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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Little Piece No. 3
Non classifié
58
Piano & claviers
Piano seul
76
Piano Facile
32
Piano, Voix
6
Piano, Voix et Guitare
2
Orgue
2
1 Piano, 4 mains
2
Orgue, Trompette (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano (partie séparée)
1
+ 4 instrumentations
Retracter
Guitares
Guitare
7
Guitare notes et tablatures
5
2 Guitares (duo)
4
4 Guitares (Quatuor)
3
3 Guitares (trio)
2
Ensemble de guitares
1
Dulcimer
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
11
Chorale SSAA
4
Chorale 3 parties
2
Chorale TTBB
1
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
2 Flûtes traversières (duo)
6
Flûte traversière et Piano
6
Quatuor de Saxophones: 4 saxophones
5
Hautbois, Piano (duo)
5
Ensemble de saxophones
4
Flûte, Hautbois, Clarinette, Basson
4
Clarinette et Piano
4
Quatuor de Clarinettes: 4 clarinettes
4
Quintette de Saxophone: 5 saxophones
3
Flûte traversière
3
Quatuor de Flûtes à bec
3
2 Saxophones (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Saxophone Alto et Piano
2
Quatuor de Flûtes : 4 flûtes
2
Ensemble de Clarinettes
2
Ensemble de Flûtes
1
3 Clarinettes (trio)
1
2 Hautbois (duo)
1
Saxophone et Guitare
1
Hautbois, Basson (duo)
1
Clarinette, Harpe (duo)
1
Flûte, Violon, Piano
1
Clarinette
1
Flûte et Guitare
1
2 Clarinettes (duo)
1
+ 22 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Trompette, Piano
6
Quatuor de Cuivres
4
Cor et Piano
4
Tuba et Orgue
2
Trombone et Piano
2
Quatuor de cuivres: 4 cors
1
2 Euphoniums (duo)
1
2 Trompettes (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
2 Trombones (duo)
1
2 Cors (duo)
1
+ 8 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
17
Violon et Piano
7
Violoncelle, Piano
6
Alto, Piano
5
Harpe
4
Trio à Cordes: violon, alto, violoncelle
3
2 Violoncelles (duo)
2
Contrebasse, Piano (duo)
2
4 Violoncelles
1
2 Violons (duo)
1
Trio à Cordes: 3 violoncelles
1
Alto seul
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon
1
+ 9 instrumentations
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Orchestre & Percussions
Orchestre à Cordes
9
Orchestre
7
Orchestre d'harmonie
5
Orchestre de chambre
3
Ensemble de cuivres
3
Ensemble Jazz
1
Ensemble de Percussions
1
Cloches
1
+ 3 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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VIOLON
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XYLOPHONE
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Crtitères actifs :
Little Piece No. 3
Piano (partie séparée)
Partitions à imprimer
1 partition trouvée
On That Cross - Piano part only
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Piano (partie séparée)
#
INTERMÉDIAIRE
#
Stuart Brown
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On That Cross - Piano part onl
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Stuart Brown Music
#
SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.835423 Composed by Stuart Brown. Christian,Contemporary,Sacred. Score and parts. 1 pages. Stuart Brown Music #9851. P...
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Small Ensemble - Level 3 - SKU: A0.835423 Composed by Stuart Brown. Christian,Contemporary,Sacred. Score and parts. 1 pages. Stuart Brown Music #9851. Published by Stuart Brown Music (A0.835423). Possibly unique: an Easter (or more properly Good Friday) hymn for six-part choir, in which the choir is actually the accompaniment for a piano solo of almost hyponotic dissonance in comparison. The result of superimposing these elements is strangely beautiful. The composer offers the following commentary: I guess most people seeing a piece with a choir and a piano would think of it – not unreasonably – as a choir accompanied by a piano. This piece is subtly different: the way in which I can best explain what was in my mind when I composed it would be to describe it as a piano solo accompanied by choir. While the choir sings music that feels like a slow pavane the pianist plays a series of arpeggios and cluster chords around another relatively simple but unlinked melody. The combined effect is almost hypnotic and if the singers think of the pianist as their accompanist they will almost certainly lose the plot of what they are singing! On first hearing it may appear that the piano and the choir have little in common but the concept is simple enough. Both choir and pianist are meditating on the same theme, but coming at it from totally different directions. There is no formula to the way in which we approach the cross of Christ. We come as we are, seeking forgiveness and reconciliation, meeting at the foot of the cross. The juxtaposition of choir and piano represents that meeting and the cluster chords that the pianist plays reinforce a sense of brokenness that is essential to a proper understanding of the music. I have dedicated this to Canon Andrew White and the Christians of Iraq, knowing that their situation seems impossible in the face of the evil that walks that land, but trusting in the God and Father of the Lord Jesus Christ to do right even if from our earthly perspective we are unable to discern what right is.
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