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--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
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A Transcription of
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43
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3
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41
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5
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4
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+ 5 instrumentations
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46
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8
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5
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37
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37
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30
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16
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15
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14
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14
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11
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153
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126
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116
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108
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41
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25
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24
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12
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10
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7
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5
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4
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3
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2
Trompette, Trombone (duo)
2
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2
Cor anglais, Piano
2
Quatuor de cuivres: 4 trombones
2
2 Trompettes (duo)
2
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2
2 Trombones (duo)
1
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1
Ensemble de Cors
1
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1
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1
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194
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92
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84
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56
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33
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21
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19
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18
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10
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9
2 Altos (duo)
7
2 Violons (duo)
5
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4
Contrebasse, Piano (duo)
4
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3
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3
2 Violoncelles (duo)
3
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2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Trio à cordes: 3 altos
2
Trio à Cordes: 2 violons, alto
1
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1
Trio à cordes: 3 violins
1
Violon (partie séparée)
1
Trio à Cordes: 2 violons, violoncelle
1
Harpe, Violon (duo)
1
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97
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34
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23
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22
Cloches
20
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16
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11
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11
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6
Fanfare
2
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Quintette de Clarinettes: 5 clarinettes
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4 partitions trouvées
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1
A Night In Tunisia
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Quintette de Clarinettes: 5 clarinettes
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INTERMÉDIAIRE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - SKU: A0.746990 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Ter...
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - SKU: A0.746990 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5827845. Published by Keith Terrett (A0.746990). A great sounding arrangement of A Night in Tunisia, your Clarinet Quintet will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$14.99
Hosanna to the Son of David (CQ5)
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Quintette de Clarinettes: 5 clarinettes
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INTERMÉDIAIRE
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Orlando Gibbons
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Mark A
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Hosanna to the Son of David
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Mark A. Craig
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SheetMusicPlus
Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.1494866 Composed by Orlando Gibbons. Arranged by Mark A. Craig / Craig Music Publis...
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.1494866 Composed by Orlando Gibbons. Arranged by Mark A. Craig / Craig Music Publishers (ASCAP). Baroque,Christmas,Easter,Holiday,Sacred. 15 pages. Mark A. Craig #1071433. Published by Mark A. Craig (A0.1494866). This clarinet quintet arrangement of Orlando Gibbon's joyous English anthem, Hosanna to the Son of David, is perfect for church gigs, Easter or Christmas events, and background dinner music and is a great opener for recitals. It was written for professional, college, and upper-level high school ensembles. My clarinet quintet arrangements have equally balanced parts, so all Bb's will play melody, counter melody, and technical passages. I hope you enjoy this transcription for clarinets of an uplifting choral music classic. If you like this arrangement, you might also like my clarinet quintet arrangement of the Rondo from Mozart's classic Serenade No. 13 KV 361Gran Partita. It's available on:Sheet Music DirectSheet Music PlusFor more info about Mark A. Craig / Craig Music Publishers, visit my social media in the links below. Please like, follow/subscribe, and feel free to leave questions or comments about my arrangements. Thanks for stopping by! See you soon. FacebookInstagramLinkinBioYouTube
$15.00
Turkish March by Beethoven for Clarinet Quintet
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Quintette de Clarinettes: 5 clarinettes
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INTERMÉDIAIRE
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - SKU: A0.1128140 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,...
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - SKU: A0.1128140 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #728755. Published by Woods Only, Arrangements (A0.1128140). This arrangement adapted for clarinet quintet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$9.99
C Jam Blues for Clarinet Quintet
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Quintette de Clarinettes: 5 clarinettes
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INTERMÉDIAIRE
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Jazz
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Duke Ellington/Barney Bigard
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Keith Terrett
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Bb Clarinet 4 are optional
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C Jam Blues for Clarinet Quint
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Keith Terrett
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SheetMusicPlus
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1271363 By Duke Ellington/Barney Bigard. By Duke Ellington/Barney B...
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1271363 By Duke Ellington/Barney Bigard. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Historic,Jazz,Multicultural,Standards,World. 11 pages. Keith Terrett #863759. Published by Keith Terrett (A0.1271363). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Clarinet Quintet.The Eb & Bb Clarinet 4 are optional.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958.
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