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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Here I stand
Sheetmusicplus
Non classifié
968
Piano & claviers
Piano seul
431
Piano, Voix et Guitare
180
Piano grosses notes
116
Piano, Voix
102
Instruments en Do
67
Orgue
56
Piano Facile
51
Piano Trio: piano, violon, violoncelle
11
2 Pianos, 4 mains
8
Accompagnement Piano
7
1 Piano, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavecin
1
Piano (partie séparée)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
113
Guitare
77
Ligne De Mélodie, (Paroles) et Accords
31
Basse electrique
24
Ukulele
13
2 Guitares (duo)
9
Banjo
6
4 Guitares (Quatuor)
4
Mandoline
4
3 Guitares (trio)
4
Dulcimer
4
Paroles et Accords
2
Piano, Guitare (duo)
2
Guitare (partie séparée)
1
Ensemble de guitares
1
+ 10 instrumentations
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Voix
Chorale SATB
97
Chorale 3 parties
24
Chorale TTBB
19
Chorale 2 parties
17
Voix duo, Piano
15
Chorale SSAA
11
Chorale Unison
8
Voix haute
6
Pack Instrumental pour Chorale
5
Voix seule
5
Voix Alto, Piano
2
Chorale
2
Voix Soprano, Piano
2
Voix duo
1
+ 9 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
113
Quintette de Saxophone: 5 saxophones
79
2 Saxophones (duo)
44
Flûte, Hautbois, Clarinette, Basson
41
Ensemble de saxophones
37
Flûte traversière et Piano
37
2 Clarinettes (duo)
29
Ensemble de Clarinettes
29
Clarinette et Piano
26
2 Flûtes traversières (duo)
23
Flûte traversière
21
Quatuor de Saxophones: 4 saxophones
20
Saxophone Alto et Piano
20
Hautbois, Piano (duo)
19
Clarinette
16
Saxophone, Clarinette (duo)
16
Saxophone Tenor et Piano
16
Saxophone Alto
15
Quatuor de Clarinettes: 4 clarinettes
13
Ensemble de Flûtes
13
Flûte, Clarinette (duo)
12
3 Clarinettes (trio)
12
Quintette de Flûte : 5 flûtes
11
Saxophone Baryton, Piano
10
Flûte à bec Soprano
10
Clarinette, Violon (duo)
9
Clarinette, Trompette (duo)
8
Cor anglais, Piano
8
Saxophone Tenor
8
Saxophone Soprano et Piano
8
Saxophone (partie séparée)
7
Hautbois (partie séparée)
7
Quatuor de Flûtes : 4 flûtes
6
Flûte irlandaise
6
Clarinette et Alto
6
Hautbois, Clarinette (duo)
6
2 Hautbois (duo)
6
Cor Anglais
5
Flûte et Guitare
5
Hautbois, Basson (duo)
5
Trio de Flûtes: 3 flûtes
5
Flûte, Alto (duo)
5
Flûte, Clarinette, Piano (trio)
4
Quintette de Clarinettes: 5 clarinettes
4
Clarinette Basse, Piano
4
Flûte à bec Alto, Piano
3
Flûte, Saxophone (duo)
3
Hautbois, Flûte
3
Flûte, Violon
2
Flûte à bec Soprano, Piano
2
Flûte, Trompette (duo)
2
Cor anglais, Guitare (duo)
2
Flûte, Violon, Piano
2
Clarinette, Guitare (duo)
2
Saxophone et Harpe
2
Flute (partie séparée)
2
Clarinette, Basson (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Clarinette, Harpe (duo)
2
Clarinette, Violoncelle (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
Saxophone et Orgue
2
Clarinette, Violoncelle, Piano (trio)
1
Saxophone et Guitare
1
Clarinette (partie séparée)
1
Flûte, Clarinette et Basson
1
2 Flûte à bec (duo)
1
Flûte à bec Alto
1
Clarinette, Trombone (duo)
1
Hautbois, Harpe
1
Harmonica
1
2 Clarinettes, Piano
1
2 Flûtes traversières, Piano
1
Flûte, Basson et Piano
1
Flûte, Hautbois (duo)
1
3 Saxophones (trio)
1
Flûte à Bec
1
Instruments en Mib
1
Piccolo, Piano
1
+ 74 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
75
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
67
Ensemble de Trompettes
46
Trompette
22
Ensemble de Trombones
20
Trombone et Piano
19
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Trombone
14
Trompette, Piano
12
Cor anglais, Piano
8
2 Trombones (duo)
8
2 Trompettes (duo)
8
Trompette, Saxophone (duo)
7
Euphonium, Piano (duo)
7
Trompette, Trombone (duo)
7
Cor et Piano
7
Quatuor de Cuivres
7
Cor Anglais
5
Cor
5
Tuba et Piano
4
2 Cors (duo)
4
Tuba
3
Quatuor de cuivres: 4 trompettes
3
3 Trompettes (trio)
2
Cor anglais, Guitare (duo)
2
Euphonium
2
Trompette (partie séparée)
2
Bass Clef Instruments
2
Trompette, Trombone, Piano
2
3 Trombones (trio)
2
Trompette, Violoncelle et Piano
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Ensemble de Tubas
1
Cor et Harpe
1
Trompette, violon (duo)
1
Quatuor de cuivres: 4 cors
1
Trompette, Euphonium (duo)
1
Trombone (partie séparée)
1
Cor (partie séparée)
1
Instruments en Sib
1
2 Euphoniums (duo)
1
Trompette, Harpe
1
3 Cors (trio)
1
Trio de Cuivres
1
Quatuor de cuivres: 4 trombones
1
+ 40 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
123
Violon et Piano
68
2 Violons (duo)
57
Alto, Piano
33
Violon, Alto (duo)
29
Violoncelle, Piano
28
Trio à Cordes: violon, alto, violoncelle
23
2 Altos (duo)
20
Violon, Violoncelle (duo)
20
Violon
17
Violoncelle
15
Harpe
13
Ensemble d'Altos
13
Ensemble de Violons
12
Alto seul
12
2 Violoncelles (duo)
