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6
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25
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8
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5
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4
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3
Voix Tenor, Piano
2
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1
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1
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104
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28
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25
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22
2 Clarinettes (duo)
22
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21
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20
Hautbois, Piano (duo)
20
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18
2 Saxophones (duo)
18
Clarinette
18
2 Flûtes traversières (duo)
16
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13
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12
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12
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11
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10
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8
Hautbois (partie séparée)
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Piccolo
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Flûte à bec Alto, Piano
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
86
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
83
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28
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28
Quatuor de Cuivres
25
Trompette
19
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17
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16
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12
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11
Cor et Piano
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Trombone
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8
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8
Tuba et Piano
8
Cor
8
2 Trompettes (duo)
7
2 Cors (duo)
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Tuba
6
Trompette, Saxophone (duo)
5
Ensemble de Cors
5
2 Trompettes, Clavier (piano ou orgue)
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3
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2 Cors, Piano
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2
Cor anglais, Guitare (duo)
2
2 Tubas (duo)
2
Quatuor de cuivres: 4 trombones
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1
Trombone basse et Piano
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Bass Clef Instruments
1
Trompette, Euphonium (duo)
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2 Euphoniums et 2 Tubas
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Cor et Harpe
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3 Cors (trio)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
91
Violon et Piano
53
Harpe
34
Violon
32
Alto, Piano
26
Violoncelle, Piano
24
Trio à Cordes: violon, alto, violoncelle
16
2 Violons (duo)
16
Ensemble d'Altos
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
2 Harpes (duo)
15
Ensemble de Violons
15
2 Violoncelles (duo)
14
2 Altos (duo)
13
Violoncelle (partie séparée)
13
Alto seul
10
Violon, Violoncelle (duo)
9
Violoncelle
8
Violon, Alto (duo)
8
2 Violons, Piano
6
Contrebasse, Piano (duo)
6
Violoncelle , Guitare (duo)
4
Contre Basse
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Violon, Guitare (duo)
3
Harpe, Voix
3
4 Violoncelles
3
Trio à Cordes: 2 violons, violoncelle
3
4 Contrebasses
2
2 Violoncelles, Piano
2
Quatuor à cordes: 4 violons
2
Alto (partie séparée)
2
Alto, Violoncelle (duo)
2
Piano Trio: Violon, Alto, Piano
1
Harpe, Violon (duo)
1
Quatuor à cordes : 4 altos
1
3 Harpes
1
Harpe, Violoncelle (duo)
1
Ensemble de Violoncelles
1
Harpe, Flûte (duo)
1
Harpe, Trombone (duo)
1
Violon (partie séparée)
1
Alto et Basson
1
Alto et Harpe
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
82
Orchestre
66
Orchestre à Cordes
65
Ensemble de cuivres
30
Orchestre de chambre
30
Ensemble Jazz
25
Jazz combo
12
Cloches
8
Ensemble de Percussions
8
Marimba
4
Fanfare
3
Vibraphone
1
Piano et Orchestre
1
Batterie
1
2 Marimbas
1
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AUTRES
Vous avez sélectionné:
I Was There
Hautbois (partie séparée)
Partitions à imprimer
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1
What Was I Made For?
Hautbois (partie séparée)
Oboe Solo - Level 3 - Digital Download SKU: A0.1277454 By Billie Eilish. By Billie …
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Oboe Solo - Level 3 - Digital Download SKU: A0.1277454 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Benzaiten Editions. 21st Century,Film/TV,Pop. Individual part. 2 pages. Benzaiten Editions #869153. Published by Benzaiten Editions (A0.1277454). Hey there! Are you a oboe player who's eager to learn the enchanting melody of What Was I Made For? by Billie Eilish, featured in the Barbie movie? You're definitely in the right spot! What Was I Made For? by Billie Eilish - Intermediate Oboe Sheet Music The Benzaiten Editions Arrangement Immerse yourself in the emotional world of What Was I Made For? by Billie Eilish, a song with a special place in Barbie movie fans' hearts! This beautiful piece has captured listeners with its poignant lyrics and soul-stirring melodies. Our intermediate oboe arrangement allows you to express the depth of this touching song. Whether you're a Billie Eilish fan or love its introspective atmosphere, our arrangement brings its magic to your oboe. About What Was I Made For? What Was I Made For? is a song with a message, thoughtfully chosen for the Barbie movie. Its introspective lyrics and soulful melodies resonate deeply, prompting thoughts about purpose and self-discovery. Billie Eilish's artistry shines through, creating a profound connection through music. Whether you're a Billie Eilish fan or appreciate heartwarming compositions, What Was I Made For? is a must-play. Let's dive into the enchanting world of What Was I Made For? by Billie Eilish and experience its messages and captivating melodies. Get ready to create a mesmerizing performance that touches hearts.
$4.99
4.61 €
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Hautbois (partie séparée)
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Billie Eilish
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Benzaiten Editions
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What Was I Made For?
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Benzaiten Editions
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SheetMusicPlus
What Was I Made For?
