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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Festiva
Non classifié
1 371
Piano & claviers
Piano, Voix et Guitare
1 897
Piano seul
1 865
Piano, Voix
830
1 Piano, 4 mains
215
Accordéon
108
Accompagnement Piano
93
Orgue
85
Piano Facile
25
Instruments en Do
17
Piano Trio: piano, violon, violoncelle
9
2 Pianos, 4 mains
8
Piano (partie séparée)
7
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano Quatuor: piano, 2 violons, violoncelle
2
1 Piano, 6 mains
2
2 Pianos, 8 mains
1
Clavecin
1
+ 12 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
795
Ukulele
603
Paroles et Accords
445
Guitare
376
Guitare notes et tablatures
219
Ensemble de guitares
60
Banjo
29
Ensemble de Ukulélés
25
Basse electrique
21
Ukulele Baryton
15
Piano, Guitare (duo)
8
Mandoline
4
2 Guitares (duo)
2
Dulcimer
2
4 Guitares (Quatuor)
1
3 Guitares (trio)
1
Guitare, Orchestre
1
Mandoline, Guitare (duo)
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
1 651
Chorale 3 parties
965
Chorale
752
Chorale 2 parties
447
Chorale TTBB
205
Chorale SSAA
91
Voix haute
57
Voix duo, Piano
38
Voix seule
36
Chorale Unison
20
Chorale SSAB a cappella
3
Chorale SSATB
2
Voix moyenne, Piano
2
Voix Alto, Piano
2
Voix duo
2
Voix Tenor, Piano
1
Voix Baryton, Piano
1
Voix Soprano, Piano
1
Chorale SSAB, Piano
1
Chorale SSAATTBB
1
+ 15 instrumentations
Retracter
Vents
Clarinette
324
Flûte traversière
324
Saxophone Tenor
268
Saxophone Alto
266
Flûte traversière et Piano
159
Clarinette (partie séparée)
147
Clarinette et Piano
145
Flute (partie séparée)
113
2 Flûtes traversières (duo)
109
2 Saxophones (duo)
108
Saxophone (partie séparée)
105
2 Clarinettes (duo)
97
Saxophone Alto et Piano
91
Ocarina
87
Hautbois, Piano (duo)
82
Quatuor de Saxophones: 4 saxophones
69
Saxophone Tenor et Piano
49
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
45
Quatuor de Clarinettes: 4 clarinettes
44
Flûte, Hautbois, Clarinette, Basson
41
Quatuor de Flûtes : 4 flûtes
39
Ensemble de Flûtes
35
Hautbois (partie séparée)
32
Saxophone Soprano et Piano
29
Flûte à Bec
27
Saxophone Baryton, Piano
23
Flûte, Clarinette (duo)
22
3 Saxophones (trio)
21
Clarinette Basse, Piano
20
Harmonica
20
2 Hautbois (duo)
19
Ensemble de Clarinettes
19
Trio de Flûtes: 3 flûtes
18
3 Clarinettes (trio)
16
Hautbois
14
Clarinette Basse
12
Ensemble de saxophones
12
Quintette de Saxophone: 5 saxophones
9
3 Hautbois
7
Cor anglais, Piano
7
4 Hautbois
7
Quintette de Clarinettes: 5 clarinettes
5
Flûte, Clarinette, Piano (trio)
5
2 Flûtes traversières, Piano
5
Flûte, Hautbois, Basson
5
Saxophone
5
Flûte, Violoncelle, Piano (trio)
4
Flûte, Clarinette et Basson
4
Flûte, Violoncelle
4
Clarinette, Basson (duo)
3
Ensemble De Flûte à bec
3
2 Clarinettes, Piano
3
Quintette de Flûte : 5 flûtes
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte à bec Alto
2
Flûte, Basson et Piano
2
Flûte, Hautbois (duo)
2
Clarinette, Violoncelle (duo)
2
Hautbois, Basson (duo)
2
Hautbois, Clarinette (duo)
2
Flûte à bec Tenor
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Violon (duo)
1
Instruments en Mib
1
Flûte traversière, Basse continue
1
Flûte à bec Soprano, Piano
1
Clarinette, Trombone (duo)
1
Flûte et Guitare
1
Flûte à bec Soprano
1
2 Clarinettes, Basson
1
Clarinette, Harpe (duo)
1
Flûte, Violon, Piano
1
Hautbois, Flûte
1
+ 69 instrumentations
Retracter
Cuivres
Trompette
269
Trombone
247
Cor
246
Trompette, Piano
134
Trombone (partie séparée)
124
Trompette (partie séparée)
124
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
106
Cor (partie séparée)
94
2 Trompettes (duo)
82
Trombone et Piano
72
Cor et Piano
70
2 Trombones (duo)
66
Tuba et Piano
34
Tuba (partie séparée)
29
Quatuor de Cuivres
27
Tuba
27
2 Cors (duo)
26
Euphonium, Piano (duo)
23
2 Tubas (duo)
19
Quatuor de cuivres: 4 trombones
18
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Ensemble de Trompettes
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Cor anglais, Piano
7
Quatuor de cuivres: 4 trompettes
