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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
American Pie
Non classifié
832
Piano & claviers
Piano seul
4 017
Piano, Voix
2 317
Piano Facile
147
1 Piano, 4 mains
51
Piano, Voix et Guitare
44
Orgue
34
2 Pianos, 4 mains
28
Instruments en Do
23
Accordéon
12
Accompagnement Piano
12
Piano Trio: piano, violon, violoncelle
5
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano grosses notes
2
2 Pianos, 8 mains
1
Clavecin
1
Orgue, Piano (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 12 instrumentations
Retracter
Guitares
Guitare
40
Guitare notes et tablatures
39
Ligne De Mélodie, (Paroles) et Accords
22
Ukulele
16
Basse electrique
6
Mandoline
6
2 Guitares (duo)
5
Paroles et Accords
5
Banjo
4
Dulcimer
3
Ukulele Baryton
2
4 Guitares (Quatuor)
2
Mandoline, Guitare (duo)
1
Piano, Guitare (duo)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
949
Chorale 3 parties
53
Pack Instrumental pour Chorale
42
Chorale TTBB
39
Chorale 2 parties
35
Chorale SSAA
30
Chorale Unison
17
Voix Baryton, Piano
4
Voix haute
4
Voix Soprano, Piano
2
Voix Alto, Piano
2
Voix basse, Piano
2
Voix duo
2
Voix duo, Piano
1
Chorale SSATB
1
Voix Tenor, Piano
1
Voix Baryton
1
Voix Tenor
1
Voix Soprano
1
Voix basse
1
Chorale
1
Voix Mezzo-Soprano, Piano
1
+ 17 instrumentations
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Vents
Flûte traversière et Piano
76
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
55
Clarinette et Piano
48
2 Saxophones (duo)
47
Quatuor de Clarinettes: 4 clarinettes
43
Flûte traversière
41
Quatuor de Saxophones: 4 saxophones
38
Saxophone Alto et Piano
36
Quintette de Saxophone: 5 saxophones
34
Flûte, Violon, Piano
33
Hautbois, Piano (duo)
32
2 Clarinettes (duo)
30
Flûte, Hautbois, Clarinette, Basson
25
Saxophone, Clarinette (duo)
24
2 Flûtes traversières (duo)
23
Clarinette, Violon (duo)
19
Clarinette
19
Saxophone Tenor et Piano
19
Quatuor de Flûtes : 4 flûtes
17
Clarinette, Trompette (duo)
15
Saxophone Alto
14
Flûte, Clarinette (duo)
13
Flûte, Violon
12
2 Hautbois (duo)
12
Ensemble de saxophones
11
Saxophone Tenor
11
Saxophone Soprano et Piano
11
Hautbois, Clarinette (duo)
10
Clarinette et Alto
10
Hautbois, Flûte
8
Quintette de Clarinettes: 5 clarinettes
8
Hautbois (partie séparée)
8
Ensemble de Flûtes
8
Ensemble de Clarinettes
7
Flûte, Saxophone (duo)
7
Saxophone (partie séparée)
7
Flûte, Trompette (duo)
7
Ocarina
7
Saxophone Baryton, Piano
7
Hautbois, Basson (duo)
6
Flute (partie séparée)
6
Flûte à bec Alto
6
Harmonica
5
Saxophone Soprano
5
Flûte, Alto (duo)
5
Trio de Flûtes: 3 flûtes
5
Flûte à bec Soprano
5
Hautbois
4
Clarinette (partie séparée)
4
Quintette de Flûte : 5 flûtes
4
Cor anglais, Piano
3
Flûte, Violoncelle
3
Flûte, Hautbois (duo)
3
Flûte et Guitare
3
3 Clarinettes (trio)
3
Clarinette, Violoncelle (duo)
2
Hautbois, Violoncelle
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette, Basson (duo)
2
Saxophone Baryton
2
Cor Anglais
2
Hautbois et alto (duo)
2
2 Flûte à bec (duo)
2
Hautbois, violon (duo)
2
3 Saxophones (trio)
2
Quatuor de Flûtes à bec
1
Flûte, Hautbois, Clarinette (trio)
