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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Des Beethoven
Non classifié
275
Piano & claviers
Piano Facile
193
Piano seul
171
Piano, Voix
38
Piano Trio: piano, violon, violoncelle
9
Piano, Voix et Guitare
8
Instruments en Do
7
1 Piano, 4 mains
7
Orgue
3
Accordéon
2
Accompagnement Piano
2
Piano (partie séparée)
1
1 Piano, 6 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 8 instrumentations
Retracter
Guitares
Mandoline
13
Guitare notes et tablatures
13
Guitare
9
Ukulele
7
Guitare (partie séparée)
2
Basse electrique
2
Piano, Guitare (duo)
1
Ligne De Mélodie, (Paroles) et Accords
1
Ukulele Baryton
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
12
Chorale 2 parties
6
Chorale TTBB
6
Chorale 3 parties
6
Voix duo
4
Pack Instrumental pour Chorale
3
Chorale Unison
2
Voix Baryton, Piano
1
Voix moyenne, Piano
1
+ 4 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
44
2 Flûtes traversières (duo)
42
2 Saxophones (duo)
41
Flûte traversière et Piano
38
Clarinette
27
Clarinette et Piano
26
Flûte à bec Soprano
25
3 Saxophones (trio)
24
Quintette de Saxophone: 5 saxophones
22
Saxophone Alto et Piano
22
Flûte, Hautbois, Clarinette, Basson
21
Hautbois (partie séparée)
21
Hautbois, Piano (duo)
18
Flûte, Clarinette (duo)
18
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
Quatuor de Clarinettes: 4 clarinettes
17
2 Flûte à bec (duo)
16
2 Clarinettes (duo)
15
Flûte à bec Alto
15
3 Clarinettes (trio)
14
Saxophone Tenor et Piano
13
Quatuor de Flûtes : 4 flûtes
12
Flute (partie séparée)
10
Clarinette, Basson (duo)
10
Harmonica
10
3 Flûtes à bec (trio)
10
Saxophone Soprano et Piano
9
Flûte à bec Soprano, Piano
9
Cor anglais, Piano
8
Saxophone Baryton, Piano
8
Hautbois, Clarinette, Basson (trio d'anches)
7
Quatuor de Flûtes à bec
7
Flûte à Bec
6
Flûte traversière
6
Quintette de Flûte : 5 flûtes
6
Flûte, Violoncelle
6
Trio de Flûtes: 3 flûtes
6
Quintette de Clarinettes: 5 clarinettes
6
Saxophone (partie séparée)
5
Hautbois, Basson (duo)
5
Hautbois, Violoncelle
5
5 Flûtes à bec
4
Flûte à Bec, Piano
4
Ensemble de saxophones
4
2 Saxophones, Piano
4
2 Hautbois (duo)
4
Flûte, Hautbois, Clarinette (trio)
3
Hautbois
3
Ensemble de Clarinettes
3
Clarinette Basse, Piano
3
Clarinette, Violoncelle (duo)
3
Saxophone Alto
3
Flûte et Quatuor à Cordes
2
Flûte, Trombone (duo)
2
Clarinette (partie séparée)
2
Flûte, Saxophone (duo)
2
Hautbois, Clarinette (duo)
2
Saxophone Tenor
2
Clarinette, Violon (duo)
2
Cor Anglais
2
Flûte à bec Tenor
2
Flûte, Hautbois, Basson
2
Flûte, Violon
2
Ensemble de Flûtes
2
Saxophone, Violon (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Violon, Piano
1
Saxophone Soprano
1
Flûte, Violon et Violoncelle
1
Flûte, Alto (duo)
1
Saxophone, Clarinette (duo)
1
Flûte et Guitare
1
Flûte, Trompette (duo)
1
Flûte à bec, Guitare (duo)
1
Clarinette et Alto
1
Flûte irlandaise
1
Piccolo
1
Flûte et Trio à cordes
1
Flûte, Clarinette et Basson
1
Flûte à bec Alto, Piano
1
Hautbois, violon (duo)
1
Flûte, Tuba (duo)
1
Piccolo, Piano
1
Saxophone Baryton
1
Ensemble De Flûte à bec
1
+ 80 instrumentations
Retracter
Cuivres
Trombone et Piano
21
Trompette
18
Trompette, Piano
17
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Cor
16
Trompette, Trombone (duo)
13
Cor et Piano
12
2 Trombones (duo)
12
2 Trompettes (duo)
10
2 Cors (duo)
9
Cor anglais, Piano
8
Trombone
7
Trompette (partie séparée)
6
Tuba et Piano
6
Trompette, Cor (duo)
6
4 Tubas
6
Quatuor de cuivres: 4 trombones
6
Quatuor de cuivres: 4 trompettes
5
Ensemble de Cors
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Trompette, Basson (duo)
5
2 Tubas (duo)
4
Quatuor de cuivres: 4 cors
4
Ensemble de Trompettes
4
Tuba
4
3 Trompettes (trio)
4
Euphonium, Piano (duo)
4
Trompette, Violoncelle (duo)
4
Trombone (partie séparée)
4
Cor, Violoncelle (duo)
3
3 Trombones (trio)
3
Trombone, Cor (duo)
3
Cor et Basson (duo)
3
3 Tubas (trio)
2
Cor Anglais
2
Trio de Cuivres
2
Trombone basse et Piano
1
Trombone basse
1
Quatuor de Cuivres
1
Trompette, Euphonium (duo)
