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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SAXOPHONE
SYNTHETISEUR
TROMBONE
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VIBRAPHONE
VIOLON
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XYLOPHONE
You Owe Me
Non classifié
385
Piano & claviers
Piano seul
260
Piano, Voix
134
Piano, Voix et Guitare
112
Instruments en Do
65
Piano Facile
47
2 Pianos, 4 mains
20
Orgue
14
Accompagnement Piano
5
1 Piano, 4 mains
4
Piano grosses notes
3
Piano Trio: piano, violon, violoncelle
3
Accordéon
2
2 Pianos, 8 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Piano (duo)
1
+ 10 instrumentations
Retracter
Guitares
Guitare
21
Guitare notes et tablatures
19
Basse electrique
17
Ligne De Mélodie, (Paroles) et Accords
13
Paroles et Accords
11
Ukulele
6
Mandoline
3
Piano, Guitare (duo)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
143
Chorale 3 parties
36
Chorale SSAA
31
Chorale TTBB
26
Chorale 2 parties
19
Chorale Unison
6
Voix duo, Piano
5
Voix haute
5
Voix Soprano, Piano
4
Voix Alto, Piano
3
Voix duo
3
Chorale SSATTB
1
Voix basse, Piano
1
Voix seule
1
Voix Tenor
1
+ 10 instrumentations
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Vents
Flûte traversière et Piano
17
Flûte traversière
15
Flûte, Hautbois, Clarinette, Basson
13
2 Flûtes traversières (duo)
12
Saxophone Tenor et Piano
11
Quatuor de Saxophones: 4 saxophones
10
Quatuor de Clarinettes: 4 clarinettes
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Ensemble de Flûtes
9
Hautbois, Piano (duo)
9
Hautbois (partie séparée)
8
Saxophone Tenor
8
Clarinette et Piano
7
Clarinette
7
Saxophone Alto
7
Saxophone Alto et Piano
7
2 Saxophones (duo)
6
2 Clarinettes (duo)
5
Flute (partie séparée)
4
Flûte et Guitare
3
Flûte, Clarinette (duo)
3
Clarinette, Violon (duo)
3
Quatuor de Flûtes : 4 flûtes
3
Cor anglais, Piano
3
Saxophone Soprano et Piano
3
Clarinette, Trompette (duo)
2
Saxophone
2
Quintette de Saxophone: 5 saxophones
2
Saxophone, Clarinette (duo)
2
Hautbois
2
Ensemble de Clarinettes
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte à bec Alto, Piano
1
Flûte, Trompette (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone et Guitare
1
Clarinette et Alto
1
Saxophone (partie séparée)
1
2 Hautbois (duo)
1
Hautbois, Flûte
1
Flûte, Hautbois (duo)
1
Ensemble de saxophones
1
Flûte, Clarinette et Basson
1
Saxophone Soprano
1
Quintette de Flûte : 5 flûtes
1
Clarinette, Harpe (duo)
1
Clarinette, Guitare (duo)
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Clarinette (duo)
1
Flûte, Alto (duo)
1
Flûte, Violon et Violoncelle
1
Clarinette, Basson (duo)
1
Flûte, Hautbois, Basson
1
Flûte à bec Soprano
1
Flûte à bec Soprano, Piano
1
Harmonica
1
Hautbois, Basson (duo)
1
Flûte, Violon
1
Saxophone Baryton, Piano
1
+ 54 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
26
Quatuor de cuivres: 4 trombones
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Trompette
7
Trompette, Piano
7
Trombone et Piano
7
Trompette, Trombone (duo)
5
Cor
4
2 Trompettes (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Cor anglais, Piano
3
Quatuor de Cuivres
3
Cor et Piano
3
Trompette (partie séparée)
3
Quatuor de cuivres: 4 cors
2
Trombone (partie séparée)
2
Trompette, Saxophone (duo)
2
Trio de Cuivres
2
Tuba
2
4 Tubas
1
Ensemble de Trombones
1
2 Trombones (duo)
1
Trombone
1
Ensemble de Trompettes
1
Cor (partie séparée)
1
Euphonium, Piano (duo)
1
+ 21 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
288
Violon, Violoncelle (duo)
237
Trio à Cordes: violon, alto, violoncelle
206
Violon
197
Quintette à cordes: 2 violons, alto, violoncelle, basse
83
Violon et Piano
33
Alto seul
22
2 Violons (duo)
21
Violon, Alto (duo)
21
Violoncelle
15
Harpe
14
Alto, Violoncelle (duo)
13
2 Violoncelles (duo)
9
Alto, Piano
8
Trio à Cordes: 2 violons, violoncelle
7
Alto (partie séparée)
6
2 Altos (duo)
4
Violoncelle, Piano
4
Harpe, Voix
4
4 Violoncelles
4
Violon (partie séparée)
2
Alto et Harpe
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Contre Basse
2
Harpe, Violoncelle (duo)
2
Harpe, Flûte (duo)
2
Harpe, Violon (duo)
2
Trio à Cordes: 3 violoncelles
1
Trio à cordes: 3 violins
1
Trio à Cordes: 2 violons, alto
1
2 Harpes (duo)
1
Contrebasse (partie séparée)
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
108
Orchestre d'harmonie
86
Orchestre
39
Orchestre de chambre
30
Ensemble Jazz
25
Ensemble de cuivres
11
Batterie
9
Jazz combo
7
Cloches
5
Ensemble de Percussions
5
Fanfare
5
Percussion (partie séparée)
2
+ 7 instrumentations
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FLUTE A BEC
FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
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LIVRES
LUTH
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Vous avez sélectionné:
You Owe Me
Hautbois (partie séparée)
Partitions à imprimer
8 partitions trouvées
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1
When I Get There
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Hautbois (partie séparée)
