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6
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41
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40
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32
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21
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20
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20
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19
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18
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16
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14
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14
Saxophone
13
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12
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9
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8
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7
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7
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5
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4
3 Clarinettes (trio)
4
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3
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3
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3
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2
Cor Anglais
2
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2
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2
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2
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2
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2
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1
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1
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1
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1
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1
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1
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1
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1
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44
Trompette
42
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35
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
32
Cor et Piano
30
Trompette, Piano
28
Trombone
24
Cor anglais, Piano
18
Quatuor de Cuivres
15
Euphonium, Piano (duo)
15
Cor
14
Tuba
13
Quatuor de cuivres: 4 trombones
13
Tuba et Piano
9
Trombone (partie séparée)
8
Tuba (partie séparée)
6
Trompette (partie séparée)
6
Tuba et Orgue
3
Cor (partie séparée)
3
Trompette, Trombone (duo)
2
Cor Anglais
2
Trompette et Guitare
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Quatuor de cuivres: 4 trompettes
2
Trompette, Cor (duo)
2
Euphonium
1
Ensemble de Trombones
1
2 Euphoniums et 2 Tubas
1
2 Trompettes (duo)
1
Quatuor de cuivres: 4 cors
1
2 Trombones (duo)
1
2 Tubas (duo)
1
Trombone basse et Piano
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
114
Violoncelle, Piano
73
Violon et Piano
67
Violoncelle
57
Alto, Piano
52
Violon
28
Alto seul
24
Harpe
14
Contre Basse
12
Contrebasse, Piano (duo)
7
2 Violons (duo)
7
Violon, Violoncelle (duo)
7
Trio à Cordes: 2 violons, violoncelle
6
4 Violoncelles
5
Violon (partie séparée)
5
Trio à cordes: 3 violins
4
Alto (partie séparée)
4
Contrebasse (partie séparée)
3
Violon, Alto (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
2 Violoncelles (duo)
2
Violon, Guitare (duo)
2
Piano Trio: Violon, Alto, Piano
2
3 Harpes
2
5 Harpes
2
Trio à Cordes: violon, alto, violoncelle
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle (partie séparée)
1
Harpe, Voix
1
Violoncelle , Guitare (duo)
1
Harpe, Flûte (duo)
1
2 Altos (duo)
1
Alto, Violoncelle (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
166
Ensemble de cuivres
69
Orchestre à Cordes
49
Orchestre
43
Orchestre de chambre
20
Ensemble Jazz
10
Marimba
7
Percussion (partie séparée)
7
Batterie
5
Jazz combo
5
Cloches
5
Timbales (partie séparée)
4
Ensemble de Percussions
3
Fanfare
2
Vibraphone
1
Quintette de Cuivres: autres combinaisons
1
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AUTRES
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Art Song No.1
Quintette de Clarinettes: 5 clarinettes
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5 Famous Songs by Bach for Clarinet Quintet
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 1 - Digital Download SKU: A0.957291…
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 1 - Digital Download SKU: A0.957291 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748235. Published by Woods Only, Arrangements (A0.957291). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for clarinet quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897532: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899733: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900234: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901475: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190363Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism;.
$39.99
36.41 €
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Quintette de Clarinettes: 5 clarinettes
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Bach, Martin Luther
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Ander
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5 Famous Songs by Bach for Clarinet Quintet
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Woods Only, Arrangements
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SheetMusicPlus
Oh holy night - Cantique de Noël - Christmas Song - Clarinet Quintet
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.56…
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.568046 Composed by Adolphe Adam (1803-1856). Arranged by Thomas Graf. Christmas. 13 pages. Thomas Graf - the-hit-factory.com #2362657. Published by Thomas Graf - the-hit-factory.com (A0.568046). This is an easily floating christmas song, the wonderful melody has been composed by Adolphe Adam in 1847 to the French poem Minuit, chrétiens. Have Fun! Instrumentation: Clarinet 1/2/3 in Bb, Basset Horn/Clarinet 4 in Bb, Bass Clarinet in Bb Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic New catalog included (2016,9 pages) Video: https://youtu.be/X_Wgu6uaPfo
$14.99
13.65 €
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Quintette de Clarinettes: 5 clarinettes
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Adolphe Adam
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Thomas Graf
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Oh holy night - Cantique de Noël - Christmas Song - Clarinet Quintet
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Watermelon Man for Clarinet Quintet & Opt. Drumset
Quintette de Clarinettes: 5 clarinettes
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99
13.65 €
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Quintette de Clarinettes: 5 clarinettes
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Quintet & Opt. Drumset
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Music for all Occasions
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SheetMusicPlus
Magyar Kepek
Quintette de Clarinettes: 5 clarinettes
Composed by Bela Bartok (1881- 1945). Arranged by John Gibson. Contemporary. 51 pages…
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Composed by Bela Bartok (1881- 1945). Arranged by John Gibson. Contemporary. 51 pages. JB Linear #4634841. Published by JB Linear
Bartok's Magyar Kepek, 1931 (Hungarian Pictures) set by John Gibson for clarinet quintet or choir. This setting is of 3 movements of the complete piece originally for orchestra: An Evening in the Village, Melody, and Swineherd's Dance. These all sound like authentic folk songs, although only the Swineherd's Dance actually uses folk song material. It is set for clarinet quintet ( Bb clarinet 1-3, alto clarinet, and bass clarinet), with an alternate 4th Bb part if there is no alto). It may also be played by a clarinet choir.Bartok's Magyar Kepek, 1931 (Hungarian Pictures) set by John Gibson for clarinet quintet or choir. This setting is of 3 movements of the complete piece originally for orchestra: An Evening in the Village, Melody, and Swineherd's Dance. These all sound like authentic folk songs, although only the Swineherd's Dance actually uses folk song material. It is set for clarinet quintet ( Bb clarinet 1-3, alto clarinet, and bass clarinet), with an alternate 4th Bb part if there is no alto). It may also be played by a clarinet choir.
