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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
4 U
Sheetmusicplus
Non classifié
246
Piano & claviers
Piano seul
136
Piano, Voix et Guitare
62
Piano, Voix
42
Piano Facile
32
Instruments en Do
30
1 Piano, 4 mains
8
Orgue
6
Orgue, Piano (duo)
2
2 Pianos, 4 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano (partie séparée)
1
+ 6 instrumentations
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Guitares
Guitare notes et tablatures
17
Ukulele
12
Basse electrique
10
Ligne De Mélodie, (Paroles) et Accords
8
Guitare
7
Paroles et Accords
2
Mandoline
1
Piano, Guitare (duo)
1
2 Guitares (duo)
1
Ensemble de guitares
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
64
Chorale TTBB
16
Chorale 3 parties
14
Chorale SSAA
5
Chorale 2 parties
4
Pack Instrumental pour Chorale
3
Voix duo
2
Chorale Unison
2
Voix seule
2
Voix Tenor
1
Male Voice
1
Voix Tenor, Piano
1
Voix Baryton, Piano
1
Voix Alto, Piano
1
Voix Soprano, Piano
1
+ 10 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
120
Quatuor de Clarinettes: 4 clarinettes
32
Quatuor de Flûtes : 4 flûtes
21
Flûte traversière et Piano
19
Flûte, Hautbois, Clarinette, Basson
15
Saxophone (partie séparée)
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Saxophone Tenor
7
Clarinette et Piano
7
Hautbois, Piano (duo)
6
Clarinette
6
Saxophone Alto
5
Saxophone Tenor et Piano
5
Saxophone Alto et Piano
4
Quintette de Clarinettes: 5 clarinettes
4
Saxophone Baryton, Piano
3
Hautbois (partie séparée)
3
Flûte traversière
3
Quintette de Saxophone: 5 saxophones
3
Ensemble de Clarinettes
2
2 Saxophones (duo)
2
Cor anglais, Piano
1
Flute (partie séparée)
1
Ensemble de Flûtes
1
2 Clarinettes (duo)
1
Ensemble De Flûte à bec
1
Quintette de Flûte : 5 flûtes
1
Trio de Flûtes: 3 flûtes
1
Piccolo
1
Quatuor de Flûtes à bec
1
Flûte, Clarinette (duo)
1
Saxophone et Guitare
1
2 Flûtes traversières (duo)
1
+ 28 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Trompette
9
Trombone et Piano
5
Trombone (partie séparée)
5
Trompette, Piano
5
Trompette (partie séparée)
4
Quatuor de cuivres: 4 cors
4
Trombone
4
Cor et Piano
3
Cor
2
Quatuor de cuivres: 4 trombones
2
4 Tubas
2
Cor anglais, Piano
1
Ensemble de Trombones
1
2 Tubas (duo)
1
2 Euphoniums et 2 Tubas
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Tuba et Piano
1
Ensemble de Tubas
1
Euphonium
1
Cor (partie séparée)
1
Euphonium, Piano (duo)
1
Quatuor de cuivres: 4 trompettes
1
+ 19 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
46
Violon
15
Trio à Cordes: violon, alto, violoncelle
10
Violon et Piano
10
Violon, Violoncelle (duo)
7
Violoncelle
7
Violoncelle, Piano
6
Harpe
4
Trio à Cordes: 2 violons, alto
4
Alto (partie séparée)
3
Alto seul
3
Alto, Piano
3
4 Contrebasses
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
2 Violons (duo)
2
Violoncelle (partie séparée)
2
Trio à cordes: 3 altos
1
2 Contrebasses (duo)
1
2 Violoncelles (duo)
1
Violon, Alto (duo)
1
Violon (partie séparée)
1
Contre Basse
1
Trio à Cordes: 2 violons, violoncelle
1
+ 18 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
138
Ensemble Jazz
32
Fanfare
32
Orchestre à Cordes
31
Orchestre
25
Jazz combo
13
Ensemble de cuivres
12
Batterie
10
Orchestre de chambre
3
Vibraphone
2
2 Marimbas
2
Batterie (partie séparée)
1
Marimba
1
Batterie-Fanfare
1
Cloches
1
Piano et Orchestre
1
+ 11 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
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AUTRES INST…
BALALAIKA
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
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PERCU. ORCH…
PERCUSSION
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SAXOPHONE
SYNTHE
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TROMPETTE
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VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HARPE
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LIVRES
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MEDIEVAL - RENAISSAN…
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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SOUL - R&B - HIP HOP…
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Partitions à imprimer
4 partitions trouvées
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1
Good 4 U
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 2 - Digital Download SKU: A0.1…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 2 - Digital Download SKU: A0.1097737 By Olivia Rodrigo. By Daniel Nigro, Hayley Williams, Josh Farro, and Olivia Rodrigo. Arranged by Sean Sullivan. Pop. 7 pages. Sean Sullivan #701678. Published by Sean Sullivan (A0.1097737).
