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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
ERC century
Non classifié
493
Piano & claviers
Piano seul
592
Piano Facile
77
Piano, Voix
66
Piano, Voix et Guitare
38
Orgue
34
Instruments en Do
30
1 Piano, 4 mains
13
2 Pianos, 4 mains
11
Accordéon
7
Piano Trio: piano, violon, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Orgue, Piano (duo)
2
Accompagnement Piano
1
Piano Quatuor: piano, violon, alto, violoncelle
1
1 Piano, 6 mains
1
+ 10 instrumentations
Retracter
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Guitare notes et tablatures
128
Guitare
67
Basse electrique
24
2 Guitares (duo)
3
Ligne De Mélodie, (Paroles) et Accords
3
Mandoline
2
Ukulele
2
4 Guitares (Quatuor)
2
3 Guitares (trio)
1
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1
Banjo
1
Ukulele Baryton
1
+ 7 instrumentations
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Voix
Chorale SATB
120
Chorale 3 parties
23
Chorale TTBB
17
Chorale SSAA
10
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9
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4
Voix Soprano, Piano
4
Chorale Unison
3
Voix seule
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Voix haute
3
Voix Baryton, Piano
2
Voix moyenne, Piano
1
Voix Alto, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix duo
1
Voix Tenor
1
+ 11 instrumentations
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
43
Flûte traversière et Piano
34
Quatuor de Saxophones: 4 saxophones
21
Ensemble de saxophones
20
Flûte traversière
19
Saxophone Alto et Piano
19
Clarinette et Piano
19
Ensemble de Clarinettes
18
Quatuor de Clarinettes: 4 clarinettes
16
Clarinette
15
Hautbois (partie séparée)
14
Hautbois, Piano (duo)
13
Saxophone Alto
11
Saxophone Tenor et Piano
10
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10
Flûte, Hautbois, Clarinette, Basson
8
Quatuor de Flûtes : 4 flûtes
8
2 Flûtes traversières (duo)
8
Flute (partie séparée)
7
Quintette de Saxophone: 5 saxophones
7
Saxophone Tenor
7
Cor anglais, Piano
5
Ensemble de Flûtes
5
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5
Saxophone Soprano et Piano
4
Ocarina
4
Clarinette Basse, Piano
4
3 Clarinettes (trio)
4
Saxophone Baryton, Piano
4
Trio de Flûtes: 3 flûtes
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte, Violon, Piano
2
Flûte, Clarinette (duo)
2
Saxophone
2
Harmonica
2
Quintette de Flûte : 5 flûtes
2
Clarinette, Violoncelle (duo)
2
Flûte, Hautbois, Basson
2
Flûte, Basson et Piano
2
Flûte, Hautbois, Clarinette (trio)
2
2 Saxophones (duo)
2
Flûte et Guitare
2
Saxophone Soprano
1
Flûte, Violon
1
Flûte, Violoncelle, Piano (trio)
1
Flûte à bec Alto, Piano
1
Ensemble De Flûte à bec
1
Cor Anglais
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Quatuor de Flûtes à bec
1
Clarinette, Violon (duo)
1
4 Hautbois
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Flûte à Bec
1
Ensemble à vent
1
Clarinette, Basson, Piano (trio)
1
3 Saxophones (trio)
1
Piccolo, Piano
1
Flûte à bec Soprano
1
5 Flûtes à bec
1
Clarinette, Guitare (duo)
1
Clarinette, Harpe (duo)
1
Piccolo
1
Flûte à bec Alto
1
2 Clarinettes (duo)
1
Flûte, Clarinette et Basson
1
+ 59 instrumentations
Retracter
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
27
Trompette
25
Trombone et Piano
14
Cor
13
Trombone
13
Trompette, Piano
13
Cor et Piano
7
Quatuor de cuivres: 4 cors
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Cor anglais, Piano
5
Trompette (partie séparée)
5
Euphonium, Piano (duo)
5
Tuba
4
Ensemble de Trombones
3
Trombone, Tuba (duo)
3
Tuba et Piano
3
Quatuor de cuivres: 4 trombones
3
Trombone basse
2
Quatuor de cuivres: 4 trompettes
2
Quatuor de Cuivres
2
2 Trompettes (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Ensemble de Cors
1
Trombone basse et Piano
1
Clarinette, Cor (duo)
1
Cor Anglais
1
2 Euphoniums et 2 Tubas
1
3 Trombones (trio)
1
Trombone (partie séparée)
1
Euphonium
1
+ 25 instrumentations
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Quatuor à cordes: 2 violons, alto, violoncelle
58
Violon et Piano
35
Violon
33
Violoncelle
20
Trio à Cordes: violon, alto, violoncelle
18
Violoncelle, Piano
16
Harpe
15
Alto seul
12
2 Violoncelles (duo)
9
Alto, Piano
9
Violon, Guitare (duo)
7
Contre Basse
6
4 Violoncelles
5
Violon, Violoncelle (duo)
5
2 Violons (duo)
4
2 Contrebasses (duo)
4
Alto, Violoncelle (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Violoncelle , Guitare (duo)
3
2 Altos (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Contrebasse, Piano (duo)
2
Alto (partie séparée)
2
Alto et orchestre
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle, Orgue
1
Trio à Cordes: 3 violoncelles
1
Violoncelle, Contrebasse (duo)
1
Violon, Alto (duo)
1
Harpe et Piano
1
Quatuor à cordes: 4 violons
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre
188
Orchestre d'harmonie
135
Orchestre de chambre
71
Orchestre à Cordes
35
Fanfare
15
Ensemble de Percussions
14
Ensemble de cuivres
11
Ensemble Jazz
8
Batterie
8
Marimba
8
Cloches
6
Vibraphone
2
Caisse Claire
2
Jazz combo
1
Xylophone
1
Quintette à Vent
1
Timbales
1
3 Percussions
1
Xylophone, Piano
1
+ 14 instrumentations
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1
Dance of the Stone Trolls (Opus 319) (Treble Solo)
#
Hautbois (partie séparée)
#
INTERMÉDIAIRE
#
Daniel Hay
#
Dance of the Stone Trolls
#
Daniel Hay Music
#
SheetMusicPlus
Oboe Solo - Level 3 - SKU: A0.596425 Composed by Daniel Hay. 20th Century,Contemporary,Multicultural,World. Individual part. 1 pages. Daniel Hay Music #...
