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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
conductor
Non classifié
1 433
Piano & claviers
Piano seul
123
Piano, Voix
31
1 Piano, 6 mains
24
Instruments en Do
19
Piano Facile
16
Piano, Voix et Guitare
13
2 Pianos, 4 mains
11
Piano Trio: piano, violon, violoncelle
9
Orgue
9
1 Piano, 4 mains
8
Orgue, Piano (duo)
2
Accordéon
2
Piano (partie séparée)
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Accompagnement Piano
1
+ 11 instrumentations
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Guitares
Guitare
9
4 Guitares (Quatuor)
5
2 Guitares (duo)
3
Guitare, Violon, Violoncelle (trio)
3
Dulcimer
2
3 Guitares (trio)
2
Piano, Guitare (duo)
2
Ligne De Mélodie, (Paroles) et Accords
2
Ukulele
1
Mandoline
1
Orchestre à Plectres
1
+ 6 instrumentations
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Voix
Chorale SATB
361
Chorale TTBB
183
Chorale 3 parties
51
Chorale SSAA
41
Chorale 2 parties
38
Chorale Unison
26
Pack Instrumental pour Chorale
23
Voix Baryton, Piano
4
Chorale
4
Chorale SSATB
2
Chorale SSAATTBB
2
Voix moyenne, Piano
1
Voix duo, Piano
1
Voix Tenor, Piano
1
Voix seule
1
Soli, choeur mixte et accompagnement
1
Voix duo
1
+ 12 instrumentations
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Vents
Flûte traversière et Piano
52
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
42
Clarinette et Piano
36
Saxophone Alto et Piano
23
Hautbois, Piano (duo)
18
Saxophone Tenor et Piano
17
Quatuor de Flûtes : 4 flûtes
17
Quatuor de Clarinettes: 4 clarinettes
16
Saxophone Soprano et Piano
15
Saxophone (partie séparée)
14
Flûte, Hautbois, Clarinette, Basson
14
Clarinette
13
3 Flûtes à bec (trio)
12
Quatuor de Flûtes à bec
12
Quatuor de Saxophones: 4 saxophones
12
Ensemble de Clarinettes
10
2 Saxophones (duo)
10
Cor anglais, Piano
9
Quintette de Saxophone: 5 saxophones
8
Saxophone Alto
8
Flûte traversière
8
3 Clarinettes (trio)
8
Ensemble de Flûtes
8
2 Flûtes traversières (duo)
7
2 Clarinettes (duo)
7
Trio de Flûtes: 3 flûtes
7
Clarinette (partie séparée)
6
Hautbois (partie séparée)
6
Saxophone Baryton, Piano
6
3 Saxophones (trio)
6
Clarinette, Guitare (duo)
6
2 Flûte à bec (duo)
4
Flûte à bec Soprano
4
Flute (partie séparée)
4
5 Flûtes à bec
4
Cor Anglais
3
Flûte à Bec
2
Saxophone Tenor
2
Flûte, Clarinette (duo)
2
Ensemble de saxophones
2
Clarinette, Violon (duo)
2
Ensemble à vent
2
Flûte, Hautbois, Clarinette (trio)
2
Clarinette, Trompette (duo)
1
Flûte, Saxophone (duo)
1
Clarinette, Basson (duo)
1
Flûte, Violon, Piano
1
Saxophone, Clarinette (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Saxophone et Orchestre
1
Hautbois, Flûte
1
Hautbois
1
Flûte et Guitare
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quintette de Flûte : 5 flûtes
1
Clarinette Basse, Piano
1
Saxophone Baryton
1
Flûte, Violon
1
Clarinette et Alto
1
2 Hautbois (duo)
1
Hautbois, Basson (duo)
1
Ensemble De Flûte à bec
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte à bec Alto
1
+ 59 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
36
Trompette, Piano
20
Trompette (partie séparée)
17
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Trompette
16
Trombone (partie séparée)
14
Trombone et Piano
12
Cor anglais, Piano
9
Quatuor de cuivres: 4 trombones
7
Cor et Piano
7
Cor (partie séparée)
6
Tuba et Piano
5
Quatuor de cuivres: 4 cors
5
Quatuor de Cuivres
4
Quatuor de cuivres: 4 trompettes
4
Trombone
4
Euphonium, Piano (duo)
4
Cor
4
Tuba
3
Cor Anglais
3
2 Trompettes (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trompette, Saxophone (duo)
2
3 Trompettes (trio)
2
Ensemble de Trombones
2
2 Trombones (duo)
2
Tuba et Orgue
1
Trompette, Trombone (duo)
1
Ensemble de Cors
1
Euphonium, Tuba (duo)
1
3 Cors (trio)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone basse et Piano
1
Trio de Cuivres
1
2 Tubas (duo)
1
Tuba (partie séparée)
1
+ 31 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
222
Violon et Piano
43
Violoncelle, Piano
35
Alto, Piano
27
Harpe
15
Violoncelle
10
Violon
9
2 Harpes (duo)
7
Quatuor à cordes : 4 altos
7
Violon, Guitare (duo)
7
Trio à Cordes: violon, alto, violoncelle
6
Violon (partie séparée)
6
Alto, Guitare (duo)
6
Violon, Violoncelle (duo)
6
4 Violoncelles
5
Contrebasse, Piano (duo)
5
Alto (partie séparée)
4
2 Violons (duo)
4
2 Violoncelles (duo)
3
Alto seul
3
2 Altos (duo)
2
Trio à Cordes: 2 violons, alto
2
Contre Basse
2
Trio à cordes: 3 violins
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Quatuor à cordes: 4 violons
2
Violoncelle , Guitare (duo)
2
Harpe et Piano
1
