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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Here With Me
Non classifié
844
Piano & claviers
Piano seul
602
Piano, Voix
234
Piano, Voix et Guitare
197
Instruments en Do
94
Piano Facile
79
Orgue
38
2 Pianos, 4 mains
32
Piano grosses notes
16
1 Piano, 4 mains
12
Accompagnement Piano
9
Piano Trio: piano, violon, violoncelle
9
Piano Quatuor: piano, 2 violons, violoncelle
3
2 Pianos, 8 mains
2
Accordéon
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Trompette (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Clavecin
1
+ 13 instrumentations
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Guitares
Basse electrique
295
Guitare notes et tablatures
47
Guitare
39
Ligne De Mélodie, (Paroles) et Accords
21
Paroles et Accords
7
Ukulele
5
Mandoline
4
2 Guitares (duo)
3
Dulcimer
2
Banjo
1
4 Guitares (Quatuor)
1
Guitare, Orchestre
1
+ 7 instrumentations
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Voix
Chorale SATB
360
Chorale 3 parties
87
Chorale TTBB
48
Chorale 2 parties
43
Chorale Unison
28
Chorale SSAA
23
Voix duo, Piano
16
Voix haute
10
Voix duo
8
Voix seule
7
Voix Soprano, Piano
7
Voix moyenne, Piano
3
Chorale SSAATTBB
2
Chorale SSAB, Piano
1
Voix basse
1
Voix Baryton, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix Soprano
1
Voix Tenor, Piano
1
Chorale SSATTB
1
Voix Alto, Piano
1
+ 16 instrumentations
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Vents
Flûte traversière et Piano
59
Clarinette et Piano
47
Hautbois, Piano (duo)
37
Saxophone Alto et Piano
33
Saxophone Tenor et Piano
32
2 Saxophones (duo)
30
Flûte traversière
29
Quatuor de Saxophones: 4 saxophones
28
2 Flûtes traversières (duo)
23
Flûte, Hautbois, Clarinette, Basson
20
Ensemble de Flûtes
20
Clarinette
19
2 Clarinettes (duo)
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Quatuor de Clarinettes: 4 clarinettes
15
Clarinette, Violon (duo)
14
Saxophone, Clarinette (duo)
14
Saxophone Alto
13
Saxophone Baryton, Piano
12
Quatuor de Flûtes : 4 flûtes
11
Cor anglais, Piano
10
Clarinette, Trompette (duo)
10
3 Clarinettes (trio)
10
Saxophone (partie séparée)
8
Hautbois (partie séparée)
8
Saxophone Soprano et Piano
7
Flûte, Clarinette (duo)
7
Flûte, Violon
7
2 Hautbois (duo)
7
Ensemble de Clarinettes
6
Hautbois, Clarinette (duo)
6
Clarinette et Alto
6
Flûte et Guitare
6
Trio de Flûtes: 3 flûtes
6
Hautbois, Basson (duo)
5
Flûte, Alto (duo)
4
Saxophone et Orgue
4
Clarinette, Harpe (duo)
4
Hautbois, Flûte
4
Flûte, Trompette (duo)
4
2 Flûtes traversières, Piano
4
Clarinette, Guitare (duo)
3
Flûte à bec Alto, Piano
3
Ensemble de saxophones
3
Hautbois, Guitare (duo)
3
Flute (partie séparée)
3
Quintette de Clarinettes: 5 clarinettes
3
Saxophone Tenor
3
Flûte, Clarinette, Piano (trio)
3
Flûte, Violon, Piano
3
Saxophone
3
Hautbois
2
2 Clarinettes, Piano
2
Flûte irlandaise
2
Cor anglais, Guitare (duo)
2
3 Saxophones (trio)
2
Flûte, Clarinette et Basson
2
Flûte, Hautbois, Basson
1
Flûte, Hautbois (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte à Bec
1
Flûte, trombone et piano
1
Flûte à bec Soprano
1
Flûte, Saxophone (duo)
1
2 Saxophones, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Orgue
1
Flute, harpe et violon
1
Flûte, Hautbois, Clarinette (trio)
1
2 Flûte à bec (duo)
1
Flûte, Harpe et Violoncelle
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à bec Soprano, Piano
1
Ensemble De Flûte à bec
1
Quintette de Flûte : 5 flûtes
1
+ 71 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
55
Quatuor de cuivres: 4 trombones
40
Trompette, Piano
32
Trombone et Piano
31
Trompette
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Cor et Piano
18
Trompette, Trombone (duo)
11
Trombone
11
Cor anglais, Piano
10
Trompette, Saxophone (duo)
9
Euphonium, Piano (duo)
6
2 Trombones (duo)
6
Tuba et Piano
6
Trompette (partie séparée)
6
Quatuor de Cuivres
5
Cor
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
2 Trompettes (duo)
3
Trombone (partie séparée)
3
Tuba
3
Trompette, Violoncelle et Piano
3
Cor anglais, Guitare (duo)
2