Hautbois (partie séparée)
Oboe Solo - Level 3 - Digital Download SKU: A0.1277456 By Billie Eilish. By Billie …
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Oboe Solo - Level 3 - Digital Download SKU: A0.1277456 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Benzaiten Editions. 21st Century,Film/TV,Pop. Individual part. 2 pages. Benzaiten Editions #869155. Published by Benzaiten Editions (A0.1277456). Hey there! Are you a oboe player who's eager to learn the enchanting melody of What Was I Made For? by Billie Eilish, featured in the Barbie movie? You're definitely in the right spot! What Was I Made For? by Billie Eilish - Intermediate Oboe Sheet Music with chords The Benzaiten Editions Arrangement Immerse yourself in the emotional world of What Was I Made For? by Billie Eilish, a song with a special place in Barbie movie fans' hearts! This beautiful piece has captured listeners with its poignant lyrics and soul-stirring melodies. Our intermediate oboe arrangement allows you to express the depth of this touching song. Whether you're a Billie Eilish fan or love its introspective atmosphere, our arrangement brings its magic to your oboe. About What Was I Made For? What Was I Made For? is a song with a message, thoughtfully chosen for the Barbie movie. Its introspective lyrics and soulful melodies resonate deeply, prompting thoughts about purpose and self-discovery. Billie Eilish's artistry shines through, creating a profound connection through music. Whether you're a Billie Eilish fan or appreciate heartwarming compositions, What Was I Made For? is a must-play. Let's dive into the enchanting world of What Was I Made For? by Billie Eilish and experience its messages and captivating melodies. Get ready to create a mesmerizing performance that touches hearts.
$4.99
4.61 €
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Hautbois (partie séparée)
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Billie Eilish
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Benzaiten Editions
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What Was I Made For?
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Benzaiten Editions
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SheetMusicPlus
What Was I Made For?
Hautbois (partie séparée)
Oboe Solo - Level 2 - Digital Download SKU: A0.1273278 By Billie Eilish. By Billie …
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Oboe Solo - Level 2 - Digital Download SKU: A0.1273278 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Individual part. 3 pages. Milanov #865428. Published by Milanov (A0.1273278). What Was I Made For? From Barbie by Billie Eilish for oboe. Easy intermediate. Chords.What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
$5.99
5.53 €
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Hautbois (partie séparée)
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Billie Eilish
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Milanov
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What Was I Made For?
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Milanov
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SheetMusicPlus
What Was I Made For?
Hautbois (partie séparée)
Oboe Solo - Level 2 - Digital Download SKU: A0.1273279 By Billie Eilish. By Billie …
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Oboe Solo - Level 2 - Digital Download SKU: A0.1273279 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Individual part. 3 pages. Milanov #865429. Published by Milanov (A0.1273279). What Was I Made For? From Barbie by Billie Eilish for oboe. Easy intermediate. What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
$5.99
5.53 €
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Hautbois (partie séparée)
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Billie Eilish
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Milanov
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What Was I Made For?
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Milanov
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SheetMusicPlus
When I'm Sixty-four
Hautbois (partie séparée)
Oboe Solo - Level 3 - Digital Download SKU: A0.588376 By The Beatles. By John Lenno…
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Oboe Solo - Level 3 - Digital Download SKU: A0.588376 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by David McKeown. Rock. Individual part. 3 pages. David McKeown #5319397. Published by David McKeown (A0.588376). When I’m Sixty-Four first appeared on the Beatles’ 1967 album, Sgt. Pepper’s Lonely Hearts Club Band. Despite the song’s appearance relatively late in the Beatles’ discography, it was one of the first songs that Paul McCartney wrote, at the age of 16. When the song was finally recorded in 1966, Paul McCartney felt it was too slow and turgid. George Martin simply solved the problem by speeding up the tape and raising the pitch by one semitone. This version of When I’m Sixty-Four is arranged in a suitable key and range for solo Oboe. Piano/Guitar chords are also included above the stave.Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.99
4.61 €
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Hautbois (partie séparée)
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The Beatles
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David McKeown
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When I'm Sixty-four
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David McKeown
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 1
Hautbois (partie séparée)
Oboe Solo - Level 5 - Digital Download SKU: A0.1018926 Composed by Benjamin Harry S…
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Oboe Solo - Level 5 - Digital Download SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Published by Benjamin Sajo (A0.1018926). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.23 €
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Hautbois (partie séparée)
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 2
Hautbois (partie séparée)
Oboe Solo - Level 5 - Digital Download SKU: A0.1018925 Composed by Benjamin Harry S…
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Oboe Solo - Level 5 - Digital Download SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Published by Benjamin Sajo (A0.1018925). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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Nine New York City Miniatures
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Oboe Solo - Level 4 - Digital Download SKU: A0.881259 Composed by Gary Powell Nash.…
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Oboe Solo - Level 4 - Digital Download SKU: A0.881259 Composed by Gary Powell Nash. Contemporary. Individual part. 13 pages. Gary Powell Nash #5985465. Published by Gary Powell Nash (A0.881259). Nine New York City Miniatures (2020) oboe solo began with Movement 7, A Million Numbered Streets. A Million Numbered Streets was originally conceived for a Vox Novus Composers Voice 15 Minutes of Fame call for scores for a one minute oboe solo piece, specifically themed from New York City, New York. In preparation, Nash discovered nearly 1,000 songs dedicated to NYC. Many of those were titled after numbered streets, hence Nash’s title A Million Numbered Streets. Nash’s creation employs a medium-fast highly syncopated song-like melody, alluding to a restless and busy NYC street. In an attempt to make A Million Numbered Streets more marketable, Nash decided to compose 8 additional miniatures around it. The 8 complementary miniatures are all approximately 1 minute in length and alternating fast tempo and slow tempo movements. There are no direct quotes from other songs; however, 3 of the movements are derived from and inspired by New York City related songs. Movement #4, Downtown Music was inspired by the song Downtown by Tony Hatch (made popular by Petula Clark’s vocals). Movement #8, Success is based on the song New York, New York by John Kander (best known for Frank Sinatra singing it). The title Success was inspired by the phrase If I can make it there, I’ll make it anywhere. Movement #9, Uptown Music is derived from the song Uptown Girl by Billy Joel. In addition, the title Spreading the News for movement 1, as well as that for movement 6, Vagabond Shoes are also phrases from the song New York, New York.
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11.08 €
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Gary Powell Nash
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Nine New York City Miniatures
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Gary Powell Nash
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SheetMusicPlus
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