Alto, Violoncelle (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à cordes: 3 altos
1
2 Violoncelles, Piano
1
Violon, Alto (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Contrebasse (partie séparée)
1
Violoncelle (partie séparée)
1
4 Contrebasses
1
Trio à Cordes: 3 violoncelles
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
2 535
Ensemble Jazz
1 430
Fanfare
614
Orchestre
583
Orchestre à Cordes
572
Orchestre de chambre
80
Cloches
49
Ensemble de cuivres
35
Jazz combo
21
Ensemble de Percussions
17
Percussion (partie séparée)
9
Instrumentation Flexible
7
Xylophone
2
Piano et Orchestre
2
Batterie
2
Timbales (partie séparée)
1
Quintette de Cuivres: autres combinaisons
1
Orchestre, Violon
1
Marimba
1
+ 14 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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HARMONICA
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Vous avez sélectionné:
conductor
Hautbois (partie séparée)
Partitions à imprimer
6 partitions trouvées
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Brahms' Lullaby - Oboe Solo - W/Chords
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Hautbois (partie séparée)
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DÉBUTANT
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Classique
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Johannes Brahms
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César Madeira
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Brahms' Lullaby - Oboe Solo -
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Sheet Music To Play Editions
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SheetMusicPlus
Oboe Solo - Level 1 - SKU: A0.1297784 Composed by Johannes Brahms. Arranged by César Madeira. 19th Century,Children,Classical,Multicultural,Romantic ...
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Oboe Solo - Level 1 - SKU: A0.1297784 Composed by Johannes Brahms. Arranged by César Madeira. 19th Century,Children,Classical,Multicultural,Romantic Period,World. Individual part. 1 pages. Sheet Music To Play Editions #887760. Published by Sheet Music To Play Editions (A0.1297784). Lullaby from Wiegenlied, Op.49 by Johannes Brahms. With Individual Oboe Part with Chords. Enjoy it!Johannes Brahms (1833 - 1897) was a German composer, pianist, and conductor of the Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the Three Bs of music, a comment originally made by the nineteenth-century conductor Hans von Bülow.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
Conflusion - Suite - Wind Ensemble - Oboe 2
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Hautbois (partie séparée)
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AVANCÉ
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Wind Ense
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.567886 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Contemporary,Jazz. Individual part. 8 pages. Thomas ...
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Oboe Solo - Level 5 - SKU: A0.567886 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Contemporary,Jazz. Individual part. 8 pages. Thomas Graf - the-hit-factory.com #1986093. Published by Thomas Graf - the-hit-factory.com (A0.567886). Conflusion - Suite - Wind Ensemble Phantasy in 3 mouvements for large wind ensemble, double bass and percussion 1. Movement: Deux Caractères 3’59’’ 2. Movement: Dialogues 3’18’’ 3. Movement: Dance de Conflusion 4’24’’ Find all info’s on Youtube: https://youtu.be/Qa4uoTTQ2-o Tatl duration 10‘41‘‘ Instrumentation: 3 flutes (with Piccolo), 3 Clarinets (including bass clarinet), 2 Oboes, cor anglais, 2 Bassoons, contra-bassoon, 3 trumpets, 3 trombones, tuba, double bass, 2 percussion I'm looking for an open-minded Orchestra for a recording, as well as partner(Orchestra and/or conductor) for an arrangement for symphonic wind band. Thomas H. Graf.
$3.00
Gaúcho (Corta-Jaca) - Oboe Solo - W/Chords
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Hautbois (partie séparée)
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FACILE
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Chiquinha Gonzaga
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César Madeira
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Gaúcho
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Sheet Music To Play Editions
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SheetMusicPlus
Oboe Solo - Level 2 - SKU: A0.1310152 Composed by Chiquinha Gonzaga. Arranged by César Madeira. 19th Century,Classical,Latin,Multicultural,Romantic P...
