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ACCORDEON
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AUTOHARPE
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CHORALE - CHAN…
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PIANO & CLAVIERS
Piano seul
259
Piano, Voix
212
Piano Facile
126
Instruments en Do
109
Piano, Voix et Guitare
38
Orgue
19
Accompagnement Piano
18
Piano Trio: piano, violon, violoncelle
11
1 Piano, 4 mains
5
Orgue, Trompette (duo)
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Piano (duo)
2
Accordéon
2
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1
2 Pianos, 4 mains
1
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Guitare notes et tablatures
37
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19
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15
2 Guitares (duo)
10
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5
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3
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3
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1
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1
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402
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164
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103
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55
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43
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27
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8
Voix moyenne, Piano
5
Voix Alto, Piano
5
Voix haute
4
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3
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2
Voix Baryton, Piano
2
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2
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1
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1
Voix duo
1
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Flûte traversière et Piano
52
Clarinette et Piano
46
Flûte traversière
45
Quatuor de Saxophones: 4 saxophones
43
Hautbois, Piano (duo)
41
Clarinette
38
Saxophone Alto et Piano
33
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
24
Saxophone Tenor et Piano
23
Hautbois (partie séparée)
23
2 Flûtes traversières (duo)
22
Flûte, Hautbois, Clarinette, Basson
18
Quatuor de Clarinettes: 4 clarinettes
18
2 Clarinettes (duo)
17
2 Saxophones (duo)
14
Saxophone Soprano et Piano
14
Saxophone Alto
13
Quatuor de Flûtes : 4 flûtes
12
Ensemble de Flûtes
11
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11
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9
Cor anglais, Piano
9
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8
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8
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7
Hautbois, Clarinette (duo)
7
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7
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7
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6
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6
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6
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6
2 Hautbois (duo)
5
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5
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5
Flûte à bec Soprano
4
Clarinette, Violon (duo)
4
Clarinette et Alto
4
3 Saxophones (trio)
4
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3
2 Flûte à bec (duo)
3
3 Clarinettes (trio)
3
Quatuor de Flûtes à bec
3
Flûte, Violon
3
Saxophone, Clarinette (duo)
3
Flûte à bec Alto
3
Quintette de Flûte : 5 flûtes
3
Saxophone Tenor
3
Flûte, Trombone (duo)
3
Hautbois, Flûte
2
Saxophone et Harpe
2
Saxophone
2
Clarinette, Trompette (duo)
2
Flûte, Hautbois (duo)
2
Ocarina
2
Flûte à bec Alto, Piano
2
Flûte, Hautbois, Piano (trio)
2
Cor Anglais
2
Hautbois, Violoncelle et Piano
2
Flûte, Alto (duo)
2
Flûte, Hautbois, Basson
2
Flûte, Hautbois, Clarinette (trio)
2
Hautbois, Clarinette et Piano (Trio)
1
Hautbois, violon (duo)
1
Flûte, Basson et Piano
1
Flûte à bec Tenor
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, Harpe
1
Clarinette, Harpe (duo)
1
Clarinette, Alto et Piano (trio)
1
Flûte, Clarinette, Piano (trio)
1
Saxophone et Orgue
1
Clarinette, Trombone (duo)
1
Flûte à bec Soprano, Piano
1
Clarinette, Guitare (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Violon, Piano
1
Hautbois et alto (duo)
1
Flûte, Saxophone (duo)
1
Trio de Flûtes: 3 flûtes
1
Piccolo
1
Clarinette Basse, Piano
1
Clarinette, Basson, Piano (trio)
1
Flûte et Guitare
1
Quintette de Clarinettes: 5 clarinettes
1
2 Clarinettes, Piano
1
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CUIVRES
Trompette, Piano
50
Trombone et Piano
45
Trompette
37
Cor et Piano
36
Trombone
26
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
2 Trombones (duo)
20
Cor
19
Tuba et Piano
15
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Euphonium, Piano (duo)
13
Quatuor de Cuivres
11
Trompette (partie séparée)
10
Tuba
10
Cor anglais, Piano
9
Trompette, Trombone (duo)
7
2 Trompettes (duo)
7
Cor, Violoncelle (duo)
6
Quatuor de cuivres: 4 cors
6
2 Euphoniums (duo)
6
Cor et Basson (duo)
4
Trombone, Orgue
4
2 Cors (duo)
3
Trompette, violon (duo)
3
2 Tubas (duo)
3
Trompette, Violoncelle (duo)
3
Trompette, Cor (duo)
2
Trompette, Saxophone (duo)
2
Euphonium, Tuba (duo)
2
Trombone (partie séparée)
2
2 Euphoniums et 2 Tubas
2
Trompette, Basson (duo)
2
Tuba et Orgue
2
Cor, Tuba (duo)
2
Cor Anglais
2
Quatuor de cuivres: 4 trombones
1
3 Trompettes (trio)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor (partie séparée)
1
2 Cors, Piano
1
Trombone, Alto (duo)
1
Euphonium
1
Cor et Harpe
1
Trompette, Trombone, Piano
1
Instrumentations suivantes
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CORDES
Violon et Piano
79
Quatuor à cordes: 2 violons, alto, violoncelle
