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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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DEEJAY
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MARCHING BAND
Non classifié
1 124
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27
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11
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8
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3
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1
Instruments en Do
1
Piano (partie séparée)
1
+ 2 instrumentations
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Basse électrique (partie séparée)
313
Basse electrique
11
Guitare notes et tablatures
7
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3
Guitare
3
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2
Paroles et Accords
2
+ 2 instrumentations
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6
Chorale TTBB
3
Chorale 2 parties
2
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1
Chorale Unison
1
Chorale 3 parties
1
+ 1 instrumentations
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Vents
Saxophone (partie séparée)
890
Flute (partie séparée)
425
Clarinette (partie séparée)
405
Saxophone Tenor
132
Saxophone Alto
61
Hautbois (partie séparée)
7
Quatuor de Clarinettes: 4 clarinettes
6
2 Saxophones (duo)
6
2 Clarinettes (duo)
6
2 Flûtes traversières (duo)
5
Flûte, Hautbois, Clarinette, Basson
4
Ensemble de saxophones
3
Saxophone Alto et Piano
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Clarinette, Trompette (duo)
2
Flûte, Clarinette (duo)
2
Flûte traversière et Piano
2
Clarinette et Piano
2
Clarinette, Violon (duo)
2
Quatuor de Saxophones: 4 saxophones
2
Saxophone, Clarinette (duo)
2
Ensemble de Clarinettes
2
Flûte, Trompette (duo)
1
Clarinette et Alto
1
Hautbois, Clarinette (duo)
1
Hautbois, Basson (duo)
1
Flûte, Alto (duo)
1
Quintette de Saxophone: 5 saxophones
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Hautbois (duo)
1
Flûte, Saxophone (duo)
1
Flûte, Violon
1
Ensemble de Flûtes
1
2 Hautbois (duo)
1
Hautbois, violon (duo)
1
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Trompette (partie séparée)
987
Trombone (partie séparée)
491
Cor (partie séparée)
307
Cor
255
Tuba (partie séparée)
242
Tuba ou Euphonium ou Saxhorn
127
Tuba
62
Trombone
30
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Cornet A Pistons
11
Trompette
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Ensemble de Trompettes
2
2 Trompettes (duo)
2
Ensemble de Trombones
1
Trombone et Piano
1
Cor et Piano
1
Trompette, Trombone (duo)
1
Trompette, Saxophone (duo)
1
Quatuor de cuivres: 4 trombones
1
2 Trombones (duo)
1
Trompette, Piano
1
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Quatuor à cordes: 2 violons, alto, violoncelle
11
Violon (partie séparée)
8
Alto (partie séparée)
4
Contrebasse (partie séparée)
4
Violon, Alto (duo)
2
Violon, Violoncelle (duo)
2
Violoncelle (partie séparée)
2
2 Altos (duo)
1
Violon
1
2 Violons (duo)
1
2 Violoncelles (duo)
1
Violon et Piano
1
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Fanfare
17 406
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505
Orchestre d'harmonie
428
Percussion
427
Percussion (partie séparée)
228
Batterie
164
Cloches
117
Xylophone
103
Batterie-Fanfare
32
Ensemble Jazz
16
Xylophone (partie séparée)
16
Marimba
15
Caisse Claire
14
Ensemble de Percussions
11
Ensemble de cuivres
10
Vibraphone (partie séparée)
7
Vibraphone
6
Orchestre
6
Timbales
5
Jazz combo
3
Timbales (partie séparée)
2
Orchestre à Cordes
1
Orchestre de chambre
1
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ACCORDEON
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Vous avez sélectionné:
MARCHING BAND
Hautbois (partie séparée)
Partitions à imprimer
7 partitions trouvées
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1
Marching On: Oboe
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Hautbois (partie séparée)
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Methodes
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William Steffe
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Jerry Brubaker
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Marching On: Oboe
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
By William Steffe (1830-1890). Arranged by Jerry Brubaker. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music ...
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By William Steffe (1830-1890). Arranged by Jerry Brubaker. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music
$3.00
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 1
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Hautbois (partie séparée)
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Publ...
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Oboe Solo - Level 5 - SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Published by Benjamin Sajo (A0.1018926). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 2
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Hautbois (partie séparée)
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AVANCÉ
#
Contemporain
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and S
#
Benjamin Sajo
#
SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Publ...
(+)
Oboe Solo - Level 5 - SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Published by Benjamin Sajo (A0.1018925). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
African Marching Song: Oboe
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Hautbois (partie séparée)
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Methodes
#
John O'reilly
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African Marching Song: Oboe
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
Arranged by John O'reilly. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music. Digital Sheet Music...
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Arranged by John O'reilly. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music. Digital Sheet Music
$3.00
Marching Marines: Oboe
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Hautbois (partie séparée)
#
Methodes
#
John O'reilly
#
Marching Marines: Oboe
#
Alfred Music. Digital Sheet Music
#
SheetMusicPlus
By John O'reilly. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music. Digital Sheet Music...
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By John O'reilly. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music. Digital Sheet Music
$3.00
Fantasy on an Early American Marching Tune: Oboe
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Hautbois (partie séparée)
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Methodes
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Robert Sheldon
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Fantasy on an Early American M
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
By Robert Sheldon. For Concert Band. Instructional. Part. 2 pages. Published by Alfred Music. Digital Sheet Music...
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By Robert Sheldon. For Concert Band. Instructional. Part. 2 pages. Published by Alfred Music. Digital Sheet Music
$3.00
Siyahamba (We Are Marching): Oboe
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Hautbois (partie séparée)
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Methodes
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Douglas E
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Siyahamba
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
Arranged by Douglas E. Wagner. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music. Digital Sheet Music...
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Arranged by Douglas E. Wagner. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music. Digital Sheet Music
$3.00
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