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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
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1 390
Piano & claviers
Piano seul
551
Piano, Voix
466
Piano Facile
379
Accompagnement Piano
100
Instruments en Do
72
Piano, Voix et Guitare
55
Orgue
28
1 Piano, 4 mains
22
Piano Trio: piano, violon, violoncelle
20
2 Pianos, 4 mains
9
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
2
+ 7 instrumentations
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Guitares
Guitare notes et tablatures
66
Guitare
64
Ukulele
17
2 Guitares (duo)
12
Ligne De Mélodie, (Paroles) et Accords
8
4 Guitares (Quatuor)
8
Banjo
5
2 Ukuleles
4
Ensemble de guitares
3
3 Guitares (trio)
3
Basse electrique
2
Guitare (partie séparée)
2
Mandoline
2
Paroles et Accords
1
Piano, Guitare (duo)
1
+ 10 instrumentations
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Voix
Chorale SATB
210
Voix Tenor, Piano
102
Chorale 3 parties
99
Voix Soprano, Piano
77
Voix Alto, Piano
72
Chorale TTBB
48
Chorale 2 parties
44
Voix Baryton, Piano
43
Chorale SSAA
35
Chorale Unison
13
Voix Tenor
5
Voix duo, Piano
4
Voix haute
3
Voix seule
2
Voix Soprano
1
Voix duo
1
+ 11 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
217
2 Saxophones (duo)
206
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
165
Quintette de Saxophone: 5 saxophones
152
Clarinette
146
Flûte, Hautbois, Clarinette, Basson
143
Flûte traversière
132
Clarinette et Piano
130
Flûte traversière et Piano
122
2 Flûtes traversières (duo)
119
Hautbois, Piano (duo)
118
Saxophone Alto
105
Saxophone Alto et Piano
103
Saxophone Tenor
80
Saxophone Tenor et Piano
80
Hautbois (partie séparée)
75
2 Clarinettes (duo)
70
Saxophone Soprano et Piano
69
Saxophone Baryton, Piano
66
2 Hautbois (duo)
61
Hautbois
58
Saxophone (partie séparée)
56
3 Saxophones (trio)
56
Saxophone Baryton
49
Saxophone Soprano
46
Quatuor de Flûtes : 4 flûtes
40
Quatuor de Clarinettes: 4 clarinettes
28
Quintette de Clarinettes: 5 clarinettes
26
Flûte, Clarinette (duo)
24
Flûte à bec Soprano
23
Flûte, Hautbois, Clarinette (trio)
22
Ensemble de Clarinettes
22
Hautbois, Clarinette (duo)
17
Hautbois, Clarinette, Basson (trio d'anches)
17
2 Flûte à bec (duo)
16
Cor anglais, Piano
16
Hautbois, Basson (duo)
15
Quatuor de Flûtes à bec
14
3 Clarinettes (trio)
13
Cor Anglais
13
Clarinette, Basson (duo)
13
Ensemble de saxophones
13
Flûte, Hautbois (duo)
12
Quintette de Flûte : 5 flûtes
12
Flûte à Bec
11
Flute (partie séparée)
11
Trio de Flûtes: 3 flûtes
11
Flûte, Trombone (duo)
10
5 Flûtes à bec
10
Clarinette (partie séparée)
9
Piccolo
9
Ensemble de Flûtes
8
Hautbois, Violoncelle
8
Clarinette Basse, Piano
8
Clarinette, Violon (duo)
8
Flûte, Violoncelle
8
Flûte, Violon, Piano
7
Flûte, Basson et Piano
7
Saxophone, Clarinette (duo)
7
Flûte à bec Alto, Piano
7
Hautbois, Flûte
6
Clarinette, Violoncelle (duo)
6
Flûte à bec Alto
6
Flûte, Hautbois, Piano (trio)
5
Piccolo, Piano
5
Flûte, Clarinette, Cor, Basson (Quartet)
5
Flûte, Hautbois, Basson
5
Clarinette et Alto
5
Flûte, Alto (duo)
5
Clarinette Basse
4
Flûte à Bec, Piano
4
Flûte et Guitare
4
Flûte à bec Tenor
4
Clarinette, Trompette (duo)
4
Ensemble De Flûte à bec
4
Hautbois et alto (duo)
3
Flûte, Clarinette et Basson
3
Flûte, Violon
3
Hautbois, violon (duo)
2
2 Saxophones, Piano
2
Clarinette, Harpe (duo)
2
Flûte, Saxophone (duo)
2
Flûte, Trompette (duo)
2
Flûte à bec Soprano, Piano
1
Flûte traversière, Orgue (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Basson, Piano (trio)
1
Flûte, Violon et Violoncelle
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
3 Flûtes à bec (trio)
1
Hautbois, Basson et Piano
1
Cor anglais et Harpe (duo)
1
Hautbois, Violoncelle et Piano
1
Hautbois, Clarinette et Piano (Trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Guitare (duo)
1