$18.00
16.39 €
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Quintette de Clarinettes: 5 clarinettes
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Bela Bartok
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John Gibson
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Magyar Kepek
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JB Linear
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SheetMusicPlus
Francisque Darcieux | Noël Bressan | for Clarinet Quintet
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,Bassethorn,E-Flat Clarinet - Level 3 - Di…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,Bassethorn,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1475668 By Francisque Darcieux. By Francisque Darcieux. Arranged by Andrew Lamb. Christmas. 33 pages. Andrew Lamb #1053226. Published by Andrew Lamb (A0.1475668). 🎵 Clarinet Quintet Adaptation: Noël Bressan by Francisque Darcieux 🎵 Immerse yourself in the festive spirit with this delightful Clarinet Quintet adaptation of the French Carol Noël Bressan by the renowned French composer Francisque Darcieux (1880 - 1951). This arrangement offers flexibility in choice of instruments, making it suitable for various performance settings.🔸 Scored for: 🎶 Part 1: Clarinet in Eb or Clarinet in Bb 🎶 Part 2: Clarinet in Bb 🎶 Part 3: Clarinet in Bb 🎶 Part 4: Alto Clarinet in Eb or Basset Horn 🎶 Part 5: Bass Clarinet in Bb 🔹 Level of Difficulty: Medium🔹 Potential Uses: Perfect for a Christmas concert, Christmas church service, or recital piece.Francisque Darcieux made significant contributions to the world of music yet remains somewhat overlooked today. His extensive body of work, including orchestral pieces and regional songs, reflects his deep musical talent and dedication.📢 Please like and subscribe for more videos and music arrangements! 📢.
$10.00
9.11 €
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Quintette de Clarinettes: 5 clarinettes
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Francisque Darcieux
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Andrew Lamb
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Francisque Darcieux | Noël Bressan | for Clarinet Quintet
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Andrew Lamb
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SheetMusicPlus
You've Got A Friend
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1329867 By James Taylor. By Carole King. Arranged by Spencer Bundy. 20th Century,Broadway,Musical/Show,Pop. 17 pages. Spencer Bundy #917854. Published by Spencer Bundy (A0.1329867). Carole King included this song on her second studio album 'Tapestry' in 1971. That same year James Taylor released it as a single and it went on to reach No.1 in America and No.4 in the UK. In 2010 the pair performed the song together as part of 'Troubadour Reunion' tour.
$12.99
11.83 €
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Quintette de Clarinettes: 5 clarinettes
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James Taylor
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Spencer Bundy
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You've Got A Friend
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Spencer Bundy
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SheetMusicPlus
When You're Smiling (the Whole World Smiles With You)
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.569280…
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Clarinet Quintet,Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.569280 Composed by Joe Goodwin, Larry Shay, and Mark Fisher. Arranged by Thomas Graf. Contemporary,Jazz,Pop. 20 pages. Thomas Graf - the-hit-factory.com #4332709. Published by Thomas Graf - the-hit-factory.com (A0.569280). This famous pop song from 1928 has become one of the most played jazz standards ever - it will make your audience smile! A must for your band book! Instrumentation: Clarinet 1/2/3/4 in Bb, Alto Clarinet 3/ 4 in Bb, Bass Clarinet in Bb Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/ - no video.
$15.00
13.66 €
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Quintette de Clarinettes: 5 clarinettes
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Joe Goodwin, Larry Shay, and Mark Fisher
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Thomas Graf
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When You're Smiling
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
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