2 Trompettes, Clavier (piano ou orgue)
2
Trio de Cuivres
2
Trompette, Tuba (duo)
1
Euphonium, Tuba (duo)
1
Trompette, Trombone, Piano
1
4 Tubas
1
Ensemble de Tubas
1
Quatuor de cuivres: 4 trompettes
1
Ensemble de Trombones
1
3 Trombones (trio)
1
Trombone, Violon (duo)
1
Ensemble de Cors
1
2 Cors (duo)
1
+ 31 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
269
Violon
163
Violon, Violoncelle (duo)
156
Trio à Cordes: violon, alto, violoncelle
124
Violon et Piano
74
Harpe
48
Violoncelle, Piano
35
Alto, Piano
32
Violoncelle
28
Quintette à cordes: 2 violons, alto, violoncelle, basse
26
2 Violons (duo)
21
Violon, Alto (duo)
19
Alto seul
16
2 Altos (duo)
12
2 Violoncelles (duo)
9
Trio à cordes: 3 violins
7
Trio à Cordes: 2 violons, violoncelle
6
Harpe, Flûte (duo)
5
Alto, Violoncelle (duo)
5
Harpe, Voix
4
Harpe, Violon (duo)
3
Violoncelle , Guitare (duo)
3
Alto et Harpe
3
2 Violons, Piano
3
Contrebasse, Piano (duo)
3
Harpe, Violoncelle (duo)
3
Contrebasse (partie séparée)
2
4 Violoncelles
2
Contre Basse
2
Piano Trio: Violon, Alto, Piano
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
2 Harpes (duo)
2
Alto (partie séparée)
2
Trio à cordes: 3 altos
1
Violon, Guitare (duo)
1
Alto, Guitare (duo)
1
Trio à Cordes: 2 violons, alto
1
Trio à Cordes: 3 violoncelles
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
180
Orchestre à Cordes
139
Orchestre
87
Ensemble Jazz
73
Orchestre de chambre
33
Ensemble de cuivres
31
Jazz combo
17
Cloches
15
Fanfare
6
Ensemble de Percussions
5
Batterie
3
Percussion (partie séparée)
1
Percussion
1
Marimba
1
Piano et Orchestre
1
+ 10 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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Vous avez sélectionné:
Here With Me
Hautbois (partie séparée)
Partitions à imprimer
8 partitions trouvées
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1
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 1
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Hautbois (partie séparée)
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Publ...
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Oboe Solo - Level 5 - SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Published by Benjamin Sajo (A0.1018926). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 2
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Hautbois (partie séparée)
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Publ...
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Oboe Solo - Level 5 - SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Published by Benjamin Sajo (A0.1018925). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
HE KEEPS ME SINGING (Oboe & Piano with Score/Part)
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Hautbois (partie séparée)
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INTERMÉDIAIRE
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Musique Sacrée
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Luther B
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Gary Lanier
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HE KEEPS ME SINGING
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The Lanier Company
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SheetMusicPlus
Oboe Solo - Level 3 - SKU: A0.616874 Composed by Luther B. Bridgers. Arranged by Gary Lanier. Praise & Worship,Sacred. Individual part. 8 pages. The Lan...
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Oboe Solo - Level 3 - SKU: A0.616874 Composed by Luther B. Bridgers. Arranged by Gary Lanier. Praise & Worship,Sacred. Individual part. 8 pages. The Lanier Company #3626901. Published by The Lanier Company (A0.616874). HE KEEPS ME SINGING is a hymn arrangement by Gary Lanier for Oboe and Piano of one of our most cherished Hymns. The score, including cover and instrumental part is 8 pages long. This arrangement is perfect for any Church or gathering where hymns of the Joy of Jesus are enjoyed. A mp3 Piano Accompaniment is also available, listed as: HE KEEPS ME SINGING (Piano Accompaniment for Oboe).