9
2 Harpes (duo)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Violoncelle, Contrebasse (duo)
5
Contrebasse, Piano (duo)
5
Trio à cordes: 3 altos
4
Violon, Guitare (duo)
4
Alto, Violoncelle (duo)
4
Trio à Cordes: 3 violoncelles
3
Contrebasse (partie séparée)
3
Harpe, Voix
3
Piano Trio: Violon, Alto, Piano
2
Trio à Cordes: 2 violons, violoncelle
2
Violon (partie séparée)
2
2 Violons, Piano
2
Harpe, Flûte (duo)
2
Violoncelle , Guitare (duo)
2
Trio à cordes: 3 violins
2
Contre Basse
2
Alto et Harpe
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto (partie séparée)
1
Quatuor à cordes: 4 violons
1
4 Violoncelles
1
Harpe, Trombone (duo)
1
Alto et Basson
1
Harpe, Violoncelle (duo)
1
Harpe, Violon (duo)
1
+ 38 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
68
Orchestre à Cordes
55
Orchestre d'harmonie
46
Orchestre de chambre
44
Orchestre
26
Jazz combo
20
Ensemble de cuivres
11
Ensemble de Percussions
7
Marimba
6
Fanfare
5
Cloches
5
Batterie
3
Xylophone
2
Ensemble d'École
1
Batterie (partie séparée)
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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SYNTHETISEUR
TROMBONE
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UKULELE
VIBRAPHONE
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XYLOPHONE
style (tous)
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Here I stand
SheetMusicPlus
Partitions à imprimer
7 partitions trouvées
<
1
How Far I'll Go
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Hautbois (partie séparée)
#
INTERMÉDIAIRE
#
Film Walt Disney
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Enfant
#
Takida
#
David McKeown
#
How Far I'll Go
#
David McKeown
#
SheetMusicPlus
Oboe Solo - Level 3 - SKU: A0.593603 By Takida. By Christian Bror Rehn, Lin-Manuel Miranda, Robert Karl Pettersson, and Thomas Jan Vallin. Arranged by D...
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Oboe Solo - Level 3 - SKU: A0.593603 By Takida. By Christian Bror Rehn, Lin-Manuel Miranda, Robert Karl Pettersson, and Thomas Jan Vallin. Arranged by David McKeown. Film/TV,Pop. Individual part. 3 pages. David McKeown #6496745. Published by David McKeown (A0.593603). How Far I’ll Go is one of the best loved songs from the 2016 Disney film Moana. This version is arranged as a solo for Oboe with chord symbols for piano or guitar accompaniment. Written by Lin-Manuel Miranda, two versions were recorded for the film, one by the lead actress Auliʻi Cravalho and the other by Alessia Cara. How Far I’ll Go won a Grammy in 2018 and has been consistently the most streamed song in the Disney canon since its release.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around three minutes. This is the full length version as sung in the film, with the verse, bridge and chorus performed twice and a final chorus a semitone higher. Click on the YouTube link above to listen to a full performance of How Far I'll Go played on Clarinet.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and syncopated rhythms.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.99
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 1
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Hautbois (partie séparée)
#
AVANCÉ
#
Contemporain
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and S
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Benjamin Sajo
#
SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Publ...
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Oboe Solo - Level 5 - SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Published by Benjamin Sajo (A0.1018926). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 2
#
Hautbois (partie séparée)
#
AVANCÉ
#
Contemporain
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and S
#
Benjamin Sajo
#
SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Publ...
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Oboe Solo - Level 5 - SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Published by Benjamin Sajo (A0.1018925). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Bach 1729 BWV 156 Adagio for Solo Oboe or English Horn & Strings Parts and Score
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Hautbois (partie séparée)
#
FACILE
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Classique
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Rainer's Rainbow
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R G Roth
#
Bach 1729 BWV 156 Adagio for S
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Rainer's Rainbow
#
SheetMusicPlus
Oboe Solo - Level 2 - SKU: A0.1213872 By Rainer's Rainbow. By Johann Sebastian Bach 1685-1750. Arranged by R G Roth. 19th Century,20th Century,Baroque,C...
