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436
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205
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51
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11
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116
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77
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4
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2
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1
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94
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29
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11
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8
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6
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5
Voix haute
5
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2
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1
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
112
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79
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44
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41
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37
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37
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29
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28
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25
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25
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21
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19
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19
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18
Clarinette
17
Saxophone Alto
17
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16
Saxophone, Clarinette (duo)
16
Quatuor de Clarinettes: 4 clarinettes
13
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13
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12
3 Clarinettes (trio)
12
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11
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10
Saxophone Baryton, Piano
10
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10
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9
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8
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8
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8
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7
Saxophone (partie séparée)
7
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6
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6
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6
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5
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5
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5
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4
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3
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3
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2
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2
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2
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2
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2
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2
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2
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2
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1
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1
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1
2 Flûte à bec (duo)
1
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1
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1
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
75
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67
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45
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23
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20
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Trombone et Piano
18
Trombone
15
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11
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9
Cor anglais, Piano
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Cor
7
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7
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7
Cor et Piano
7
Euphonium, Piano (duo)
7
Quatuor de Cuivres
7
2 Trompettes (duo)
6
Cor Anglais
5
Tuba et Piano
4
2 Cors (duo)
4
Quatuor de cuivres: 4 trompettes
3
Tuba
3
Bass Clef Instruments
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2
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2
Trompette, Trombone, Piano
2
3 Trombones (trio)
2
Euphonium
2
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2
Cor et Harpe
1
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1
3 Cors (trio)
1
Trombone (partie séparée)
1
2 Euphoniums (duo)
1
Ensemble de Tubas
1
Trompette, Harpe
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor (partie séparée)
1
Trompette, Euphonium (duo)
1
Trio de Cuivres
1
Trompette, violon (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
120
Violon et Piano
67
2 Violons (duo)
56
Alto, Piano
32
Violoncelle, Piano
28
Violon, Alto (duo)
27
Trio à Cordes: violon, alto, violoncelle
21
2 Altos (duo)
20
Violon, Violoncelle (duo)
19
Violon
18
Violoncelle
17
Ensemble d'Altos
13
Harpe
13
Ensemble de Violons
12
Alto seul
12
2 Violoncelles (duo)
10
2 Harpes (duo)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Contrebasse, Piano (duo)
5
Violoncelle, Contrebasse (duo)
5
Violon, Guitare (duo)
4
Alto, Violoncelle (duo)
4
Contrebasse (partie séparée)
4
Trio à Cordes: 3 violoncelles
3
Harpe, Voix
3
Violoncelle , Guitare (duo)
2
Alto (partie séparée)
2
2 Violons, Piano
2
Contre Basse
2
Violon (partie séparée)
2
Trio à Cordes: 2 violons, violoncelle
2
Harpe, Flûte (duo)
2
Piano Trio: Violon, Alto, Piano
2
Alto et Harpe
1
Alto et Basson
1
Harpe, Trombone (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
4 Violoncelles
1
Harpe, Violon (duo)
1
Quatuor à cordes: 4 violons
1
Harpe, Violoncelle (duo)
1
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PERCUSSIONS & ORCHESTRES
Ensemble Jazz
64
Orchestre à Cordes
55
Orchestre d'harmonie
46
Orchestre de chambre
43
Orchestre
25
Jazz combo
17
Ensemble de cuivres
11
Fanfare
7
Ensemble de Percussions
7
Cloches
6
Marimba
6
Xylophone
3
Batterie
3
Batterie (partie séparée)
2
Ensemble d'École
1
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AUTRES
Vous avez sélectionné:
Here I stand
Hautbois (partie séparée)
Partitions à imprimer
7 partitions trouvées
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1
How Far I'll Go
Hautbois (partie séparée)
Oboe Solo - Level 3 - Digital Download SKU: A0.593603 By Takida. By Christian Bror …
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Oboe Solo - Level 3 - Digital Download SKU: A0.593603 By Takida. By Christian Bror Rehn, Lin-Manuel Miranda, Robert Karl Pettersson, and Thomas Jan Vallin. Arranged by David McKeown. Film/TV,Pop. Individual part. 3 pages. David McKeown #6496745. Published by David McKeown (A0.593603). How Far I’ll Go is one of the best loved songs from the 2016 Disney film Moana. This version is arranged as a solo for Oboe with chord symbols for piano or guitar accompaniment. Written by Lin-Manuel Miranda, two versions were recorded for the film, one by the lead actress Auliʻi Cravalho and the other by Alessia Cara. How Far I’ll Go won a Grammy in 2018 and has been consistently the most streamed song in the Disney canon since its release.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around three minutes. This is the full length version as sung in the film, with the verse, bridge and chorus performed twice and a final chorus a semitone higher. Click on the YouTube link above to listen to a full performance of How Far I'll Go played on Clarinet.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and syncopated rhythms.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.99
4.49 €
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Hautbois (partie séparée)
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Takida
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David McKeown
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How Far I'll Go
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David McKeown
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 1
Hautbois (partie séparée)
Oboe Solo - Level 5 - Digital Download SKU: A0.1018926 Composed by Benjamin Harry S…
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Oboe Solo - Level 5 - Digital Download SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Published by Benjamin Sajo (A0.1018926). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.15 €
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Hautbois (partie séparée)
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 2
Hautbois (partie séparée)
Oboe Solo - Level 5 - Digital Download SKU: A0.1018925 Composed by Benjamin Harry S…
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Oboe Solo - Level 5 - Digital Download SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Published by Benjamin Sajo (A0.1018925). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.15 €
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Hautbois (partie séparée)
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Bach 1729 BWV 156 Adagio for Solo Oboe or English Horn & Strings Parts and Score
Hautbois (partie séparée)
Oboe Solo - Level 2 - Digital Download SKU: A0.1213872 By Rainer's Rainbow. By Joha…
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Oboe Solo - Level 2 - Digital Download SKU: A0.1213872 By Rainer's Rainbow. By Johann Sebastian Bach 1685-1750. Arranged by R G Roth. 19th Century,20th Century,Baroque,Classical,Romantic Period. Individual part. 14 pages. Rainer's Rainbow #811070. Published by Rainer's Rainbow (A0.1213872). Bach Composed this well known Adagio as partof his Cantata BWV 156, titled I stand with one foot in the grave. Written in 1729 it has become one of his best known melodies. It is arranged here for Solo Oboe and string quartet accompaniment. An alternate solo English Horn part is included.