$6.99
When I Get There
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Hautbois (partie séparée)
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INTERMÉDIAIRE
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Pink
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Samuel Sequeira
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When I Get There
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Samuel Sequeira
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SheetMusicPlus
Oboe Solo - Level 3 - SKU: A0.1198386 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Individual part. 4 pag...
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Oboe Solo - Level 3 - SKU: A0.1198386 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Individual part. 4 pages. Samuel Sequeira #797570. Published by Samuel Sequeira (A0.1198386). When I Get There - Pink - OboePlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.Experience the emotional depth and beauty of Pink's When I Get There in a whole new way with this expertly crafted arrangement for oboe with chords. Featuring the key of D Major, this arrangement perfectly captures the essence of the song and allows the oboe to shine.The oboe part has been meticulously crafted to include the vocal melody while also showcasing the beauty and versatility of the instrument. The chords provide a rich harmonic texture and enhance the emotional impact of the arrangement.Suitable for intermediate and advanced players, this arrangement offers a challenge while still remaining accessible and enjoyable to play. Whether you're an oboist looking to perform the song or a fan of Pink's music, this arrangement is sure to enchant.Experience the power and emotional impact of When I Get There by Pink with this oboe arrangement with chords in the key of D Major.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$4.99
When I Get There
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Hautbois (partie séparée)
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INTERMÉDIAIRE
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Pink
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Samuel Sequeira
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When I Get There
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Samuel Sequeira
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SheetMusicPlus
Oboe Solo - Level 3 - SKU: A0.1198384 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Individual part. 4 pag...
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Oboe Solo - Level 3 - SKU: A0.1198384 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Individual part. 4 pages. Samuel Sequeira #797567. Published by Samuel Sequeira (A0.1198384). When I Get There - Pink - OboePlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.Experience the emotional depth and beauty of Pink's When I Get There in a whole new way with this expertly crafted arrangement for solo oboe. Featuring the key of D Major, this arrangement perfectly captures the essence of the song and allows the oboe to shine.The oboe part has been meticulously crafted to include the vocal melody while also showcasing the beauty and versatility of the instrument. Suitable for intermediate and advanced players, this arrangement offers a challenge while still remaining accessible and enjoyable to play.Whether you're an oboist looking to perform the song or a fan of Pink's music, this arrangement is sure to enchant. Experience the power and emotional impact of When I Get There by Pink with this solo oboe arrangement in the key of D Major.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$4.99
Kommos (Lamentation) / "When the World Moved On" - Oboe 2
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Hautbois (partie séparée)
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INTERMÉDIAIRE
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 3 - SKU: A0.1018945 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078673. Publ...
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Oboe Solo - Level 3 - SKU: A0.1018945 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078673. Published by Benjamin Sajo (A0.1018945). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Oboe 1
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Hautbois (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 4 - SKU: A0.1018944 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078671. Publ...
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Oboe Solo - Level 4 - SKU: A0.1018944 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078671. Published by Benjamin Sajo (A0.1018944). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
All Too Well
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Hautbois (partie séparée)
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FACILE
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Pop musique
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Taylor Swift
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Valdir Maia
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All Too Well
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Valdir Maia
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SheetMusicPlus
Oboe Solo - Level 2 - SKU: A0.1208099 By Taylor Swift. By Liz Rose and Taylor Swift. Arranged by Valdir Maia. Pop,Rock,Singer/Songwriter. Individual par...
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Oboe Solo - Level 2 - SKU: A0.1208099 By Taylor Swift. By Liz Rose and Taylor Swift. Arranged by Valdir Maia. Pop,Rock,Singer/Songwriter. Individual part. 3 pages. Valdir Maia #806216. Published by Valdir Maia (A0.1208099). All Too Well, by Taylor Swift in an arrangement for OBOE.You can find this arrangement in three versions:> INSTRUMENT SOLO + CHORDS> INSTRUMENT WITH PIANO ACCOMPANIMENT> INSTRUMENT WITH PIANO ACCOMPANIMENT + CHORDSCheck out my catalogue and find the best sheet music for you.You also can see my work on youtube.com/@easysheetmusic and see the video score and play along.Come on and follow me there! =).
$4.99
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