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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Purpose
Non classifié
504
Piano & claviers
Piano seul
467
Piano Facile
75
Piano, Voix et Guitare
40
Orgue
39
Piano, Voix
38
Accompagnement Piano
16
Instruments en Do
15
1 Piano, 4 mains
14
2 Pianos, 4 mains
9
Piano Trio: piano, violon, violoncelle
3
Accordéon
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Orgue, Trompette (duo)
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
90
Guitare
31
Ukulele
5
Basse electrique
3
2 Guitares (duo)
2
Ligne De Mélodie, (Paroles) et Accords
2
Paroles et Accords
2
Piano, Guitare (duo)
2
Guitare Pedal Steel
1
Ensemble de guitares
1
Dulcimer
1
Mandoline
1
+ 7 instrumentations
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Voix
Chorale SATB
211
Chorale 3 parties
96
Chorale
28
Chorale Unison
27
Voix Tenor
25
Voix Alto, Piano
25
Voix Soprano
23
Chorale TTBB
23
Voix Baryton, Piano
21
Chorale 2 parties
16
Chorale SSAA
8
Voix seule
4
Pack Instrumental pour Chorale
2
Voix duo, Piano
1
Voix Tenor, Piano
1
Voix haute
1
Voix Soprano, Piano
1
+ 12 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
40
Flûte traversière et Piano
35
Quatuor de Saxophones: 4 saxophones
32
Quintette de Saxophone: 5 saxophones
27
Flûte, Hautbois, Clarinette, Basson
23
Clarinette
21
Saxophone Alto et Piano
20
Hautbois, Piano (duo)
20
3 Clarinettes (trio)
19
Saxophone Tenor et Piano
18
Clarinette et Piano
18
Flûte traversière
18
Saxophone Baryton, Piano
14
Saxophone Soprano et Piano
12
2 Flûtes traversières (duo)
12
Saxophone Alto
10
Quatuor de Clarinettes: 4 clarinettes
8
Cor anglais, Piano
8
Clarinette Basse, Piano
6
Hautbois (partie séparée)
6
5 Flûtes à bec
6
Quintette de Clarinettes: 5 clarinettes
6
2 Clarinettes (duo)
5
Quatuor de Flûtes à bec
5
Quatuor de Flûtes : 4 flûtes
5
Flûte à bec Soprano
4
Ensemble de Flûtes
4
Flûte et Guitare
4
Saxophone Soprano
3
Saxophone Tenor
3
Ensemble de Clarinettes
3
Hautbois, Basson (duo)
2
2 Flûtes traversières, Piano
2
2 Hautbois (duo)
2
Clarinette, Basson (duo)
2
Flûte, Clarinette (duo)
2
Clarinette, Violoncelle (duo)
2
Cor Anglais
2
Flûte à bec Alto
2
2 Hautbois, Piano
2
Clarinette, Guitare (duo)
2
2 Clarinettes, Piano
2
Piccolo, Piano
2
Saxophone
2
Hautbois
2
Cor anglais, Guitare (duo)
2
2 Saxophones (duo)
2
Ensemble de saxophones
2
Flute (partie séparée)
2
Flûte, Violoncelle
1
Hautbois, Violoncelle
1
Harmonica
1
Saxophone et Guitare
1
Flûte et Trio à cordes
1
Flûte, Hautbois (duo)
1
3 Flûtes à bec (trio)
1
Saxophone Baryton
1
3 Saxophones (trio)
1
Flûte à Bec
1
Trio de Flûtes: 3 flûtes
1
Quintette de Flûte : 5 flûtes
1
+ 56 instrumentations
Retracter
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
55
Trompette
32
Cor et Piano
16
Trombone et Piano
15
Trompette, Piano
14
Trombone
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Euphonium, Piano (duo)
10
Cor
9
Quatuor de Cuivres
8
Cor anglais, Piano
8
Trombone (partie séparée)
6
Tuba
6
Trompette (partie séparée)
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Tuba et Piano
3
2 Cors (duo)
3
2 Trompettes (duo)
3
2 Cors, Piano
2
2 Trompettes, Clavier (piano ou orgue)
2
Trompette, Tuba (duo)
2
Cor Anglais
2
Ensemble de Trompettes
2
Ensemble de Cors
2
Cor anglais, Guitare (duo)
2
Trompette, Cor (duo)
2
Quatuor de cuivres: 4 trompettes
1
Euphonium
1
Trompette, Violoncelle (duo)
1
Trombone, Tuba (duo)
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 4 trombones
1
2 Trombones (duo)
1
Cor et Orgue
1
Quatuor de cuivres: 4 cors
1
2 Euphoniums et 2 Tubas
1
+ 31 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
121
Violon
103
Violon et Piano
44
2 Harpes (duo)
35
Violon, Violoncelle (duo)
29
Violon, Alto (duo)
27
Alto, Piano
23
Violoncelle, Piano
20
Trio à Cordes: violon, alto, violoncelle
20
Violoncelle
19
Quintette à cordes: 2 violons, alto, violoncelle, basse
18
2 Altos (duo)
13
2 Violons (duo)
12
Harpe
10
Alto seul
9
2 Violoncelles (duo)
8
Trio à cordes: 3 altos
7
Alto (partie séparée)
7
Trio à cordes: 3 violins
6
Trio à Cordes: 2 violons, alto
5
Violon (partie séparée)
5
Quatuor à cordes: 4 violons
4
Contrebasse, Piano (duo)
3
Contre Basse
3
Violon, Guitare (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
2 Violoncelles, Piano
2
4 Violoncelles
2
Quatuor à cordes : 4 altos
2
Alto, Violoncelle (duo)
2
2 Violons, Piano
2
Piano Trio: Violon, Alto, Piano
1
Violon, Basson (duo)
1
Contrebasse (partie séparée)
1
Violoncelle (partie séparée)
1
Alto et Basson
1
Violon, Orgue
1
4 Contrebasses
1
+ 33 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
88
Orchestre à Cordes
54
Ensemble Jazz
24
Orchestre
23
Ensemble de cuivres
20
Marimba
19
Cloches
14
Orchestre de chambre
12
Batterie
7
Instrumentation Flexible
5
Fanfare
5
Vibraphone
4
Ensemble de Percussions
2
Jazz combo
1
+ 9 instrumentations
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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HARPE
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LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Flute (partie séparée)
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2 partitions trouvées
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Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
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Flute (partie séparée)
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Pub...
(+)
Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Published by Benjamin Sajo (A0.1018922). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 2
#
Flute (partie séparée)
#
AVANCÉ
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and S
#
Benjamin Sajo
#
SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Pub...
(+)
Flute Solo - Level 5 - SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Published by Benjamin Sajo (A0.1018923). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
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