1
Trompette, Trombone, Piano
1
Cor (partie séparée)
1
Ensemble de Trombones
1
Trompette, Saxophone (duo)
1
Cor, Tuba (duo)
1
Trombone, Tuba (duo)
1
Tuba et Orgue
1
3 Cors (trio)
1
Euphonium, Tuba (duo)
1
Tuba (partie séparée)
1
Trompette, violon (duo)
1
+ 47 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
469
Trio à Cordes: violon, alto, violoncelle
65
Violon
43
Quintette à cordes: 2 violons, alto, violoncelle, basse
36
Violon et Piano
30
Violoncelle
26
2 Violons (duo)
24
Trio à cordes: 3 violins
20
Alto, Piano
20
Alto seul
19
Violon, Violoncelle (duo)
18
Quatuor à cordes : 4 altos
17
Quatuor à cordes: 4 violons
17
Violoncelle, Piano
16
Trio à Cordes: 3 violoncelles
16
Trio à Cordes: 2 violons, violoncelle
15
Violon, Alto (duo)
15
2 Altos (duo)
12
2 Violoncelles (duo)
12
Contre Basse
11
Trio à cordes: 3 altos
11
Alto, Violoncelle (duo)
10
Trio à Cordes: 2 violons, alto
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
9
4 Violoncelles
7
Contrebasse, Piano (duo)
5
Harpe
5
Violon (partie séparée)
4
Alto (partie séparée)
4
Violon, Basson (duo)
3
Alto et Basson
3
Piano Trio: Violon, Alto, Piano
3
Trio à cordes
2
Contrebasse (partie séparée)
2
Violoncelle (partie séparée)
2
Violoncelle, Contrebasse (duo)
1
2 Violoncelles, Piano
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
4 Contrebasses
1
3 Contrebasses
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
425
Orchestre
30
Orchestre d'harmonie
28
Ensemble de cuivres
6
Cloches
5
Orchestre de chambre
4
Ensemble Jazz
3
2 Xylophones
3
Xylophone, Piano
2
Batterie (partie séparée)
2
Xylophone
1
+ 6 instrumentations
Retracter
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COR ANGLAIS
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CORNET
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DULCIMER
EUPHONIUM
FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
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HAUTBOIS
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LUTH, THEOR…
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PERCU. ORCH…
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PIANO
SAXOPHONE
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VIOLON
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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VIOLON
VIOLONCELLE
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ETUDES
METHODE : TECHNIQUES
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POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
Des Beethoven
Flute (partie séparée)
Partitions à imprimer
10 partitions trouvées
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1
Aubade: A Pairing with Beethoven's Symphony #1 - Flute 1
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Flute (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 4 - SKU: A0.1018902 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064735. Pub...
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Flute Solo - Level 4 - SKU: A0.1018902 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064735. Published by Benjamin Sajo (A0.1018902). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Aubade: A Pairing with Beethoven's Symphony #1 - Flute 2
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Flute (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
#
Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
#
SheetMusicPlus
Flute Solo - Level 4 - SKU: A0.1018904 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064739. Pub...
(+)
Flute Solo - Level 4 - SKU: A0.1018904 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064739. Published by Benjamin Sajo (A0.1018904). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
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Flute (partie séparée)
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AVANCÉ
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and S
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Benjamin Sajo
#
SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Pub...