Clarinette, Alto et Piano (trio)
1
Flûte et Trio à cordes
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Contrebasse (duo)
1
Flûte, Alto et Piano
1
Hautbois, Guitare (duo)
1
+ 97 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
171
Trompette
152
Cor
137
Trombone et Piano
125
Trombone
113
Trompette, Piano
113
Tuba et Piano
107
Tuba
107
Cor et Piano
106
Quatuor de Cuivres: 2 trompettes, Cor, trombone
94
2 Trombones (duo)
58
2 Trompettes (duo)
58
2 Cors (duo)
55
Quatuor de Cuivres : 2 trompettes, trombone, tuba
54
Quatuor de Cuivres
53
2 Tubas (duo)
26
Trompette (partie séparée)
22
Trompette, Trombone (duo)
21
Euphonium, Piano (duo)
18
Quatuor de cuivres: 4 trombones
18
Quatuor de cuivres: 4 cors
16
Cor anglais, Piano
16
Quatuor de cuivres: 4 trompettes
15
Trombone (partie séparée)
14
Cor Anglais
13
Ensemble de Trompettes
9
Trompette, Cor (duo)
8
Euphonium
7
4 Tubas
7
Cor (partie séparée)
6
Trombone basse
6
Trompette, Basson (duo)
6
Trombone, Cor (duo)
5
3 Trombones (trio)
5
Ensemble de Cors
5
Cor, Tuba (duo)
4
Tuba (partie séparée)
4
Trombone basse et Piano
4
Cor et Basson (duo)
4
Cor, Violoncelle (duo)
4
Trompette, Tuba (duo)
3
3 Trompettes (trio)
2
Trombone, Tuba (duo)
2
Trompette, Violoncelle (duo)
2
Ensemble de Trombones
2
Trompette, Trombone, Piano
2
2 Euphoniums et 2 Tubas
2
Trombone, Violon (duo)
1
Tuba et Orgue
1
3 Tubas (trio)
1
Euphonium, Tuba (duo)
1
Cor anglais et Harpe (duo)
1
Trompette, Saxophone (duo)
1
+ 48 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
325
Violon
166
Violoncelle
160
Violon et Piano
154
Violoncelle, Piano
139
Alto, Piano
135
Quintette à cordes: 2 violons, alto, violoncelle, basse
129
Alto seul
104
Contre Basse
89
Contrebasse, Piano (duo)
75
2 Violons (duo)
75
Violon, Violoncelle (duo)
68
2 Violoncelles (duo)
65
2 Altos (duo)
61
Trio à Cordes: violon, alto, violoncelle
42
Violon, Alto (duo)
39
Alto (partie séparée)
26
2 Contrebasses (duo)
22
Harpe
17
Alto, Violoncelle (duo)
17
4 Violoncelles
15
Quatuor à cordes: 4 violons
14
Trio à cordes: 3 altos
11
Trio à cordes: 3 violins
11
Violon (partie séparée)
10
Quatuor à cordes : 4 altos
9
Trio à Cordes: 3 violoncelles
9
Violon, Basson (duo)
8
Violoncelle, Contrebasse (duo)
8
Trio à Cordes: 2 violons, violoncelle
7
Alto et Basson
6
Contrebasse (partie séparée)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Piano Trio: Violon, Alto, Piano
5
Harpe, Flûte (duo)
5
Violon, Clarinette, Piano (trio)
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Harpe, Violoncelle (duo)
2
Harpe, Violon, Violoncelle
2
2 Harpes (duo)
2
Trio à Cordes: 2 violons, alto
2
Harpe, Violon (duo)
2
4 Harpes
1
Flûte, Contrebasse (duo)
1
Violon, Tuba (duo)
1
Alto, Guitare (duo)
1
Violon, Violoncelle, Clarinette
1
Violoncelle (partie séparée)
1
Harpe et Piano
1
Violoncelle , Guitare (duo)
1
Ensemble de Violoncelles
1
2 Violoncelles, Piano
1
+ 47 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
332
Cloches
99
Orchestre
91
Orchestre à Cordes
56
Orchestre de chambre
24
Batterie
21
Ensemble Jazz
18
Ensemble de cuivres
15
Fanfare
12
Marimba
10
Jazz combo
8
Xylophone
6
Ensemble de Percussions
6
Xylophone, Piano
5
Percussion (partie séparée)
3
Piano et Orchestre
1
Batterie (partie séparée)
1
2 Xylophones
1
Bongos
1
Vibraphone
1
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Flute (partie séparée)
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1
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
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Flute (partie séparée)
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Pub...
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Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Published by Benjamin Sajo (A0.1018922). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 2
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Flute (partie séparée)