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Oboe Solo - Level 2 - SKU: A0.1213872 By Rainer's Rainbow. By Johann Sebastian Bach 1685-1750. Arranged by R G Roth. 19th Century,20th Century,Baroque,Classical,Romantic Period. Individual part. 14 pages. Rainer's Rainbow #811070. Published by Rainer's Rainbow (A0.1213872). Bach Composed this well known Adagio as partof his Cantata BWV 156, titled I stand with one foot in the grave. Written in 1729 it has become one of his best known melodies. It is arranged here for Solo Oboe and string quartet accompaniment. An alternate solo English Horn part is included.
$3.99
Paint It, Black
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Hautbois (partie séparée)
#
INTERMÉDIAIRE
#
Rock
#
The Rolling Stones
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André Alberto Santos
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Paint It, Black
#
Soul - Musical Creations
#
SheetMusicPlus
Oboe Solo - Level 3 - SKU: A0.1175805 By The Rolling Stones. By Keith Richards and Mick Jagger. Arranged by André Alberto Santos. Film/TV,Pop,Rock,Si...
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Oboe Solo - Level 3 - SKU: A0.1175805 By The Rolling Stones. By Keith Richards and Mick Jagger. Arranged by André Alberto Santos. Film/TV,Pop,Rock,Singer/Songwriter,Wedding. Individual part. 2 pages. Soul - Musical Creations #775926. Published by Soul - Musical Creations (A0.1175805). If you're a fan of the Rolling Stones and the Netflix series Wednesday, can you imagine how incredible it would be to play Paint It, Black in a solo arrangement inspired by the version played in the series by Wednesday herself?Now you will play one of the Stones' most emblematic songs, Paint It, Black, in a unique and impressive way, so I present my PDF arrangements for solo cello, solo viola, solo violin, solo flute, solo oboe or solo clarinet from Paint It, Black.With this score, you'll be able to play an even more intense and emotive version of this classic. The arrangement makes the most of the instrument's potential. In addition, the PDF format is easy to use and accessible, allowing you to study wherever and whenever you want.Don't miss the opportunity to add this amazing song to your repertoire. Imagine playing Paint It, Black to your family, friends or audience and receiving a standing ovation. With this sheet music, you will definitely receive!Take advantage of this unique offer today! It will be an unforgettable musical experience!
$4.99
Sonar's Riddle (Oboe)
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Hautbois (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Craig Wadley
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Sonar's Riddle
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Wadley Publications
#
SheetMusicPlus
Oboe Solo - Level 4 - SKU: A0.983174 Composed by Craig Wadley. 21st Century,Chamber,Contemporary,Contest,Festival. Individual part. 5 pages. Wadley Publ...
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Oboe Solo - Level 4 - SKU: A0.983174 Composed by Craig Wadley. 21st Century,Chamber,Contemporary,Contest,Festival. Individual part. 5 pages. Wadley Publications #4980645. Published by Wadley Publications (A0.983174). The title of Sonar’s Riddle is an anagram of Dr. Daniel Ross, and stands as a tribute to a musician known for both his kindness and humor. Dr. Daniel F. Ross (1944-2019) was a Professor of Music at Arkansas State University, where he taught the double reed studio from 1968 to 2018. During his illustrious career, he became known as not only a world-class musician, but an innovator in the field of reed-making with his Ross Gouging Machine. As a performer, he served as Principal Oboist with the Arkansas Symphony and performed with the North Arkansas Symphony, Arkansas Philharmonic Orchestra, Tupelo Symphony, Delta Symphony, Atlanta Symphony, Nashville Symphony, the St. Louis Symphony, and the St. Louis Chamber Music Society. He was a frequent soloist with the Forum Sinfonia of Krakow, Poland, touring with them in the United Stated and Europe. He held the title of Visiting Professor of Oboe at the Academy of Music in Krakow, Poland and has been a soloist with the St. Petersburg and Moscow Philharmonic orchestras in Russia. As a teacher, Dr. Ross stressed the importance of expression. For him, being a musician was an extension of being human. In order to make music, one must cross the threshold from producing technically accurate sounds into a mysterious and sometimes elusive realm of heart, love, compassion, gentleness, and joy. In Dan Ross’ studio, one learned that a musician capable of evoking strong emotions must first be a person of great character. Dan Ross excelled in all things musical, but more importantly, he was an excellent man. He may well be remembered as a great musician, a great performer and teacher, or as an innovator in the art of reed making. But his true legacy lies in the hearts that he touched and the lives that he molded. I count myself fortunate to have been one of many. Sonar’s Riddle is a brief musical portrait of Dr. Dan Ross, attempting to capture the essence of his kind spirit and boundless humor.
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