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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
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Piano seul
779
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115
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99
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GUITARES
Guitare notes et tablatures
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75
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7
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5
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5
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1
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VOIX
Chorale SATB
59
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17
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16
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11
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11
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7
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6
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1
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1
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1
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1
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VENTS
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46
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43
Flûte traversière et Piano
42
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32
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31
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30
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28
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24
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22
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21
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16
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16
Clarinette
16
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14
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12
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12
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11
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11
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9
Quatuor de Flûtes : 4 flûtes
8
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7
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7
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6
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6
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6
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6
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6
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6
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5
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5
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5
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5
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4
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4
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3
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3
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2
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2
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2
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2
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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CUIVRES
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31
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26
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21
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20
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18
2 Trombones (duo)
13
Cor et Piano
12
2 Trompettes (duo)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Trompette, Saxophone (duo)
10
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8
Euphonium, Piano (duo)
7
Trombone
7
Quatuor de cuivres: 4 trombones
6
2 Cors (duo)
6
Tuba et Piano
5
Trompette (partie séparée)
4
Cor
3
Quatuor de cuivres: 4 cors
3
Ensemble de Trombones
3
Trompette, Trombone (duo)
3
2 Euphoniums (duo)
2
Quatuor de cuivres: 4 trompettes
2
3 Trompettes (trio)
2
2 Tubas (duo)
2
Trombone (partie séparée)
2
Trombone basse
2
Cor anglais, Piano
1
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1
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1
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1
Cor, Violoncelle (duo)
1
Trombone basse et Piano
1
Tuba
1
Cor anglais, Guitare (duo)
1
Euphonium
1
Trio de Cuivres
1
Cor (partie séparée)
1
Tuba et Orgue
1
2 Euphoniums et 2 Tubas
1
Trombone, Tuba (duo)
1
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CORDES
Violon et Piano
61
Quatuor à cordes: 2 violons, alto, violoncelle
49
Harpe
46
Violoncelle, Piano
37
Alto, Piano
24
Violon
20
2 Violons (duo)
13
Violoncelle (partie séparée)
12
2 Violoncelles (duo)
11
2 Altos (duo)
11
Alto seul
11
Violon (partie séparée)
10
Contrebasse, Piano (duo)
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Violon, Violoncelle (duo)
8
Contre Basse
8
Harpe, Flûte (duo)
8
Trio à Cordes: violon, alto, violoncelle
7
2 Harpes (duo)
6
Violon, Alto (duo)
6
Violoncelle
6
Violon, Guitare (duo)
6
Quatuor à cordes : 4 altos
5
Quatuor à cordes: 4 violons
4
Violoncelle , Guitare (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
2 Contrebasses (duo)
3
4 Violoncelles
2
Alto, Guitare (duo)
2
Trio à cordes: 3 violins
2
Harpe, Violon (duo)
2
Alto (partie séparée)
2
4 Contrebasses
2
Trio à Cordes: 3 violoncelles
1
Flûte, Contrebasse (duo)
1
4 Harpes
1
Contrebasse (partie séparée)
1
Violoncelle, Contrebasse (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
178
Jazz combo
128
Ensemble Jazz
100
Orchestre à Cordes
41
Orchestre
22
Ensemble de cuivres
20
Cloches
12
Batterie
6
Orchestre de chambre
6
Ensemble de Percussions
6
Ensemble d'École
4
Vibraphone
4
Percussion (partie séparée)
2
Xylophone
1
Marimba
1
Xylophone, Piano
1
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AUTRES
Vous avez sélectionné:
Blue Piece
Quintette de Clarinettes: 5 clarinettes
Partitions à imprimer
5 partitions trouvées
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The Blue Bird for clarinet quintet
Quintette de Clarinettes: 5 clarinettes
Clarinet Solo - Level 2 - Digital Download SKU: A0.579929 Composed by Charles Villi…
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Clarinet Solo - Level 2 - Digital Download SKU: A0.579929 Composed by Charles Villiers Stanford. Arranged by David Warin Solomons. 20th Century,Romantic Period. Individual part. 8 pages. David Warin Solomons #3464705. Published by David Warin Solomons (A0.579929). Instrumental arrangement of Stanford's choral piece about seeing a blue bird flying across a lake.
$8.00
7.37 €
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Quintette de Clarinettes: 5 clarinettes
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Charles Villiers Stanford
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David Warin Solomons
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The Blue Bird for clarinet quintet
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David Warin Solomons
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SheetMusicPlus
C Jam Blues for Clarinet Quintet
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downl…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1271363 By Duke Ellington/Barney Bigard. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Historic,Jazz,Multicultural,Standards,World. 11 pages. Keith Terrett #863759. Published by Keith Terrett (A0.1271363). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Clarinet Quintet.The Eb & Bb Clarinet 4 are optional.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958.
$11.99
11.04 €
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Quintette de Clarinettes: 5 clarinettes
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Duke Ellington/Barney Bigard
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Keith Terrett
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Bb Clarinet 4 are optional
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C Jam Blues for Clarinet Quintet
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Keith Terrett
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SheetMusicPlus
Mozart: Piano Concerto No.21 in C “Elvira Madigan” K467 Mvt.II Andante - clarinet quintet/ensemble
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downl…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.553706 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Holiday,Wedding. 13 pages. RayThompsonMusic #3525391. Published by RayThompsonMusic (A0.553706). The Piano Concerto No. 21 in C major, K. 467, was completed on 9 March 1785 by Wolfgang Amadeus Mozart, four weeks after the completion of the previous D minor concerto, K. 466 The famous Andante is in the subdominant key of F major It was featured in the 1967 Swedish film Elvira Madigan. As a result, the piece has become widely known as the Elvira Madigan concerto. Neil Diamond's 1972 song Song Sung Blue was based on a theme from the andante movement of the concerto. It is arranged for clarinet quintet.( Eb, 2 Bbs, alto and bass).Alternative Bb parts are provided for the Eb and alto parts.
$11.95
11 €
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Quintette de Clarinettes: 5 clarinettes
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Piano Concerto No.21 in C “Elvira Madigan” K467 Mvt.II Andante - clarinet quintet/ensemble
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RayThompsonMusic
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SheetMusicPlus
Yeh Yeh
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.563758…
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Clarinet Quintet,Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.563758 Composed by Jon Hendricks, Pat Patrick, and Rogers Grant. Arranged by Austin Ralphson. Contemporary. 18 pages. Austin Ralphson #4982205. Published by Austin Ralphson (A0.563758). Originally a Latin instrumental piece, this song was a huge hit for Georgie Fame and the Blue Flames in 1965. It's exciting to play and listen to!
$14.99
13.8 €
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Quintette de Clarinettes: 5 clarinettes
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Jon Hendricks, Pat Patrick, and Rogers Grant
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Austin Ralphson
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Yeh Yeh
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Austin Ralphson
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SheetMusicPlus
Watermelon Man for Clarinet Quintet & Opt. Drumset
Quintette de Clarinettes: 5 clarinettes
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99
13.8 €
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Quintette de Clarinettes: 5 clarinettes
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Quintet & Opt. Drumset
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Music for all Occasions
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SheetMusicPlus
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