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Oboe Solo - Level 3 - SKU: A0.596425 Composed by Daniel Hay. 20th Century,Contemporary,Multicultural,World. Individual part. 1 pages. Daniel Hay Music #5741923. Published by Daniel Hay Music (A0.596425). When composing this solo piece the composer, Daniel Hay was thinking of massive troll-like creatures ponderously stomping around a bonfire. Perhaps the image is better if you think of drunk sumo fighters dancing around rising flames. Most of the time when the composer uses repeats he labels them with an uppercase letter to identify them, followed by a hyphen and a lowercase letter showing where the repeat leads. Occasionally, as in The Dance of the Stone Trolls, there is also a lowercase letter within parentheses which is used to indicate an optional location to repeat from either at the first pass or possibly as a second pass. The attached YouTube link is performed on Tenor Recorder by the composer during a rehearsal. This version is wonderful with Oboe, Clarinet, Violin, or Soprano, and Tenor Recorders.
$2.29
Aubade: A Pairing with Beethoven's Symphony #1 - Oboe 1
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Hautbois (partie séparée)
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
#
Benjamin Sajo
#
SheetMusicPlus
Oboe Solo - Level 4 - SKU: A0.1018903 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064741. Publ...
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Oboe Solo - Level 4 - SKU: A0.1018903 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064741. Published by Benjamin Sajo (A0.1018903). Programme Notes: Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or dawn song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. A song for the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences, camping in Northern Canada, a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection in this case is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves--the dawn of his special genius.About the Composer:Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Lullaby
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Hautbois (partie séparée)
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DÉBUTANT
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Classique
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Johannes Brahms
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Andrea Costa
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Lullaby
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ANDREA PAES
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SheetMusicPlus
Oboe Solo - Level 1 - SKU: A0.1202646 Composed by Johannes Brahms. Arranged by Andrea Costa. 19th Century,Children,Classical,Traditional. Individual par...
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Oboe Solo - Level 1 - SKU: A0.1202646 Composed by Johannes Brahms. Arranged by Andrea Costa. 19th Century,Children,Classical,Traditional. Individual part. 2 pages. ANDREA PAES #801410. Published by ANDREA PAES (A0.1202646). Lullaby / Berceuse - Oboe [Score] by Johannes Brahms Arranged by Andrea Costa.
$2.99
Aubade: A Pairing with Beethoven's Symphony #1 - Oboe 2
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Hautbois (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 4 - SKU: A0.1018905 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064747. Publ...
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Oboe Solo - Level 4 - SKU: A0.1018905 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064747. Published by Benjamin Sajo (A0.1018905). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Debussy 1908 Children's Corner Doctor Gradus ad Parnassum Oboe or Sax Study
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Hautbois (partie séparée)
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AVANCÉ
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Rainer's Rainbow
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R G Roth
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Debussy 1908 Children's Corner
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Rainer's Rainbow
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SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1092932 By Rainer's Rainbow. By Claude Debussy 1862-1918. Arranged by R G Roth. 20th Century,Baroque,Classical,Instruction...
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Oboe Solo - Level 5 - SKU: A0.1092932 By Rainer's Rainbow. By Claude Debussy 1862-1918. Arranged by R G Roth. 20th Century,Baroque,Classical,Instructional,Romantic Period. Individual part. 18 pages. Rainer's Rainbow #697024. Published by Rainer's Rainbow (A0.1092932). Debussy wrote his Children's Corner Suite for Piano in1908. It has been transcribed here to be performed as an unaccompanied an Oboe or Sax solo. It is meant more as a technical study or exercise. Chords are included in case the soloist finds a piano or guitar player to improvise an accompaniment. Alternative Oboe, English Horn, Alto Sax and Tenor Sax parts are included. Learn them all.
