx. 1 minute 25 seconds
$12.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
#
Methodes
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
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Slide Ride
#
SheetMusicPlus
Bass Clarinet Solo - Level 3 - SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Sli...
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Bass Clarinet Solo - Level 3 - SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Slide Ride (A0.784329). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
#
INTERMÉDIAIRE
#
Methodes
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
#
Slide Ride
#
SheetMusicPlus
Clarinet Solo - Level 3 - SKU: A0.784327 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288647. Published by Slide Ri...
(+)
Clarinet Solo - Level 3 - SKU: A0.784327 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288647. Published by Slide Ride (A0.784327). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
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What I Got