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AUTOHARPE
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FANFARE - BAND…
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GUITARE LAP ST…
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HARPE
HAUTBOIS
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MANDOLINE
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PIANO & CLAVIERS
Piano seul
1450
Accordéon
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Piano Facile
108
Orgue
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1 Piano, 4 mains
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Instruments en Do
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Accompagnement Piano
21
Piano grosses notes
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Piano Trio: piano, violon, violoncelle
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Piano Quatuor: piano, violon, alto, violoncelle
4
Clavecin
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2 Pianos, 4 mains
2
Piano (partie séparée)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavier
1
Orgue, Trompette (duo)
1
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GUITARES
Basse electrique
1221
Guitare
543
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184
Ukulele
51
Ligne De Mélodie, (Paroles) et Accords
10
Guitare (partie séparée)
7
2 Guitares (duo)
6
4 Guitares (Quatuor)
6
Paroles et Accords
5
3 Guitares (trio)
4
Dulcimer
4
Piano, Guitare (duo)
4
Mandoline
3
Ukulele Baryton
2
Orchestre à Plectres
1
Banjo
1
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VOIX
Chorale SATB
158
Voix seule
119
Chorale 3 parties
47
Chorale SSAA
34
Chorale TTBB
29
Chorale 2 parties
24
Voix Soprano, Piano
17
Voix Alto, Piano
9
Chorale Unison
8
Voix Tenor, Piano
7
Voix haute
7
Voix duo
5
Voix moyenne, Piano
4
Voix Mezzo-Soprano, Piano
4
Voix duo, Piano
3
Voix basse, Piano
2
Voix Baryton, Piano
2
Voix Tenor
2
Voix Soprano, Orchestre
1
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VENTS
Saxophone
2699
Clarinette
1003
Flûte traversière
939
Saxophone Alto
135
Saxophone Tenor
129
Flûte à Bec
104
Flûte irlandaise
81
Saxophone Soprano
70
Flûte traversière et Piano
68
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
54
Hautbois, Piano (duo)
46
Quatuor de Saxophones: 4 saxophones
45
Clarinette et Piano
44
2 Saxophones (duo)
39
Saxophone Alto et Piano
37
Quintette de Saxophone: 5 saxophones
33
Ensemble de saxophones
32
3 Saxophones (trio)
30
Hautbois, Clarinette, Basson (trio d'anches)
30
Saxophone Tenor et Piano
27
Flûte, Hautbois, Clarinette, Basson
26
Saxophone (partie séparée)
25
Quatuor de Clarinettes: 4 clarinettes
24
Hautbois
23
Saxophone Baryton, Piano
21
2 Flûtes traversières (duo)
20
Saxophone Soprano et Piano
19
Quatuor de Flûtes : 4 flûtes
18
2 Clarinettes (duo)
17
Ensemble de Clarinettes
15
Ensemble de Flûtes
13
Flûte, Clarinette (duo)
11
Flûte, Hautbois, Clarinette (trio)
10
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10
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9
Quintette de Clarinettes: 5 clarinettes
8
2 Hautbois (duo)
7
Saxophone Baryton
6
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6
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6
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6
3 Clarinettes (trio)
6
Clarinette Basse, Piano
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4
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4
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3
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3
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3
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3
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Harmonica
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2
Flûte, Violoncelle, Piano (trio)
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Flûte à bec Soprano
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Hautbois, Harpe
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Piccolo
1
Saxophone et Orgue
1
3 Flûtes à bec (trio)
1
Ensemble De Flûte à bec
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Flûte, trombone et piano
1
Clarinette, Harpe (duo)
1
Flûte à bec Alto, Basse continue