$12.99
11.98 €
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Quintette de Clarinettes: 5 clarinettes
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Olivia Rodrigo
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Sean Sullivan
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Good 4 U
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Sean Sullivan
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SheetMusicPlus
Pinball Wizard
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 5 - Digital Download SKU: A0.782308…
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 5 - Digital Download SKU: A0.782308 By Elton John. By Pete Townshend. Arranged by James Haynor. Contemporary. 16 pages. James Haynor #4835749. Published by James Haynor (A0.782308). Pinball Wizard is a song written by Pete Townshend and performed by the English rock band the Who, and featured on their 1969 rock opera album Tommy. The original recording was released as a single in 1969 and reached No. 4 in the UK charts and No. 19 on the U.S. Billboard top 100. Townshend once called it the most clumsy piece of writing he'd ever done. Nevertheless, the song was a commercial success and remains one of the most recognized tunes from the opera. It was a perpetual concert favorite for Who fans due to its pop sound and familiarity. The Elton John version of the tune is scored here for Clarinet Quintet. ( Duration 2:16 )
$12.99
11.98 €
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Quintette de Clarinettes: 5 clarinettes
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Elton John
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James Haynor
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Pinball Wizard
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James Haynor
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SheetMusicPlus
I Love Lucy
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble,Woodwind Quintet Bass Clarinet - Level 4 - Digital Download SKU: A0.7…
(+)
Woodwind Ensemble,Woodwind Quintet Bass Clarinet - Level 4 - Digital Download SKU: A0.734619 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. 12 pages. Chicory Music #6675325. Published by Chicory Music (A0.734619). On October 15, 1951, the very first episode of the I Love Lucy show aired on CBS and became the most watched TV show in the U.S. for four of its seven-year run. Fun trivia about the opening theme song is that during the first season the show opened with their sponsor Philip Morris’ animation of stick figure cartoons of Lucy and Desi climbing down a pack of Philip Morris cigarettes. It was scored with Ferde Grofé’s Jr. The Grand Canyon Suite theme (a composition from 1931).From the second season onwards, the I Love Lucy signature tune we all know so well became the main theme, and one of the most recognizable pieces of music on the planet. It was written by composer Eliot Daniel who cranked it out in an afternoon as a favor to his old Coast Guard buddy Jess Oppenheimer, the show’s producer. Since Daniel still had another year under his exclusive contract to Fox, he asked Oppenheimer to keep his name out of it. Consequently his name does not appear on first or the second season TV credits for what became one of the most popular TV themes. Later, Daniel did seek credit and received royalties from syndicated reruns for the rest of his life.The lyrics were written by Harold Adamson for an episode in the third season in which Lucy believes everyone has forgotten her birthday. So of course Ricky saves the day after a near disaster.This arrangement for Woodwind Quintet includes a Bass Clarinet part (Bassoon sub.) plus optional Acoustic Bass and Drum Set parts remains faithful to the original.Performance Time Approx. 1 minute 25 seconds
$12.99
11.98 €
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Quintette de Clarinettes: 5 clarinettes
#
Eliot Daniel
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Dennis Ruello
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I Love Lucy
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Chicory Music
#
SheetMusicPlus
Watermelon Man for Clarinet Quintet & Opt. Drumset
Quintette de Clarinettes: 5 clarinettes
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
(+)
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99
13.82 €
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Quintette de Clarinettes: 5 clarinettes
#
Herbie Hancock
#
Keith Terrett
#
Watermelon Man for Clarinet Quintet & Opt. Drumset
#
Music for all Occasions
#
SheetMusicPlus
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