7
3 Trompettes (trio)
5
Euphonium
5
3 Trombones (trio)
4
Trompette, Trombone (duo)
3
Quatuor de cuivres: 4 cors
3
Trombone basse et Piano
2
Ensemble de Trombones
2
Trombone, violoncelle (duo)
2
Ensemble de Cors
2
Trombone basse
2
Trombone, Cor (duo)
1
Cor et Harpe
1
2 Euphoniums (duo)
1
Trompette, Basson (duo)
1
Instruments en Sib
1
2 Euphoniums et 2 Tubas
1
Cor, Violoncelle (duo)
1
4 Tubas
1
Trompette, Harpe
1
3 Cors (trio)
1
Euphonium (partie séparée)
1
2 Cors, Piano
1
+ 42 instrumentations
Retracter
Cordes
Violon
322
Quatuor à cordes: 2 violons, alto, violoncelle
279
Violoncelle
244
Alto seul
236
Violon et Piano
190
2 Violons (duo)
159
Violoncelle, Piano
148
Violon (partie séparée)
126
Harpe
95
Alto, Piano
86
2 Violoncelles (duo)
84
Contrebasse (partie séparée)
56
Alto (partie séparée)
47
Violoncelle (partie séparée)
44
Trio à Cordes: violon, alto, violoncelle
33
2 Altos (duo)
28
Violon, Violoncelle (duo)
25
Trio à Cordes: 2 violons, violoncelle
23
Contrebasse, Piano (duo)
23
Trio à cordes
17
2 Contrebasses (duo)
16
Contre Basse
10
Trio à cordes: 3 violins
9
Violon, Alto (duo)
9
Trio à cordes: 3 altos
7
Trio à Cordes: 3 violoncelles
6
Violon, Guitare (duo)
5
Alto, Violoncelle (duo)
5
4 Violoncelles
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Harpe, Violon (duo)
2
Harpe (partie séparée)
2
2 Violoncelles, Piano
1
Harpe, Trombone (duo)
1
Alto et Basson
1
Harpe, Violon, Violoncelle
1
Violoncelle, Contrebasse (duo)
1
Harpe, Violoncelle (duo)
1
Harpe, Flûte (duo)
1
Quatuor à cordes: 4 violons
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Piano Trio: Violon, Alto, Piano
1
Ensemble de Violons
1
Trio à Cordes: 2 violons, alto
1
Alto et Harpe
1
2 Harpes (duo)
1
Violon, Orgue
1
+ 43 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 496
Orchestre
1 233
Orchestre à Cordes
302
Cloches
280
Ensemble Jazz
187
Fanfare
135
Percussion (partie séparée)
110
Marimba
30
Orchestre de chambre
29
Percussion
26
Ensemble de Percussions
22
Ensemble de cuivres
20
Jazz combo
20
Timbales (partie séparée)
15
Xylophone
13
Batterie
13
Xylophone, Piano
11
Vibraphone
4
Batterie (partie séparée)
3
Vibraphone (partie séparée)
2
Vibraphone et Marimba
2
Caisse Claire
2
Xylophone (partie séparée)
1
+ 18 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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ENFANTS : EVEIL - IN…
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GOSPEL - SPIRITUEL -…
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METHODE : ETUDES
METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Quintette de Clarinettes: 5 clarinettes
Partitions à imprimer
5 partitions trouvées
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1
Can Can - for five clarinets
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble,Woodwind Quintet Bass Clarinet - Level 3 - Digital Download SKU: A0.1…
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Woodwind Ensemble,Woodwind Quintet Bass Clarinet - Level 3 - Digital Download SKU: A0.1500731 Composed by Jaques Offenbach. Arranged by John McAllister. Classical. 18 pages. John McAllister #1076821. Published by John McAllister (A0.1500731). Experience the lively energy of Offenbach's famous Can-Can with this dynamic arrangement for clarinet choir quintet. Perfect for performances and recitals or solo and ensemble festival, this rendition captures the thrilling tempo and spirited melodies that have made the Can-Can a timeless favorite. Arranged with both intermediate and advanced musicians in mind, this sheet music is ideal for band or orchestra musicians looking to add a touch of Parisian flair to their repertoire. Each part is carefully crafted to maintain the authentic style while being accessible for a wide range of skill levels. Whether you're performing in a concert hall, practicing at home, busking on the streets, or just having fun, this arrangement of Offenbach's Can-Can will bring excitement and joy to any setting. Enjoy this arrangement of the timeless classic.
