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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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PERCUSSION
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All-American Men
Non classifié
929
Piano & claviers
Piano seul
812
Piano, Voix
761
Piano, Voix et Guitare
170
Instruments en Do
137
Piano Facile
75
2 Pianos, 4 mains
30
1 Piano, 4 mains
25
Orgue
16
Piano grosses notes
7
Piano Trio: piano, violon, violoncelle
7
Accordéon, Voix
4
Ligne De Mélodie, Piano
4
Accompagnement Piano
4
Piano Quatuor: piano, violon, alto, violoncelle
2
Tous Les Instruments
1
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Pianos, 8 mains
1
Orgue, Piano (duo)
1
Orgue, Trompette (duo)
1
+ 14 instrumentations
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Guitare notes et tablatures
79
Ligne De Mélodie, (Paroles) et Accords
70
Guitare
24
Ukulele
18
Mandoline
6
Banjo
4
2 Guitares (duo)
3
Basse electrique
3
Ukulele Baryton
2
Guitare, Violon, Violoncelle (trio)
1
Piano, Guitare (duo)
1
+ 6 instrumentations
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Chorale SATB
308
Chorale 3 parties
30
Chorale TTBB
25
Chorale SSAA
24
Chorale 2 parties
18
Chorale Unison
7
Voix haute
6
Voix duo
4
Pack Instrumental pour Chorale
3
Voix duo, Piano
3
Voix Baryton, Piano
2
Voix Mezzo-Soprano, Piano
2
Soli, choeur mixte et accompagnement
1
Voix basse
1
Voix Soprano, Piano
1
Voix Baryton
1
Voix Tenor, Piano
1
Voix basse, Piano
1
+ 13 instrumentations
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Vents
2 Saxophones (duo)
80
Saxophone, Clarinette (duo)
48
Flûte, Clarinette (duo)
40
Clarinette, Violon (duo)
40
2 Clarinettes (duo)
36
Clarinette, Trompette (duo)
33
Flûte traversière et Piano
31
2 Flûtes traversières (duo)
30
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
29
Quintette de Saxophone: 5 saxophones
27
Hautbois, Clarinette (duo)
24
Flûte traversière
22
Flûte, Violon
21
Clarinette et Alto
21
Hautbois, Piano (duo)
20
Flûte, Alto (duo)
19
Clarinette et Piano
18
Quatuor de Saxophones: 4 saxophones
18
Hautbois, Basson (duo)
17
Ensemble de saxophones
17
Quatuor de Clarinettes: 4 clarinettes
16
Flûte, Saxophone (duo)
16
Saxophone Alto et Piano
15
Flûte, Trompette (duo)
14
Hautbois, Flûte
14
Ensemble de Clarinettes
13
Saxophone Soprano et Piano
13
Saxophone Alto
12
2 Hautbois (duo)
11
Clarinette, Basson (duo)
9
Saxophone Tenor et Piano
9
Quintette de Clarinettes: 5 clarinettes
9
Clarinette
9
Flûte, Hautbois, Clarinette, Basson
9
Ensemble de Flûtes
8
Hautbois (partie séparée)
8
Saxophone Tenor
7
Trio de Flûtes: 3 flûtes
7
Instruments en Mib
6
Harmonica
6
Saxophone Baryton, Piano
6
Quintette de Flûte : 5 flûtes
5
Cor anglais, Piano
5
Quatuor de Flûtes : 4 flûtes
5
Flûte, Violoncelle
5
Flûte, Hautbois (duo)
4
Saxophone Baryton
4
Clarinette, Violoncelle (duo)
4
Flûte irlandaise
4
Flute (partie séparée)
4
Saxophone (partie séparée)
4
Clarinette Basse, Piano
4
Clarinette, Harpe (duo)
3
Hautbois, violon (duo)
3
Flûte et Guitare
3
Ocarina
3
Saxophone Soprano
3
Hautbois, Violoncelle
3
Hautbois et alto (duo)
3
Flûte, Violon, Piano
2
Flûte à bec Soprano
2
Clarinette, Trombone (duo)
2
Flûte à bec Alto, Piano
2
Hautbois
2
Saxophone et Orgue
2
Clarinette, Violoncelle, Piano (trio)
2
Piccolo, Piano
1
Hautbois, trombone (duo)
1
Flûte, Alto et Piano
1
2 Saxophones, Piano
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Clarinette et Basson