1
Piccolo, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à bec Alto, Piano
1
Ensemble De Flûte à bec
1
Saxophone et Orgue
1
Flûte, Clarinette et Basson
1
Clarinette Basse, Piano
1
Flûte irlandaise
1
Flûte, Clarinette, Piano (trio)
1
+ 71 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
74
Quatuor de Cuivres : 2 trompettes, trombone, tuba
43
Trombone et Piano
25
Trompette
23
Trompette, Piano
20
Trompette, Saxophone (duo)
16
Cor et Piano
15
2 Trompettes (duo)
14
2 Trombones (duo)
13
Trombone (partie séparée)
12
Trombone
12
Euphonium, Piano (duo)
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Cor
11
Trompette, Trombone (duo)
11
Trompette (partie séparée)
10
Tuba et Piano
10
Ensemble de Trombones
9
Quatuor de Cuivres
7
Ensemble de Trompettes
5
Quatuor de cuivres: 4 trombones
5
Tuba (partie séparée)
4
Cor anglais, Piano
3
Tuba
3
Trompette, violon (duo)
3
2 Cors (duo)
3
2 Euphoniums (duo)
2
Quatuor de cuivres: 4 cors
2
Cor (partie séparée)
2
Cor Anglais
2
Clarinette, Cor (duo)
1
Trompette, Tuba (duo)
1
2 Tubas (duo)
1
Trombone basse
1
Tuba et Orgue
1
Euphonium, Tuba (duo)
1
Cornet et orchestre
1
2 Euphoniums et 2 Tubas
1
+ 33 instrumentations
Retracter
Cordes
Harpe, Flûte (duo)
112
Quatuor à cordes: 2 violons, alto, violoncelle
80
Violon et Piano
65
Violon
58
Violoncelle, Piano
43
Alto, Piano
33
Harpe
32
2 Violons (duo)
22
Violon, Alto (duo)
21
Violon, Violoncelle (duo)
20
Alto seul
19
Violon (partie séparée)
18
2 Violoncelles (duo)
15
Violoncelle
14
2 Altos (duo)
13
Trio à Cordes: violon, alto, violoncelle
12
Contre Basse
9
Alto (partie séparée)
7
Violoncelle (partie séparée)
7
Contrebasse (partie séparée)
7
Contrebasse, Piano (duo)
6
2 Harpes (duo)
6
Violoncelle, Contrebasse (duo)
4
Violon, Guitare (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Trio à cordes: 3 violins
3
Ensemble de Violons
3
Harpe, Voix
2
Trio à Cordes: 2 violons, alto
2
Violon, Basson (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Alto, Violoncelle (duo)
1
2 Contrebasses (duo)
1
Harpe, Violoncelle (duo)
1
4 Violoncelles
1
Alto et Basson
1
Violon, Clarinette, Piano (trio)
1
Ensemble d'Altos
1
Piano Trio: Violon, Alto, Piano
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
312
Orchestre à Cordes
122
Orchestre
94
Cloches
62
Ensemble de cuivres
25
Ensemble Jazz
24
Orchestre de chambre
18
Fanfare
14
Jazz combo
9
Percussion (partie séparée)
7
Ensemble de Percussions
4
Percussion
3
Batterie
2
Vibraphone
2
Marimba
2
2 Xylophones
1
Timbales (partie séparée)
1
Xylophone
1
Batterie (partie séparée)
1
+ 14 instrumentations
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Autres
Instruments
ACCORDEON
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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Vous avez sélectionné:
American Pie
Hautbois (partie séparée)
Partitions à imprimer
8 partitions trouvées
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1
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 1
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Hautbois (partie séparée)
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Publ...
