Partitions Numériques de At pour Piano (partie séparée)

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At Last: Piano Accompaniment

#At Last: Piano Accompaniment

At Last: Piano Accompaniment
At Last: Piano Accompaniment #Piano (partie séparée) #INTERMÉDIAIRE #Jazz #Harry Warren #Dave Wolpe #Standard #At Last: Piano Accompaniment #Alfred Music - Digital Sheet Music #SheetMusicPlus

Jazz Ensemble - SKU: AX.00-PC-0017182_K Piano Accompaniment. Composed by Harry Warren. Arranged by Dave Wolpe. Jazz; Standard. Part. 6 pages. Alf...(+)

Jazz Ensemble - SKU: AX.00-PC-0017182_K Piano Accompaniment. Composed by Harry Warren. Arranged by Dave Wolpe. Jazz; Standard. Part. 6 pages. Alfred Music - Digital Sheet Music #00-PC-0017182_K. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017182_K). UPC: 038081361475.At Last is a level 3 Jazz Vocal Series piece designed for high school and college bands. Vocal solos are featured and include some SATB arrangements. Full instrumentation includes 5 saxophones, 8 brass, 4 rhythm parts, a vocal solo part and an optional B-flat tenor saxophone part, which can be used as a substitute for the vocal solo. Guitar chord frames are provided and the rhythm parts suggest chord voicings and rhythms.

John Williams: An Evening At The Cinema (arr. Ted Ricketts) - Piano/Celeste

#John Williams: An Evening At T

Moon River (from Breakfast at Tiffany's) (arr. Blake Neely) - Piano

On That Cross - Piano part only

#On That Cross - Piano part onl

On That Cross - Piano part only
On That Cross - Piano part only #Piano (partie séparée) #INTERMÉDIAIRE #Stuart Brown #On That Cross - Piano part onl #Stuart Brown Music #SheetMusicPlus

Small Ensemble - Level 3 - SKU: A0.835423 Composed by Stuart Brown. Christian,Contemporary,Sacred. Score and parts. 1 pages. Stuart Brown Music #9851. P...(+)

Small Ensemble - Level 3 - SKU: A0.835423 Composed by Stuart Brown. Christian,Contemporary,Sacred. Score and parts. 1 pages. Stuart Brown Music #9851. Published by Stuart Brown Music (A0.835423). Possibly unique: an Easter (or more properly Good Friday) hymn for six-part choir, in which the choir is actually the accompaniment for a piano solo of almost hyponotic dissonance in comparison. The result of superimposing these elements is strangely beautiful. The composer offers the following commentary: I guess most people seeing a piece with a choir and a piano would think of it â€“ not unreasonably â€“ as a choir accompanied by a piano. This piece is subtly different: the way in which I can best explain what was in my mind when I composed it would be to describe it as a piano solo accompanied by choir. While the choir sings music that feels like a slow pavane the pianist plays a series of arpeggios and cluster chords around another relatively simple but unlinked melody. The combined effect is almost hypnotic and if the singers think of the pianist as their accompanist they will almost certainly lose the plot of what they are singing! On first hearing it may appear that the piano and the choir have little in common but the concept is simple enough. Both choir and pianist are meditating on the same theme, but coming at it from totally different directions. There is no formula to the way in which we approach the cross of Christ. We come as we are, seeking forgiveness and reconciliation, meeting at the foot of the cross. The juxtaposition of choir and piano represents that meeting and the cluster chords that the pianist plays reinforce a sense of brokenness that is essential to a proper understanding of the music. I have dedicated this to Canon Andrew White and the Christians of Iraq, knowing that their situation seems impossible in the face of the evil that walks that land, but trusting in the God and Father of the Lord Jesus Christ to do right even if from our earthly perspective we are unable to discern what right is.