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Oboe Solo - Level 2 - SKU: A0.1310152 Composed by Chiquinha Gonzaga. Arranged by César Madeira. 19th Century,Classical,Latin,Multicultural,Romantic Period,World. Individual part. 2 pages. Sheet Music To Play Editions #899287. Published by Sheet Music To Play Editions (A0.1310152). Gaúcho (Corta-Jaca) - Brazilian Tango by Francisca Gonzaga. With Individual Oboe Part with Chords. Enjoy it!Francisca Gonzaga, better known as Chiquinha Gonzaga (1847 – 1935) was a Brazilian composer, pianist and the first woman conductor in Brazil. Chiquinha Gonzaga was the first pianist of choro and author of the first carnival march, Ó Abre Alas (1899). Her plays and operettas, such as Forrobodó and JuritÃ, were a great success with the public because they used elements of Brazilian popular culture of the time.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
Andersen Viana: Fantasieta for oboe
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Hautbois (partie séparée)
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AVANCÉ
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Andersen Viana
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Andersen Viana: Fantasieta for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.533543 Composed by Andersen Viana. 20th Century,Concert,Contemporary,Standards. Individual part. 5 pages. Musik Fabrik Mus...
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Oboe Solo - Level 5 - SKU: A0.533543 Composed by Andersen Viana. 20th Century,Concert,Contemporary,Standards. Individual part. 5 pages. Musik Fabrik Music Publishing #3017633. Published by Musik Fabrik Music Publishing (A0.533543). Part of a series of fantasies for solo instrument, this lyrical monologue for oboe is in a modernist style: Born in Belo Horizonte, Minas Gerais, he has a Ph.D. in Music Composition from the Federal University of Bahia. He began composing at the age of thirteen and became a professor at the age of nineteen. He has studied in courses and seminars about music and film in several official institutions with Ennio Morricone, Ettore Scolla, Giussepe Tornatore, E. Polizzi, Radamés Gnatalli, Max Rostal, Oilliam Lanna, S. Vianna (Accademia Chigiana di Siena, Reale Accademia Filarmonica di Bologna, Arts Academy of Rome, Royal University College of Music Stockholm, UFMG, UFBA), among others. He currently works as a composer-conductor and cultural producer, as well as a professor at the Clóvis Salgado Foundation, Palácio das Artes, in Belo Horizonte, Brazil, in addition to offering lectures and workshops in various institutions both in Brazil and abroad. His first teacher wa his father, Sebastião Vianna (assistant and reviser for the Brazilian composer, Heitor Villa-Lobos), and most recently furthered his studies in other institutions in Brazil, Italy, and Sweden. He has also published over forty articles both in Brazil and Europe. Viana has received 25 awards in Argentina, Brazil, Europe and the USA, including the Prix de Composition at the First Composition Competition Festin Choral 2013 in the city of Billère (France), first prize at the Susanville Symphony Composition Competition 2012 (USA), first prize in the international composition contest of Lys Music Orchestra 2001 in Belgium, first prize and the audience prize in the Lambersart 2006 International Contest of Composition in France. To date, he has composed 315 musical pieces for voices, chamber, symphonic as well as electronic instruments. Viana has also composed film scores for the following films: A Cartomante, Retalhos do Taquaril, Bem Próximo do Mal (Next Evil), Jogando para o Amanhã, O Próximo Passo, Gun’s Speech, Trem Fantasma, 3:00:AM, Corações Ardentes, Filhos de Adão, Perdidos em Abbey Road, Vivalma, Manuelzão e Bananeira, Ofélia, Opostos, Minas Portuguesa, O Homem da Cabeça de Papelão, Convict, Ser Humano (Human Being), Um Dia Qualquer, Nego, Reenactment, Desafios and Oswaldo França Júnior.
$9.10
Paradiso (from The Divine Comedy): Oboe
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Hautbois (partie séparée)
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Methodes
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Robert W
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Paradiso
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0014687_O1 Oboe. Composed by Robert W. Smith. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00...
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Full Orchestra - SKU: AX.00-PC-0014687_O1 Oboe. Composed by Robert W. Smith. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014687_O1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014687_O1). UPC: 654979020370.In each of the past two years, Robert W. Smith has released a movement from his symphony The Divine Comedy. Musicians, conductors, and audiences can now welcome Paradiso, the third movement from the Symphony. Ethereal percussion is the palette with which solo voices paint musical landscapes of what paradise must be. Hints of themes from the other movements emerge to tie together all of the musical elements of this powerful new work. Completely captivating!
$3.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Oboe Quartet
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Hautbois (partie séparée)
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Oboe Solo - Level 3 - SKU: A0.784326 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288643. Published by Slide Ride (...
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Oboe Solo - Level 3 - SKU: A0.784326 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288643. Published by Slide Ride (A0.784326). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
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