$8.00
7.36 €
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Quintette de Clarinettes: 5 clarinettes
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Jaques Offenbach
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John McAllister
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Can Can - for five clarinets
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John McAllister
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SheetMusicPlus
C Jam Blues for Clarinet Quintet
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downl…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1271363 By Duke Ellington/Barney Bigard. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Historic,Jazz,Multicultural,Standards,World. 11 pages. Keith Terrett #863759. Published by Keith Terrett (A0.1271363). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Clarinet Quintet.The Eb & Bb Clarinet 4 are optional.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958.
$11.99
11.03 €
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Quintette de Clarinettes: 5 clarinettes
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Duke Ellington/Barney Bigard
#
Keith Terrett
#
Bb Clarinet 4 are optional
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C Jam Blues for Clarinet Quintet
#
Keith Terrett
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SheetMusicPlus
Tender feelings - Bossa Nova/Samba - Clarinet Quintet - G-Minor
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1242153 By Thomas Graf. By Thomas Graf. Arranged by Thomas Graf. Contemporary,Contest,Festival,Jazz,Latin,Pop. 19 pages. Thomas Graf - the-hit-factory.com #837511. Published by Thomas Graf - the-hit-factory.com (A0.1242153). Bossa Nova; very relaxed and romantic with wide melodies and interesting harmonies. Have fun!About this arrangement:Â Composed by: Thomas H. GrafArranged by: Thomas H. GrafInstrumentation:Â Full Score and Parts as listed below:Clarinet 1 in BbClarinet 2 in BbClarinet 3 in BbClarinet 4 in BbBass Clarinet in BbShakerAny individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987 Â E-Mail: info@the-hit-factory.com. Â www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic
$15.00
13.8 €
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Quintette de Clarinettes: 5 clarinettes
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Thomas Graf
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Thomas Graf
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Tender feelings - Bossa Nova/Samba - Clarinet Quintet - G-Minor
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Queen of the Night - From the Magic Flute - 5 B Flat Clarinets Quintet
Quintette de Clarinettes: 5 clarinettes
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Raymond Fenech. Classical…
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Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Raymond Fenech. Classical, Contest, Festival, Instructional, Multicultural, Opera, World. 27 pages. Raymond Fenech #3547247. Published by Raymond Fenech
$10.95
10.08 €
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Quintette de Clarinettes: 5 clarinettes
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Wolfgang Amadeus Mozart
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Queen of the Night - From the Magic Flute - 5 B Flat Clarinets Quintet
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Raymond Fenech
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SheetMusicPlus
Watermelon Man for Clarinet Quintet & Opt. Drumset
Quintette de Clarinettes: 5 clarinettes
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
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Quintette de Clarinettes: 5 clarinettes
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Quintet & Opt. Drumset
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Music for all Occasions
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