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Pub...
(+)
Flute Solo - Level 5 - SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Published by Benjamin Sajo (A0.1018923). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Flute 1
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Flute (partie séparée)
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AVANCÉ
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018874 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056055. Pub...
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Flute Solo - Level 5 - SKU: A0.1018874 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056055. Published by Benjamin Sajo (A0.1018874). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Flute 2
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Flute (partie séparée)
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AVANCÉ
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018875 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056059. Pub...
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Flute Solo - Level 5 - SKU: A0.1018875 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056059. Published by Benjamin Sajo (A0.1018875). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Flute 2
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Flute (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 4 - SKU: A0.1018943 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078667. Pub...
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Flute Solo - Level 4 - SKU: A0.1018943 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078667. Published by Benjamin Sajo (A0.1018943). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fanfare: "Grit" - Flute 2
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Flute (partie séparée)
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fanfare: "Grit" - Fl
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018961 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6086593. Pub...
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Flute Solo - Level 5 - SKU: A0.1018961 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6086593. Published by Benjamin Sajo (A0.1018961). Programme Notes: Fanfare: Grit evokes the brassy and rousing tropes of adventure movie soundtracks and Saturday morning cartoons, such as those written by John Williams, Shirley Walker, among others. Writing this piece was an escapade to my own musical roots for this was the first type of music I had been exposed to as a child: incidental music accompanying perilous quests, hairbreadth escapes, and other trials blocking the hero’s path to victory and redemption. I wanted to compose a piece that harkens back to the music that I first fell in love with, that opened up the gates of a legacy--symphonic classical music--that’s always been my solace in trying times. What is grit? Grit is the dirt between smiles and between barefoot toes. Grit is a hard-boiled detective. Grit is tilling the tough soil for the possibility of a beautiful blossoming of flowers. Grit is saying, See you soon, and making sure it happens. Grit is helping others when it’s hard to help yourself. Grit isn’t easy bravery, but the kind of courage you need to build up brick by brick. The obligatory synonyms: courage, bravery, pluck, mettle, and spirit. Finally, this composition, the fourth of my so-called Beethoven Episodes, was written to accompany Ludwig van Beethoven’s 4th Symphony. This work was written on his 250th anniversary, coincidentally during the Covid-19 Pandemic of 2020, and is the sum of my feelings wrought from that experience. Yet this work was completed on Canadian Thanksgiving, and is also an expression of all that I am grateful for, from the bottom of my heart.
