Partitions Numériques de Embers pour Hautbois (partie séparée)

Embers

This Wish #Hautbois (partie séparée) #INTERMÉDIAIRE #Film Walt Disney #Benjamin Rice, JP Saxe, and Ju #Henrique Oliveira #This Wish #Henrique Oliveira #SheetMusicPlus

Oboe Solo - Level 3 - SKU: A0.1316087 Composed by Benjamin Rice, JP Saxe, and Julia Michaels. Arranged by Henrique Oliveira. 21st Century,Broadway,Chamb...(+)

Oboe Solo - Level 3 - SKU: A0.1316087 Composed by Benjamin Rice, JP Saxe, and Julia Michaels. Arranged by Henrique Oliveira. 21st Century,Broadway,Chamber,Film/TV,Musical/Show,Pop. Individual part. 3 pages. Henrique Oliveira #904834. Published by Henrique Oliveira (A0.1316087). Arrangement for oboe solo of This Wish from the Disney movie Wish, perfect to play among your friends, students or family members. The PDF file is instantly available with the individual parts and the full score. For more arrangements like this, please make sure to check out my page.

The Cry of Beltane (for solo oboe) #Hautbois (partie séparée) #INTERMÉDIAIRE/AVANCÉ #Contemporain #Joseph Hollings #The Cry of Beltane #Joseph Hollings Publishing #SheetMusicPlus

Oboe Solo - Level 4 - SKU: A0.927664 Composed by Joseph Hollings. 20th Century,Contemporary. Individual part. 3 pages. Joseph Hollings Publishing #66833...(+)

Oboe Solo - Level 4 - SKU: A0.927664 Composed by Joseph Hollings. 20th Century,Contemporary. Individual part. 3 pages. Joseph Hollings Publishing #6683341. Published by Joseph Hollings Publishing (A0.927664). Duration: approx 4:00The Cry of Beltane for solo oboe was written for and premiered by an advanced, young oboe student, Leo Sherwood, and first performed in May 2017 as part of the Cleveland Composers Guildâ€™s Creativity: Learning through Experience program. The piece was the program opener and is ideally suited to open a recital.Beltane is the anglicized name of the Celtic festival held on May Day, a pagan festival signifying the beginning of summer. The piece is intended to evoke a ritualistic, call to summer; a crying out and calling forth of sun and growth. The piece should sound aggressive and the oboe should aim to make the most of its harder-edged timbre, rather than its lyrical qualities. While the notation is precise, the piece should sound as if the performer had improvised it. The bigger the contrast in dynamics the better.Joseph Hollings (ASCAP) is a composer, arranger and music educator, and has taught music to students of all levels for over twenty five years. His arrangements have been performed internationally, including in London's West End, and have been recorded by the Onyx Brass Quintet and members of the Cleveland Orchestra. He studied composition with Harrison Birtwistle at King's College London, worked for the D'Oyly Carte Opera Company, and established Really Nearly Records with the ever-imaginative Tim Ten Yen. Joseph Hollings is a member of ASCAP. Learn more about the composer at www.josephhollings.com Follow on TikTok @TikTokComposerFollow on Instagram @josephhollings