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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Not While I
Sheetmusicplus
Non classifié
401
Piano & claviers
Piano seul
326
Piano Facile
57
Piano, Voix
44
Piano, Voix et Guitare
32
Orgue
22
Instruments en Do
17
Piano Trio: piano, violon, violoncelle
15
1 Piano, 4 mains
6
2 Pianos, 4 mains
5
Accompagnement Piano
4
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano (partie séparée)
1
+ 8 instrumentations
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Guitares
Guitare notes et tablatures
65
Guitare
47
Ukulele
18
Basse electrique
5
Ligne De Mélodie, (Paroles) et Accords
4
Dulcimer
3
Mandoline
1
3 Guitares (trio)
1
2 Ukuleles
1
Ukulele Baryton
1
2 Guitares (duo)
1
Guitare, Orchestre
1
+ 7 instrumentations
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Voix
Chorale SATB
97
Chorale 3 parties
18
Chorale 2 parties
13
Chorale SSAA
8
Chorale Unison
7
Chorale TTBB
7
Voix seule
5
Voix duo, Piano
2
Voix Soprano, Piano
2
Chorale SSAB a cappella
1
Voix Baryton, Piano
1
Voix haute
1
Voix Alto, Piano
1
Chorale SSATTB
1
+ 9 instrumentations
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24
Flûte traversière
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Clarinette
21
Flûte traversière et Piano
16
Flûte, Hautbois, Clarinette, Basson
15
Clarinette et Piano
14
Quintette de Saxophone: 5 saxophones
12
Ensemble de saxophones
10
Saxophone Soprano et Piano
9
Saxophone Alto et Piano
9
Hautbois, Piano (duo)
9
Saxophone Tenor et Piano
8
Ensemble de Clarinettes
8
Ensemble de Flûtes
7
Quatuor de Clarinettes: 4 clarinettes
6
Hautbois (partie séparée)
6
Flute (partie séparée)
4
Saxophone Alto
4
Saxophone (partie séparée)
3
Quintette de Clarinettes: 5 clarinettes
3
3 Clarinettes (trio)
3
2 Saxophones (duo)
3
2 Flûtes traversières (duo)
3
Quintette de Flûte : 5 flûtes
3
3 Saxophones (trio)
3
Saxophone Baryton, Piano
2
Cor Anglais
2
Clarinette, Violoncelle, Piano (trio)
2
Quatuor de Flûtes : 4 flûtes
2
Piccolo
2
Saxophone Tenor
2
Clarinette Basse, Piano
2
Trio de Flûtes: 3 flûtes
2
2 Clarinettes (duo)
2
Flûte et Guitare
2
Flûte, Violon, Piano
1
Saxophone et Guitare
1
Saxophone et Orgue
1
Saxophone, Clarinette (duo)
1
Cor anglais, Piano
1
Ensemble à vent
1
Saxophone
1
Flûte, Hautbois (duo)
1
+ 39 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
20
Trompette
19
Trombone
17
Cor
10
Trompette, Piano
8
Ensemble de Trombones
7
Ensemble de Trompettes
5
Trombone et Piano
4
Cor et Piano
3
Trompette (partie séparée)
3
Tuba
3
Cor Anglais
2
2 Trombones (duo)
1
2 Tubas (duo)
1
Trombone, Tuba (duo)
1
Trombone basse
1
Quatuor de cuivres: 4 trombones
1
Cor anglais, Piano
1
Trompette, Trombone (duo)
1
2 Cors (duo)
1
Euphonium, Piano (duo)
1
Ensemble de Cors
1
Trompette, Euphonium (duo)
1
Trombone (partie séparée)
1
3 Trombones (trio)
1
2 Trompettes (duo)
1
Tuba et Piano
1
Quatuor de Cuivres
1
+ 24 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
40
Violon et Piano
30
Violon
19
Harpe
16
Violoncelle, Piano
14
Violoncelle
13
Alto, Piano
12
Trio à Cordes: violon, alto, violoncelle
11
Alto seul
7
Violon, Violoncelle (duo)
6
Ensemble de Violons
4
Contre Basse
3
Harpe, Voix
3
Violon, Alto (duo)
3
Ensemble d'Altos
2
Contrebasse, Piano (duo)
2
2 Violoncelles (duo)
2
Trio à cordes: 3 violins
1
Trio à cordes: 3 altos
1
Harpe et mandoline
1
2 Altos (duo)
1
Ensemble de Violoncelles
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Alto et Harpe
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
29
Orchestre d'harmonie
28
Orchestre
24
Ensemble de Percussions
19
Marimba
18
Ensemble de cuivres
16
Ensemble Jazz
16
Orchestre de chambre
12
Jazz combo
10
Cloches
10
Batterie
3
Fanfare
2
2 Marimbas
1
Xylophone
1
Piano et Orchestre
1
Percussion
1
+ 11 instrumentations
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--INSTRUMENTS--
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ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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BOUZOUKI
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Vous avez sélectionné:
Not While I
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Partitions à imprimer
6 partitions trouvées
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1
Aubade: A Pairing with Beethoven's Symphony #1 - Oboe 1
#
Hautbois (partie séparée)
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Benjamin Harry Sajo
#
Aubade: A Pairing with Beethov
#
Benjamin Sajo
#
SheetMusicPlus
Oboe Solo - Level 4 - SKU: A0.1018903 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064741. Publ...