1
Flûte, Hautbois, Basson
1
Clarinette Basse
1
Flûte, Trombone (duo)
1
Clarinette, Basson, Piano (trio)
1
3 Saxophones (trio)
1
Hautbois, Trompette (duo)
1
Clarinette, Contrebasse (duo)
1
Saxophone et Guitare
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Violoncelle, Piano (trio)
1
2 Clarinettes, Piano
1
Clarinette, Tuba
1
3 Clarinettes (trio)
1
Flute, harpe et violon
1
Flûte à bec Soprano, Piano
1
Flûte, Violon et Violoncelle
1
+ 83 instrumentations
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
58
Quatuor de Cuivres : 2 trompettes, trombone, tuba
38
Trombone et Piano
35
Trompette, Saxophone (duo)
34
Quatuor de Cuivres
26
Trompette, Trombone (duo)
24
Trompette
17
Trompette, Piano
16
2 Trombones (duo)
13
Cor
12
2 Trompettes (duo)
12
Trombone
11
Ensemble de Trombones
10
Tuba et Piano
9
Ensemble de Trompettes
8
Trompette (partie séparée)
7
Bass Clef Instruments
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Instruments en Sib
6
Trombone (partie séparée)
6
Tuba
5
Cor anglais, Piano
5
Cor et Piano
5
Trompette, Cor (duo)
4
2 Cors (duo)
4
3 Trompettes (trio)
3
Trompette, violon (duo)
3
Euphonium, Piano (duo)
3
2 Euphoniums (duo)
2
Trompette, Harpe
1
Trombone, Tuba (duo)
1
Cor et Harpe
1
Quatuor de cuivres: 4 trombones
1
4 Tubas
1
Trompette, Tuba (duo)
1
Trombone, Cor (duo)
1
Clarinette, Cor (duo)
1
Ensemble de Tubas
1
Cor (partie séparée)
1
Trio de Cuivres
1
+ 35 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
92
Violon et Piano
52
Violon, Violoncelle (duo)
47
Violon
30
Violon, Alto (duo)
30
2 Harpes (duo)
27
Violoncelle, Piano
25
Harpe
23
Alto, Piano
22
Violoncelle
18
2 Violoncelles (duo)
16
Harpe, Flûte (duo)
15
Trio à Cordes: violon, alto, violoncelle
13
Alto seul
13
Trio à Cordes: 2 violons, violoncelle
13
Violon (partie séparée)
10
2 Altos (duo)
10
2 Violons (duo)
10
Alto (partie séparée)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Alto, Violoncelle (duo)
6
2 Contrebasses (duo)
5
Contre Basse
5
Violoncelle, Contrebasse (duo)
4
Ensemble de Violons
4
Violon, Guitare (duo)
4
Contrebasse, Piano (duo)
3
Harpe, Violon (duo)
3
Trio à cordes: 3 violins
2
Piano Trio: Violon, Alto, Piano
2
Contrebasse (partie séparée)
2
Flûte, Contrebasse (duo)
2
Violon, Basson (duo)
2
Violoncelle , Guitare (duo)
2
Violoncelle (partie séparée)
2
Harpe, Violoncelle (duo)
2
Ensemble d'Altos
2
4 Violoncelles
1
Alto et Basson
1
Violon, Clarinette, Piano (trio)
1
4 Contrebasses
1
Quatuor à cordes : 4 altos
1
Alto, Orgue
1
+ 38 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
251
Orchestre
156
Orchestre à Cordes
77
Orchestre de chambre
68
Ensemble Jazz
24
Ensemble de cuivres
20
Cloches
13
Jazz combo
4
Ensemble de Percussions
4
Marimba
3
Vibraphone
2
Batterie
2
Piano et Orchestre
1
Bongos
1
Percussion
1
Instrumentation Flexible
1
Orchestre, Violon
1
Xylophone
1
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Vous avez sélectionné:
All-American Men
Hautbois (partie séparée)
Partitions à imprimer
8 partitions trouvées
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1
Kommos (Lamentation) / "When the World Moved On" - Oboe 2
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Hautbois (partie séparée)
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INTERMÉDIAIRE
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 3 - SKU: A0.1018945 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078673. Publ...