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INTERMÉDIAIRE
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Pink
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Samuel Sequeira
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When I Get There
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Samuel Sequeira
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SheetMusicPlus
Oboe Solo - Level 3 - SKU: A0.1198386 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Individual part. 4 pag...
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Oboe Solo - Level 3 - SKU: A0.1198386 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Individual part. 4 pages. Samuel Sequeira #797570. Published by Samuel Sequeira (A0.1198386). When I Get There - Pink - OboePlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.Experience the emotional depth and beauty of Pink's When I Get There in a whole new way with this expertly crafted arrangement for oboe with chords. Featuring the key of D Major, this arrangement perfectly captures the essence of the song and allows the oboe to shine.The oboe part has been meticulously crafted to include the vocal melody while also showcasing the beauty and versatility of the instrument. The chords provide a rich harmonic texture and enhance the emotional impact of the arrangement.Suitable for intermediate and advanced players, this arrangement offers a challenge while still remaining accessible and enjoyable to play. Whether you're an oboist looking to perform the song or a fan of Pink's music, this arrangement is sure to enchant.Experience the power and emotional impact of When I Get There by Pink with this oboe arrangement with chords in the key of D Major.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$4.99
When I Get There
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Hautbois (partie séparée)
#
INTERMÉDIAIRE
#
Pink
#
Samuel Sequeira
#
When I Get There
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Samuel Sequeira
#
SheetMusicPlus
Oboe Solo - Level 3 - SKU: A0.1198384 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Individual part. 4 pag...
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Oboe Solo - Level 3 - SKU: A0.1198384 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Individual part. 4 pages. Samuel Sequeira #797567. Published by Samuel Sequeira (A0.1198384). When I Get There - Pink - OboePlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.Experience the emotional depth and beauty of Pink's When I Get There in a whole new way with this expertly crafted arrangement for solo oboe. Featuring the key of D Major, this arrangement perfectly captures the essence of the song and allows the oboe to shine.The oboe part has been meticulously crafted to include the vocal melody while also showcasing the beauty and versatility of the instrument. Suitable for intermediate and advanced players, this arrangement offers a challenge while still remaining accessible and enjoyable to play.Whether you're an oboist looking to perform the song or a fan of Pink's music, this arrangement is sure to enchant. Experience the power and emotional impact of When I Get There by Pink with this solo oboe arrangement in the key of D Major.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$4.99
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 1
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Hautbois (partie séparée)
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AVANCÉ
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Contemporain
#
Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
#
SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Publ...
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Oboe Solo - Level 5 - SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Published by Benjamin Sajo (A0.1018926). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 2
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Hautbois (partie séparée)
#
AVANCÉ
#
Contemporain
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and S
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Benjamin Sajo
#
SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Publ...
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Oboe Solo - Level 5 - SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Published by Benjamin Sajo (A0.1018925). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kill Bill
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Hautbois (partie séparée)
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DÉBUTANT
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SZA
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Dimitrie Carvalho
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Kill Bill
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Dimitrie Carvalho
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SheetMusicPlus
Oboe Solo - Level 1 - SKU: A0.1166764 By SZA. By Carter Lang, Rob Bisel, and Solana Rowe. Arranged by Dimitrie Carvalho. Disco,Funk,Hip-Hop,Pop,R & B,Si...