(+)
Oboe Solo - Level 4 - SKU: A0.1018903 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064741. Published by Benjamin Sajo (A0.1018903). Programme Notes: Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or dawn song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. A song for the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences, camping in Northern Canada, a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection in this case is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves--the dawn of his special genius.About the Composer:Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Oboe 2
#
Hautbois (partie séparée)
#
AVANCÉ
#
Contemporain
#
Benjamin Harry Sajo
#
Icarus Also Flew: A Pairing wi
#
Benjamin Sajo
#
SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018877 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056069. Publ...
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Oboe Solo - Level 5 - SKU: A0.1018877 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056069. Published by Benjamin Sajo (A0.1018877). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Oboe 1
#
Hautbois (partie séparée)
#
AVANCÉ
#
Contemporain
#
Benjamin Harry Sajo
#
Icarus Also Flew: A Pairing wi
#
Benjamin Sajo
#
SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018876 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056061. Publ...
(+)
Oboe Solo - Level 5 - SKU: A0.1018876 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056061. Published by Benjamin Sajo (A0.1018876). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Donut Etudes vol. 3: Don’t Step in the Holes! – Oboe Quartet
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Hautbois (partie séparée)
#
INTERMÉDIAIRE
#
Methodes
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
#
Slide Ride
#
SheetMusicPlus
Oboe Solo - Level 3 - SKU: A0.784326 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288643. Published by Slide Ride (...
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Oboe Solo - Level 3 - SKU: A0.784326 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288643. Published by Slide Ride (A0.784326). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Aubade: A Pairing with Beethoven's Symphony #1 - Oboe 2
#
Hautbois (partie séparée)
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Benjamin Harry Sajo
#
Aubade: A Pairing with Beethov
#
Benjamin Sajo
#
SheetMusicPlus
Oboe Solo - Level 4 - SKU: A0.1018905 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064747. Publ...
(+)
Oboe Solo - Level 4 - SKU: A0.1018905 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064747. Published by Benjamin Sajo (A0.1018905). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Polka Russe-Czerny-Oboe Solo
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Hautbois (partie séparée)
#
INTERMÉDIAIRE
#
Charles Czerny
#
Phil Beaman
#
Polka Russe-Czerny-Oboe Solo
#
Phil Beaman
#
SheetMusicPlus
Oboe Solo - Level 3 - SKU: A0.844585 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pages. Phil B...
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Oboe Solo - Level 3 - SKU: A0.844585 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pages. Phil Beaman #3925329. Published by Phil Beaman (A0.844585). This fun piece is loosely based on a popular Russian folk polka. In 1853 Charles Czerny took this polka tune and created a piano etude as part of his set Amusement des Juenes Amateurs. I have taken some of his themes and adapted and arranged them for instrumental solo. I have assembled them into a Rondo form: Intro-A-B-A-C-A-D-A-Coda. It is an etude (study) to sharpen your playing of scales, arpeggios, melodic interval leaps, and various articulations. But it doesn't at all sound like an exercise because of the playful nature of the polka. This dramatic piece shows your technical accomplishments while delivering a crowd pleasing tune with great flourish.I have marked it as Intermediate in difficulty as a general average. The notes and rhythms are Easy, the quick Tempo makes it Early Intermediate, and the range which is a half step beyond a full 2 octaves makes it Advanced Intermediate for some instruments.3 pages, 1:45 minutesTemporary recording of piano playing instrument part.
$3.99
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