72
Alto, Piano
61
Violoncelle, Piano
54
Violon
45
Contrebasse, Piano (duo)
28
Violon, Violoncelle (duo)
27
Alto seul
26
Violoncelle
25
Harpe
25
2 Violons (duo)
15
Trio à Cordes: violon, alto, violoncelle
15
Violon, Alto (duo)
14
Contre Basse
13
Alto (partie séparée)
11
Trio à Cordes: 2 violons, violoncelle
10
Alto, Violoncelle (duo)
10
2 Violoncelles (duo)
8
2 Altos (duo)
7
Alto et Basson
6
Violon, Basson (duo)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Violon (partie séparée)
4
Contrebasse (partie séparée)
3
Piano Trio: Violon, Alto, Piano
2
Harpe, Flûte (duo)
2
4 Violoncelles
2
Violon, Guitare (duo)
2
Quatuor à cordes : 4 altos
2
2 Contrebasses (duo)
2
Alto et Harpe
1
Violon, Clarinette, Piano (trio)
1
Harpe, Violoncelle (duo)
1
Harpe, Trombone (duo)
1
4 Contrebasses
1
2 Violoncelles, Piano
1
Harpe, Violon (duo)
1
Harpe, Voix
1
Trio à cordes: 3 violins
1
Violoncelle, Contrebasse (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
231
Orchestre
70
Orchestre à Cordes
48
Ensemble de cuivres
33
Fanfare
14
Cloches
14
Orchestre de chambre
13
Ensemble de Percussions
13
Ensemble Jazz
12
Jazz combo
8
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
Xylophone, Piano
6
Batterie
4
Quintette de Cuivres: autres combinaisons
2
Percussion (partie séparée)
2
Instrumentation Flexible
1
Xylophone
1
Orchestre, Violon
1
Marimba
1
Instrumentations suivantes
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AUTRES
Théorie de la musique
4
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Aubade: A Pairing with Beethoven's Symphony #1 - Flute 1
Flute (partie séparée)
Flute Solo - Level 4 - Digital Download SKU: A0.1018902 Composed by Benjamin Harry …
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Flute Solo - Level 4 - Digital Download SKU: A0.1018902 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064735. Published by Benjamin Sajo (A0.1018902). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.2 €
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Flute (partie séparée)
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Benjamin Harry Sajo
#
Aubade: A Pairing with Beethoven's Symphony #1 - Flute 1
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Benjamin Sajo
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SheetMusicPlus
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Flute 1
Flute (partie séparée)
Flute Solo - Level 5 - Digital Download SKU: A0.1018874 Composed by Benjamin Harry …
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Flute Solo - Level 5 - Digital Download SKU: A0.1018874 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056055. Published by Benjamin Sajo (A0.1018874). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.2 €
#
Flute (partie séparée)
#
Benjamin Harry Sajo
#
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Flute 1
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Benjamin Sajo
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SheetMusicPlus
Aubade: A Pairing with Beethoven's Symphony #1 - Flute 2
Flute (partie séparée)
Flute Solo - Level 4 - Digital Download SKU: A0.1018904 Composed by Benjamin Harry …
(+)
Flute Solo - Level 4 - Digital Download SKU: A0.1018904 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064739. Published by Benjamin Sajo (A0.1018904). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.2 €
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Flute (partie séparée)
#
Benjamin Harry Sajo
#
Aubade: A Pairing with Beethoven's Symphony #1 - Flute 2
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
Flute (partie séparée)
Flute Solo - Level 5 - Digital Download SKU: A0.1018922 Composed by Benjamin Harry …
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Flute Solo - Level 5 - Digital Download SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Published by Benjamin Sajo (A0.1018922). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.2 €
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Flute (partie séparée)
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
#
SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 2
Flute (partie séparée)
Flute Solo - Level 5 - Digital Download SKU: A0.1018923 Composed by Benjamin Harry …
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Flute Solo - Level 5 - Digital Download SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Published by Benjamin Sajo (A0.1018923). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.2 €
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Flute (partie séparée)
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Flute 2
Flute (partie séparée)
Flute Solo - Level 5 - Digital Download SKU: A0.1018875 Composed by Benjamin Harry …
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Flute Solo - Level 5 - Digital Download SKU: A0.1018875 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056059. Published by Benjamin Sajo (A0.1018875). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.2 €
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Flute (partie séparée)
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Flute 2
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Benjamin Sajo
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Flute 2
Flute (partie séparée)
Flute Solo - Level 4 - Digital Download SKU: A0.1018943 Composed by Benjamin Harry …
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Flute Solo - Level 4 - Digital Download SKU: A0.1018943 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078667. Published by Benjamin Sajo (A0.1018943). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.2 €
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Flute (partie séparée)
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
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