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Oboe Solo - Level 3 - SKU: A0.1018945 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078673. Published by Benjamin Sajo (A0.1018945). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Oboe 1
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Hautbois (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 4 - SKU: A0.1018944 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078671. Publ...
(+)
Oboe Solo - Level 4 - SKU: A0.1018944 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078671. Published by Benjamin Sajo (A0.1018944). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
All The Pretty Little Horses
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Hautbois (partie séparée)
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DÉBUTANT
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Folklorique/Traditionel
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Southeastern American Folksong
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Dominic Meccia
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All The Pretty Little Horses
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Dominic Meccia
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SheetMusicPlus
Instrumental Solo,Oboe - Level 1 - Interactive Download SKU: A0.1335841 Composed by Southeastern American Folksong. Arranged by Dominic Meccia. This edit...
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Instrumental Solo,Oboe - Level 1 - Interactive Download SKU: A0.1335841 Composed by Southeastern American Folksong. Arranged by Dominic Meccia. This edition: Interactive Download. Folk. Individual part. 1 pages. Duration 71. Dominic Meccia #64LYKOUWAFuxvhgCbOq5SA. Published by Dominic Meccia (A0.1335841). Key: G major.
$3.99
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 1
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Hautbois (partie séparée)
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Publ...
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Oboe Solo - Level 5 - SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Published by Benjamin Sajo (A0.1018926). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 2
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Hautbois (partie séparée)
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AVANCÉ
#
Contemporain
#
Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
#
SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Publ...
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Oboe Solo - Level 5 - SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Published by Benjamin Sajo (A0.1018925). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
[Roseman] Partita for Solo Oboe
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Hautbois (partie séparée)
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Contemporain
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Ronald Roseman
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[Roseman] Partita for Solo Obo
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American Composers Alliance Inc.
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SheetMusicPlus
Oboe Solo - SKU: A0.952613 Composed by Ronald Roseman. 20th Century. Individual part. 17 pages. American Composers Alliance Inc. #4611203. Published by ...
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Oboe Solo - SKU: A0.952613 Composed by Ronald Roseman. 20th Century. Individual part. 17 pages. American Composers Alliance Inc. #4611203. Published by American Composers Alliance Inc. (A0.952613). A partita in four movements for solo oboe - PDF download includes score.
$12.95
[Roseman] Blues
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Hautbois (partie séparée)
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Contemporain
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Ronald Roseman
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[Roseman] Blues
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American Composers Alliance Inc.
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SheetMusicPlus
Oboe Solo - SKU: A0.952612 Composed by Ronald Roseman. 20th Century. Individual part. 6 pages. American Composers Alliance Inc. #4611205. Published by A...
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Oboe Solo - SKU: A0.952612 Composed by Ronald Roseman. 20th Century. Individual part. 6 pages. American Composers Alliance Inc. #4611205. Published by American Composers Alliance Inc. (A0.952612). Second movement from Partita for Solo Oboe - PDF download includes score.
$5.95
Bound for the Promised Land (Arrangements Level 2-4 for OBOE + Written Accomp)
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Hautbois (partie séparée)
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FACILE
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Gospel Spirituel
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American Spiritual
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Dr Jerry Nelson
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Bound for the Promised Land
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Jerry Nelson
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SheetMusicPlus
Oboe Solo - Level 2 - SKU: A0.875071 Composed by American Spiritual. Arranged by Dr Jerry Nelson. Christian,Folk,Gospel,Jazz,Spiritual. Individual part....
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Oboe Solo - Level 2 - SKU: A0.875071 Composed by American Spiritual. Arranged by Dr Jerry Nelson. Christian,Folk,Gospel,Jazz,Spiritual. Individual part. 5 pages. Jerry Nelson #3859581. Published by Jerry Nelson (A0.875071). One of the favorite early American Spirituals in a happy, bouncing, rhythmic style. These arrangements ease you gently from Level 2 thru 4 using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accompaniment included, plus Chord Chart for live rhythm. Or, purchase the high-energy, Orchestral Accompaniment Track (#SO.432381). Congrats! You found the Gold Mine! Whether you play winds or strings or 88 keys – awesome arrangements at multiple challenge levels. SEARCH Jerry Nelson (plus your instrument's name). VIisit www.JerryNelsonMusic.com for your FREE Mega-Medley Arrangement & Optional Track The Tag Team audio demo employs a variety of alternating instruments playing at Challenge Level 4 (Time 1:45)
$3.99
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