$2.99
Marais 1701 Folies d'Espagne for Solo Oboe in D Minor
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Hautbois (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Rainer's Rainbow
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R G Roth
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Marais 1701 Folies d'Espagne f
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Rainer's Rainbow
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SheetMusicPlus
Oboe Solo - Level 4 - SKU: A0.1306570 By Rainer's Rainbow. By Marin Marais 1656-1728. Arranged by R G Roth. 19th Century,Baroque,Classical,Instructional...
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Oboe Solo - Level 4 - SKU: A0.1306570 By Rainer's Rainbow. By Marin Marais 1656-1728. Arranged by R G Roth. 19th Century,Baroque,Classical,Instructional,Wedding. Individual part. 12 pages. Rainer's Rainbow #895923. Published by Rainer's Rainbow (A0.1306570). This Folio or exercise book was orignally written in 1701 by the French Baroque composer Marin Marais. It has been arranged for and played by a wide variety of modern instruments. This unique arrangement has 23 variations using classical ornamentation rather than baroque options. Here it is for Oboe in the original key of D minor. Chords are included.
$2.99
We Are The Champions
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Hautbois (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Queen
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Fernando Britto
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We Are The Champions
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Minhas Partituras
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SheetMusicPlus
Oboe Solo - Level 4 - SKU: A0.687207 By Queen. By Freddie Mercury. Arranged by Fernando Britto. 20th Century,Rock,Wedding. Individual part. 1 pages. Min...
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Oboe Solo - Level 4 - SKU: A0.687207 By Queen. By Freddie Mercury. Arranged by Fernando Britto. 20th Century,Rock,Wedding. Individual part. 1 pages. Minhas Partituras #6562627. Published by Minhas Partituras (A0.687207). Arrangement of the song We Are The Champions (Queen) for Oboe Solo with Chords.
$4.99
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 1
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Hautbois (partie séparée)
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Publ...
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Oboe Solo - Level 5 - SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Published by Benjamin Sajo (A0.1018926). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
To Bee or not to Bee
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Hautbois (partie séparée)
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INTERMÉDIAIRE
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Contemporain
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Anders Wall
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To Bee or not to Bee
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WallofSound
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SheetMusicPlus
Oboe Solo - Level 3 - SKU: A0.1028126 Composed by Anders Wall. 20th Century,Contemporary. Individual part. 2 pages. WallofSound #3375321. Published by W...
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Oboe Solo - Level 3 - SKU: A0.1028126 Composed by Anders Wall. 20th Century,Contemporary. Individual part. 2 pages. WallofSound #3375321. Published by WallofSound (A0.1028126). With this piece for solo Oboe I want to raise awareness to dying population.You have a bee to thank for every one in three bites of food you eat.A single bee colony can pollinate 300 million flowers each day.Grains are primarily pollinated by the wind, but the best and healthiest food fruits, nuts, and vegetables are pollinated by bees.Seventy out of the top 100 human food crops, which supply about 90 percent of the world's nutrition, are pollinated by bees.In the US, among crops that require bee pollination, the number of bee colonies per hectare has declined by 90% since 1962. The bees cannot keep pace with the winter die-off rates and habitat loss. Biologists have found more than 150 different chemical residues in bee pollen, a deadly pesticide cocktail according to University of California apiculturist Eric Mussen. The chemical companies Bayer, Syngenta, BASF, Dow, DuPont, and Monsanto shrug their shoulders at the systemic complexity, as if the mystery were too complicated.They advocate no change in pesticide policy.After all, selling poisons to the world's farmers is profitable. - Greenpeace.com
$1.99
Kommos (Lamentation) / "When the World Moved On" - Oboe 2
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Hautbois (partie séparée)
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INTERMÉDIAIRE
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 3 - SKU: A0.1018945 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078673. Publ...
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Oboe Solo - Level 3 - SKU: A0.1018945 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078673. Published by Benjamin Sajo (A0.1018945). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 2
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Hautbois (partie séparée)
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Publ...
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Oboe Solo - Level 5 - SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Published by Benjamin Sajo (A0.1018925). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Oboe 2
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Hautbois (partie séparée)
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AVANCÉ
#
Contemporain
#
Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018877 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056069. Publ...
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Oboe Solo - Level 5 - SKU: A0.1018877 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056069. Published by Benjamin Sajo (A0.1018877). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Oboe 1
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Hautbois (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
#
SheetMusicPlus
Oboe Solo - Level 4 - SKU: A0.1018944 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078671. Publ...
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Oboe Solo - Level 4 - SKU: A0.1018944 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078671. Published by Benjamin Sajo (A0.1018944). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Oboe 1
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Hautbois (partie séparée)
#
AVANCÉ
#
Contemporain
#
Benjamin Harry Sajo
#
Icarus Also Flew: A Pairing wi
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Benjamin Sajo
#
SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018876 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056061. Publ...
(+)
Oboe Solo - Level 5 - SKU: A0.1018876 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056061. Published by Benjamin Sajo (A0.1018876). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
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