$3.50
Aubade: A Pairing with Beethoven's Symphony #1 - Flute 1
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Flute (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 4 - SKU: A0.1018902 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064735. Pub...
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Flute Solo - Level 4 - SKU: A0.1018902 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064735. Published by Benjamin Sajo (A0.1018902). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Aubade: A Pairing with Beethoven's Symphony #1 - Flute 2
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Flute (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 4 - SKU: A0.1018904 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064739. Pub...
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Flute Solo - Level 4 - SKU: A0.1018904 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064739. Published by Benjamin Sajo (A0.1018904). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
I Got Rhythm: Flute
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Flute (partie séparée)
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Classique
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George Gershwin
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Ralph Ford
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I Got Rhythm: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016625_F1 Flute. Composed by George Gershwin. Arranged by Ralph Ford. Classical. Part. 2 pages. Alfred Music - Dig...
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Jazz Ensemble - SKU: AX.00-PC-0016625_F1 Flute. Composed by George Gershwin. Arranged by Ralph Ford. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016625_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016625_F1). UPC: 654979190028.A jazz ensemble essential! George Gershwin's song is the foundation for hundreds of jazz tunes, with the use of the chord progression becoming known as 'Rhythm' changes. I GOT RHYTHM is the real McCoy, arranged here for your first year jazz ensemble by Ralph Ford. Ralph has the experience and know-how to score for this level, and he makes it educational and fun to play. Modest brass ranges, written solos with ensemble backgrounds, and plenty of easy swing rhythms make a super chart that provides all you need for a great concert. With such an outstanding composer, arranger, and chart, you can't lose with this one!
$3.00
A Mad Russian's Christmas: 2nd Flute
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Flute (partie séparée)
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Rock
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Trans-Siberian Orchestra
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Bob Phillips
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A Mad Russian's Christmas: 2nd
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0016907_F2 2nd Flute. By Trans-Siberian Orchestra. By Paul O'neill, Peter Ilych Tchaikovsky, and Robert Kinkel. Ar...
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Full Orchestra - SKU: AX.00-PC-0016907_F2 2nd Flute. By Trans-Siberian Orchestra. By Paul O'neill, Peter Ilych Tchaikovsky, and Robert Kinkel. Arranged by Bob Phillips. Rock. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0016907_F2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016907_F2). UPC: 038081501529.As performed in the fabulous Trans-Siberian Orchestra live concert, experience Trepak from The Nutcracker as you never have before in the full orchestra setting. An optional electric violin part provides the perfect spot to feature an electric instrument. If you haven't seen TSO, check it out online. (4:25).
$3.00
The Holberg Suite: 2nd Flute
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Flute (partie séparée)
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Classique
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Edvard Grieg
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Victor Lopez
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Festival.
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The Holberg Suite: 2nd Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0017337_F2 2nd Flute. Composed by Edvard Grieg. Arranged by Victor Lopez. Masterwork Arrangement. Part. 2 pages. A...
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Full Orchestra - SKU: AX.00-PC-0017337_F2 2nd Flute. Composed by Edvard Grieg. Arranged by Victor Lopez. Masterwork Arrangement. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017337_F2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017337_F2). UPC: 038081517452.With string parts as close to the original as possible, this full orchestra arrangement of two movements from Grieg's Holberg Suite is a gem! It may be performed by string or full orchestra, and, for ultimate flexibility, each movement can be performed alone. Featuring the Sarabande and Gavotte, careful attention has been paid to maintain the original intentions of the composer in this piece. Minimal accommodations were made by arranger Victor LA3pez to provide a more educationally-sound experience for the players. (8:10)Concert/Contest; Festival.
$3.00
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