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Oboe Solo - Level 5 - SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Published by Benjamin Sajo (A0.1018926). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 2
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Hautbois (partie séparée)
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Publ...
(+)
Oboe Solo - Level 5 - SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Published by Benjamin Sajo (A0.1018925). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Montero
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Hautbois (partie séparée)
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DÉBUTANT
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Pop musique
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Lil Nas X
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Woods Only
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Montero
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Woods Only, Arrangements
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SheetMusicPlus
Oboe Solo - Level 1 - SKU: A0.956678 By Lil Nas X. By David Biral, David Charles Biral, Denzel Baptiste, Montero Lamar Hill, Omer Fedi, Rosario Lenzo, R...
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Oboe Solo - Level 1 - SKU: A0.956678 By Lil Nas X. By David Biral, David Charles Biral, Denzel Baptiste, Montero Lamar Hill, Omer Fedi, Rosario Lenzo, Rosario Peter Lenzo Iv, and Roy Lenzo. Arranged by Woods Only. Pop. Individual part. 3 pages. Woods Only, Arrangements #6369821. Published by Woods Only, Arrangements (A0.956678). An easy, chordless version for Oboe d’Amore of the song by the American rapper Montero Lamar Hill, more popularly known as Lil Nas X. Ideal for beginning music students who don't have much mastery of the instrument. Tonality and tessitura adapted for better execution of the piece.
$4.99
Kommos (Lamentation) / "When the World Moved On" - Oboe 2
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Hautbois (partie séparée)
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INTERMÉDIAIRE
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 3 - SKU: A0.1018945 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078673. Publ...
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Oboe Solo - Level 3 - SKU: A0.1018945 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078673. Published by Benjamin Sajo (A0.1018945). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Oboe 1
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Hautbois (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 4 - SKU: A0.1018944 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078671. Publ...
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Oboe Solo - Level 4 - SKU: A0.1018944 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078671. Published by Benjamin Sajo (A0.1018944). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Montero
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Hautbois (partie séparée)
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DÉBUTANT
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Pop musique
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Lil Nas X
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Woods Only
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Montero
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Woods Only, Arrangements
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SheetMusicPlus
Oboe Solo - Level 1 - SKU: A0.956676 By Lil Nas X. By David Biral, David Charles Biral, Denzel Baptiste, Montero Lamar Hill, Omer Fedi, Rosario Lenzo, R...
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Oboe Solo - Level 1 - SKU: A0.956676 By Lil Nas X. By David Biral, David Charles Biral, Denzel Baptiste, Montero Lamar Hill, Omer Fedi, Rosario Lenzo, Rosario Peter Lenzo Iv, and Roy Lenzo. Arranged by Woods Only. Pop. Individual part. 3 pages. Woods Only, Arrangements #6369819. Published by Woods Only, Arrangements (A0.956676). An easy, chordless version for Oboe of the song by the American rapper Montero Lamar Hill, more popularly known as Lil Nas X. Ideal for beginning music students who don't have much mastery of the instrument. Tonality and tessitura adapted for better execution of the piece.
$4.99
Patriotic Bits & Pieces (based on Favorite American Themes): Oboe
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Hautbois (partie séparée)
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Classique
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Michael Story
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Patriotic Bits & Pieces
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Arranged by Michael Story. For Concert Band. Classical. Part. 2 pages. Published by Alfred Music - Digital Sheet Music ...
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Arranged by Michael Story. For Concert Band. Classical. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$3.00
Patriotic Bits & Pieces (based on Favorite American Themes): Oboe
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Hautbois (partie séparée)
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Methodes
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Michael Story
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Patriotic Bits & Pieces
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
Arranged by Michael Story. For Full Orchestra. Instructional. Part. 2 pages. Published by Alfred Music. Digital Sheet Music...
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Arranged by Michael Story. For Full Orchestra. Instructional. Part. 2 pages. Published by Alfred Music. Digital Sheet Music
$3.00
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