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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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COR
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DEEJAY
DIDGERIDOO
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HARMONICA
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HAUTBOIS
LIVRES
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Off beat - piano
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174
Piano & claviers
Instruments en Do
34
Orgue
4
Guitares
Ukulele
32
Guitare
18
Guitare notes et tablatures
6
Basse electrique
5
Guitare (partie séparée)
4
Dulcimer
4
Ligne De Mélodie, (Paroles) et Accords
3
Mandoline
1
+ 3 instrumentations
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Voix
Chorale SATB
48
Chorale 3 parties
28
Chorale SSAA
12
Chorale TTBB
11
Chorale 2 parties
11
Chorale Unison
5
+ 1 instrumentations
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Vents
2 Saxophones (duo)
18
Saxophone (partie séparée)
14
Saxophone Alto
13
Saxophone, Clarinette (duo)
12
Flûte, Hautbois, Clarinette, Basson
11
Flûte traversière
10
Quatuor de Clarinettes: 4 clarinettes
9
Clarinette
9
Hautbois (partie séparée)
8
Saxophone Tenor
8
Clarinette, Violon (duo)
8
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8
2 Clarinettes (duo)
7
2 Flûtes traversières (duo)
6
Ensemble de Flûtes
6
Quatuor de Saxophones: 4 saxophones
6
Clarinette, Trompette (duo)
4
Flûte, Violon
4
Flûte, Trompette (duo)
4
Flûte, Saxophone (duo)
4
Hautbois, Clarinette (duo)
4
Flûte, Clarinette (duo)
4
Clarinette et Alto
4
Hautbois, Flûte
4
Hautbois, Basson (duo)
4
2 Hautbois (duo)
4
Ensemble de Clarinettes
4
Flute (partie séparée)
3
Saxophone Soprano
3
Quintette de Saxophone: 5 saxophones
3
Saxophone Baryton
2
Hautbois
2
Flûte, Violon et Violoncelle
2
Quatuor de Flûtes : 4 flûtes
2
Flûte, Alto (duo)
2
Clarinette, Orgue
1
Flûte et Trio à cordes
1
Flûte, Clarinette et Basson
1
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1
3 Saxophones (trio)
1
3 Clarinettes (trio)
1
Trio de Flûtes: 3 flûtes
1
+ 37 instrumentations
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20
Trompette
15
Trombone
11
Tuba
10
Trombone (partie séparée)
9
Trompette, Saxophone (duo)
9
Cor
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trompette, Trombone (duo)
5
Trompette (partie séparée)
4
2 Trombones (duo)
4
2 Trompettes (duo)
3
Quatuor de Cuivres
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Tuba (partie séparée)
2
Quatuor de cuivres: 4 cors
1
Trio de Cuivres
1
Cor (partie séparée)
1
Trombone, Violon (duo)
1
4 Tubas
1
+ 15 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
59
Violon
25
Violon, Violoncelle (duo)
17
Trio à Cordes: violon, alto, violoncelle
13
Violoncelle
13
2 Harpes (duo)
11
Contre Basse
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Alto seul
8
2 Violons (duo)
7
2 Violoncelles (duo)
6
Violon, Alto (duo)
6
Violon (partie séparée)
5
Alto (partie séparée)
4
2 Altos (duo)
4
Contrebasse (partie séparée)
4
Harpe
3
Violon, Guitare (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Violoncelle (partie séparée)
2
Violoncelle , Guitare (duo)
1
Trio à cordes: 3 violins
1
Ensemble de Violoncelles
1
Alto, Guitare (duo)
1
+ 19 instrumentations
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Orchestre d'harmonie
87
Orchestre à Cordes
28
Fanfare
16
Ensemble Jazz
15
Batterie
11
Orchestre
10
Cloches
8
Ensemble de cuivres
8
Ensemble de Percussions
7
Jazz combo
3
Percussion
2
Xylophone
2
Vibraphone
2
Marimba
1
Batterie (partie séparée)
1
Orchestre de chambre
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
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Vous avez sélectionné:
Off beat - piano
SheetMusicPlus
Partitions à imprimer
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Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
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Flute (partie séparée)
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Pub...
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Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Published by Benjamin Sajo (A0.1018922). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 2
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Flute (partie séparée)
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AVANCÉ
#
Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
#
SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Pub...
(+)
Flute Solo - Level 5 - SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Published by Benjamin Sajo (A0.1018923). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Cubano Chant: Flute
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Flute (partie séparée)
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Ray Bryant
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Victor Lopez
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Latin
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Cubano Chant: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017162_F1 Flute. Composed by Ray Bryant. Arranged by Victor Lopez. Jazz; Latin. Part. 2 pages. Alfred Music - Digi...
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Jazz Ensemble - SKU: AX.00-PC-0017162_F1 Flute. Composed by Ray Bryant. Arranged by Victor Lopez. Jazz; Latin. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017162_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017162_F1). UPC: 038081348643.Cubano Chant is a joyous, upbeat Latin chart arranged by Victor LA3pez. A catchy melody is traded off to the various sections, with written solos for 2nd trumpet and 1st tenor plus an auxiliary percussion part. The lead trumpet part range is to written A, above the staff. Perfect for any jazz band gig. (3:37).
$3.00
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Off beat - piano