$3.99
3.59 €
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Hautbois (partie séparée)
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Rainer's Rainbow
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R G Roth
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Bach 1729 BWV 156 Adagio for Solo Oboe or English Horn & Strings Parts and Score
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Rainer's Rainbow
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SheetMusicPlus
Paint It, Black
Hautbois (partie séparée)
Oboe Solo - Level 3 - Digital Download SKU: A0.1175805 By The Rolling Stones. By Ke…
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Oboe Solo - Level 3 - Digital Download SKU: A0.1175805 By The Rolling Stones. By Keith Richards and Mick Jagger. Arranged by André Alberto Santos. Film/TV,Pop,Rock,Singer/Songwriter,Wedding. Individual part. 2 pages. Soul - Musical Creations #775926. Published by Soul - Musical Creations (A0.1175805). If you're a fan of the Rolling Stones and the Netflix series Wednesday, can you imagine how incredible it would be to play Paint It, Black in a solo arrangement inspired by the version played in the series by Wednesday herself?Now you will play one of the Stones' most emblematic songs, Paint It, Black, in a unique and impressive way, so I present my PDF arrangements for solo cello, solo viola, solo violin, solo flute, solo oboe or solo clarinet from Paint It, Black.With this score, you'll be able to play an even more intense and emotive version of this classic. The arrangement makes the most of the instrument's potential. In addition, the PDF format is easy to use and accessible, allowing you to study wherever and whenever you want.Don't miss the opportunity to add this amazing song to your repertoire. Imagine playing Paint It, Black to your family, friends or audience and receiving a standing ovation. With this sheet music, you will definitely receive!Take advantage of this unique offer today! It will be an unforgettable musical experience!
$4.99
4.49 €
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Hautbois (partie séparée)
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The Rolling Stones
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André Alberto Santos
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Paint It, Black
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Soul - Musical Creations
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SheetMusicPlus
Sonar's Riddle (Oboe)
Hautbois (partie séparée)
Oboe Solo - Level 4 - Digital Download SKU: A0.983174 Composed by Craig Wadley. 21s…
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Oboe Solo - Level 4 - Digital Download SKU: A0.983174 Composed by Craig Wadley. 21st Century,Chamber,Contemporary,Contest,Festival. Individual part. 5 pages. Wadley Publications #4980645. Published by Wadley Publications (A0.983174). The title of Sonar’s Riddle is an anagram of Dr. Daniel Ross, and stands as a tribute to a musician known for both his kindness and humor. Dr. Daniel F. Ross (1944-2019) was a Professor of Music at Arkansas State University, where he taught the double reed studio from 1968 to 2018. During his illustrious career, he became known as not only a world-class musician, but an innovator in the field of reed-making with his Ross Gouging Machine. As a performer, he served as Principal Oboist with the Arkansas Symphony and performed with the North Arkansas Symphony, Arkansas Philharmonic Orchestra, Tupelo Symphony, Delta Symphony, Atlanta Symphony, Nashville Symphony, the St. Louis Symphony, and the St. Louis Chamber Music Society. He was a frequent soloist with the Forum Sinfonia of Krakow, Poland, touring with them in the United Stated and Europe. He held the title of Visiting Professor of Oboe at the Academy of Music in Krakow, Poland and has been a soloist with the St. Petersburg and Moscow Philharmonic orchestras in Russia. As a teacher, Dr. Ross stressed the importance of expression. For him, being a musician was an extension of being human. In order to make music, one must cross the threshold from producing technically accurate sounds into a mysterious and sometimes elusive realm of heart, love, compassion, gentleness, and joy. In Dan Ross’ studio, one learned that a musician capable of evoking strong emotions must first be a person of great character. Dan Ross excelled in all things musical, but more importantly, he was an excellent man. He may well be remembered as a great musician, a great performer and teacher, or as an innovator in the art of reed making. But his true legacy lies in the hearts that he touched and the lives that he molded. I count myself fortunate to have been one of many. Sonar’s Riddle is a brief musical portrait of Dr. Dan Ross, attempting to capture the essence of his kind spirit and boundless humor.
$12.99
11.68 €
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Hautbois (partie séparée)
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Craig Wadley
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Sonar's Riddle
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Wadley Publications
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SheetMusicPlus
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