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Oboe Solo - Level 1 - SKU: A0.1166764 By SZA. By Carter Lang, Rob Bisel, and Solana Rowe. Arranged by Dimitrie Carvalho. Disco,Funk,Hip-Hop,Pop,R & B,Singer/Songwriter. Individual part. 2 pages. Dimitrie Carvalho #767146. Published by Dimitrie Carvalho (A0.1166764). Easy SZA's Kill Bill Oboe adaptation.If you have an arragment ou transcription suggestion, contact me on instagram: @dcarvx.
$5.00
Kommos (Lamentation) / "When the World Moved On" - Oboe 2
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Hautbois (partie séparée)
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INTERMÉDIAIRE
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
#
SheetMusicPlus
Oboe Solo - Level 3 - SKU: A0.1018945 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078673. Publ...
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Oboe Solo - Level 3 - SKU: A0.1018945 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078673. Published by Benjamin Sajo (A0.1018945). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Oboe 1
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Hautbois (partie séparée)
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Benjamin Harry Sajo
#
Kommos
#
Benjamin Sajo
#
SheetMusicPlus
Oboe Solo - Level 4 - SKU: A0.1018944 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078671. Publ...
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Oboe Solo - Level 4 - SKU: A0.1018944 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078671. Published by Benjamin Sajo (A0.1018944). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
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Don't Be Shy
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Hautbois (partie séparée)
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FACILE
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Tiesto And Karol G
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Musikeo
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Don't Be Shy
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Musikeo
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SheetMusicPlus
Oboe Solo - Level 2 - SKU: A0.1237545 By Tiesto And Karol G. By Carolina Giraldo, Jonas David Kroper, Teemu Brunila, Tijs Verwest, and Yoshi Breen. Arra...
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Oboe Solo - Level 2 - SKU: A0.1237545 By Tiesto And Karol G. By Carolina Giraldo, Jonas David Kroper, Teemu Brunila, Tijs Verwest, and Yoshi Breen. Arranged by Musikeo. 21st Century,Contest,Disco,Festival,Latin,Pop. Individual part. 1 pages. Musikeo #833062. Published by Musikeo (A0.1237545). Don't Be Shy is a song by Dutch DJ Tiësto and Colombian singer-songwriter Karol G. It was released on 12 August 2021 via Atlantic Records as a the second single from Tiësto's seventh studio album Drive. It also marks Karol G's first song in English.The music video was directed by Christian Breslauer, who filmed the music videos for The Business, Industry Baby and Streets. It starts off with an outdoor shot of the Norwegian National Opera and Ballet at the Night, then followed up by the Night at the Museum-inspired music video, comedian Blake Webber plays a museum janitor, and Karol G dances with a group of dancers in different scenes in a museum.Part two of the music video was released on 4 September 2021.Carolina Giraldo Navarro (born 14 February 1991), known professionally as Karol G (stylized in all caps), is a Colombian singer and songwriter. She is predominantly described as a reggaeton and Latin trap artist, but has experimented with a variety of other genres including reggae and sertanejo. In 2018, she won the Latin Grammy Award for Best New Artist, and has been nominated for several Billboard Latin Music Awards and Lo Nuestro Awards.Born and raised in MedellÃn, Giraldo launched her career as a teenager, appearing on the Colombian spinoff of The X Factor. She moved to New York City in 2014 to learn more about the music industry and signed to Universal Music Latino. Her collaboration with Puerto Rican rapper Bad Bunny Ahora Me Llama became her breakthrough hit, and was the lead single for her debut album Unstoppable, released in 2017. In late 2018, her song Secreto became a hit in Latin America as she and Anuel AA publicly confirmed their relationship in the music video.In July 2019, she released China in collaboration with Anuel AA, Daddy Yankee, Ozuna and J Balvin, which became her first music video with over one billion views on YouTube. In May 2019, she released the album Ocean, which served as a stylistic departure from Unstoppable, incorporating a more relaxed atmosphere in her work. Her song Tusa with Nicki Minaj also charted internationally and was certified 28× Latin Platinum by the RIAA, staying on the Billboard Hot Latin Songs chart for 25 weeks. In 2020, Karol G received four nominations at the Latin Grammys. Karol G achieved her highest-charting single on the Billboard Hot 100 with the top 10 song TQG, a collaboration with Shakira.With her fourth album, Mañana Será Bonito (2023), Karol G became the first woman to ever debut at number one on the Billboard 200 chart with a Spanish-language albumEnjoy my arrangement!
$6.49
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