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Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Published by Benjamin Sajo (A0.1018922). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 2
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Flute (partie séparée)
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AVANCÉ
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and S
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Benjamin Sajo
#
SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Pub...
(+)
Flute Solo - Level 5 - SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Published by Benjamin Sajo (A0.1018923). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Flute 1
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Flute (partie séparée)
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AVANCÉ
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018874 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056055. Pub...
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Flute Solo - Level 5 - SKU: A0.1018874 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056055. Published by Benjamin Sajo (A0.1018874). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Flute 2
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Flute (partie séparée)
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AVANCÉ
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018875 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056059. Pub...
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Flute Solo - Level 5 - SKU: A0.1018875 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056059. Published by Benjamin Sajo (A0.1018875). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Flute 2
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Flute (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 4 - SKU: A0.1018943 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078667. Pub...
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Flute Solo - Level 4 - SKU: A0.1018943 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078667. Published by Benjamin Sajo (A0.1018943). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fanfare: "Grit" - Flute 2
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Flute (partie séparée)
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fanfare: "Grit" - Fl
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018961 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6086593. Pub...
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Flute Solo - Level 5 - SKU: A0.1018961 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6086593. Published by Benjamin Sajo (A0.1018961). Programme Notes: Fanfare: Grit evokes the brassy and rousing tropes of adventure movie soundtracks and Saturday morning cartoons, such as those written by John Williams, Shirley Walker, among others. Writing this piece was an escapade to my own musical roots for this was the first type of music I had been exposed to as a child: incidental music accompanying perilous quests, hairbreadth escapes, and other trials blocking the hero’s path to victory and redemption. I wanted to compose a piece that harkens back to the music that I first fell in love with, that opened up the gates of a legacy--symphonic classical music--that’s always been my solace in trying times. What is grit? Grit is the dirt between smiles and between barefoot toes. Grit is a hard-boiled detective. Grit is tilling the tough soil for the possibility of a beautiful blossoming of flowers. Grit is saying, See you soon, and making sure it happens. Grit is helping others when it’s hard to help yourself. Grit isn’t easy bravery, but the kind of courage you need to build up brick by brick. The obligatory synonyms: courage, bravery, pluck, mettle, and spirit. Finally, this composition, the fourth of my so-called Beethoven Episodes, was written to accompany Ludwig van Beethoven’s 4th Symphony. This work was written on his 250th anniversary, coincidentally during the Covid-19 Pandemic of 2020, and is the sum of my feelings wrought from that experience. Yet this work was completed on Canadian Thanksgiving, and is also an expression of all that I am grateful for, from the bottom of my heart.
$3.50
Joyful Time: Flute
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Flute (partie séparée)
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Classique
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Ludwig van Beethoven
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Victor Lopez
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Masterwork Arrangement
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Joyful Time: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017210_F1 Flute. Composed by Ludwig van Beethoven. Arranged by Victor Lopez. Jazz; Masterwork Arrangement. Part. 2...
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Jazz Ensemble - SKU: AX.00-PC-0017210_F1 Flute. Composed by Ludwig van Beethoven. Arranged by Victor Lopez. Jazz; Masterwork Arrangement. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017210_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017210_F1). UPC: 038081438160.Based on Ode to Joy, this rock-style holiday chart has cool harmony and it's easy to rehearse and perform. Includes optional parts for flute, clarinet, horn, baritone horn, tuba, and guitar. Rock the holiday concert!
$3.00
Joyful Time: 2nd Flute
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Flute (partie séparée)
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Classique
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Ludwig van Beethoven
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Victor Lopez
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Masterwork Arrangement
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Joyful Time: 2nd Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017210_F2 2nd Flute. Composed by Ludwig van Beethoven. Arranged by Victor Lopez. Jazz; Masterwork Arrangement. Par...
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Jazz Ensemble - SKU: AX.00-PC-0017210_F2 2nd Flute. Composed by Ludwig van Beethoven. Arranged by Victor Lopez. Jazz; Masterwork Arrangement. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017210_F2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017210_F2). UPC: 038081438160.Based on Ode to Joy, this rock-style holiday chart has cool harmony and it's easy to rehearse and perform. Includes optional parts for flute, clarinet, horn, baritone horn, tuba, and guitar. Rock the holiday concert!
$3.00
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