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Flûte et Trio à cordes
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Quintette de Clarinette: Clarinette, Quatuor à Cordes
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Flûte, Basson et Piano
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Clarinette, Orgue
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2 Flûtes traversières, Piano
1
Flûte, Violon, Piano
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4 Hautbois
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Ensemble de Hautbois
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Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte à bec Soprano, Piano
1
Cor anglais et Harpe (duo)
1
Flûte, Hautbois, Piano (trio)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte à bec Tenor
1
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CUIVRES
Trompette
898
Trombone
894
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
67
Quatuor de Cuivres : 2 trompettes, trombone, tuba
47
Trombone et Piano
36
Tuba
35
Trompette, Piano
34
Cor
31
Tuba et Piano
24
Cor et Piano
24
Euphonium
20
Trombone (partie séparée)
17
Trompette (partie séparée)
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Ensemble de Trombones
9
2 Trombones (duo)
9
2 Cors (duo)
8
2 Trompettes (duo)
8
Ensemble de Trompettes
7
Euphonium, Piano (duo)
6
Trompette, Trombone (duo)
5
Trompette, Saxophone (duo)
5
Cor anglais, Piano
4
Trompette, Cor (duo)
4
Quatuor de Cuivres
4
2 Tubas (duo)
3
Quatuor de cuivres: 4 trombones
3
Ensemble de Cors
2
3 Trombones (trio)
2
Cor, Tuba (duo)
2
Quatuor de cuivres: 4 trompettes
2
Cor (partie séparée)
2
Trompette, Euphonium (duo)
1
2 Euphoniums et 2 Tubas
1
3 Cors (trio)
1
Trompette, Violoncelle et Piano
1
4 Tubas
1
Trombone basse et Piano
1
Cor anglais et Harpe (duo)
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
3 Tubas (trio)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
149
Violon
141
Violoncelle
98
Alto seul
83
Violon et Piano
75
Harpe
68
Violoncelle, Piano
49
Alto, Piano
43
Violon, Violoncelle (duo)
32
Trio à Cordes: violon, alto, violoncelle
25
Ensemble d'Altos
21
Contre Basse
21
2 Violons (duo)
17
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
Contrebasse, Piano (duo)
14
Violon, Alto (duo)
14
2 Violoncelles (duo)
8
2 Altos (duo)
7
Harpe, Flûte (duo)
7
Ensemble de Violons
6
Contrebasse (partie séparée)
5
4 Violoncelles
5
Alto, Violoncelle (duo)
5
2 Contrebasses (duo)
4
Quatuor à cordes: 4 violons
4
Alto (partie séparée)
4
Trio à Cordes: 2 violons, violoncelle
4
Violon (partie séparée)
3
Trio à cordes: 3 violins
3
Violoncelle , Guitare (duo)
3
Quatuor à cordes : 4 altos
2
Piano Trio: Violon, Alto, Piano
2
Trio à cordes: 3 altos
2
Trio à Cordes: 3 violoncelles
2
Trio à Cordes: 2 violons, alto
2
Violoncelle (partie séparée)
1
Violoncelle, Orchestre
1
2 Harpes (duo)
1
Harpe, Violon, Violoncelle
1
Violon, Guitare (duo)
1
Ensemble de Violoncelles
1
Violon, Violoncelle, Clarinette
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
2884
Batterie
1377
Orchestre
105
Orchestre à Cordes
88
Ensemble Jazz
46
Orchestre de chambre
28
Ensemble de cuivres
27
Jazz combo
16
Cloches
12
Percussion
8
Ensemble d'École
7
Ensemble de Percussions
5
Fanfare
5
Batterie (partie séparée)
4
Xylophone, Piano
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Marimba
2
Xylophone
1
3 Percussions
1
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AUTRES
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Quintette de Clarinettes: 5 clarinettes
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Bach: Toccata and Fugue, BWV 565, for Clarinet Quintet
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Downl…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1474197 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Halloween,Historic,Standards. 49 pages. Jmsgu3 #1051843. Published by jmsgu3 (A0.1474197). The Toccata and Fugue in D Minor, BWV 565, is one of Johann Sebastian Bach's most famous organ compositions. It follows a typical North German structure with three main sections - a free opening (toccata), a fugal section (fugue), and a short free closing section. The exact date of composition is uncertain, but it's believed to have been written before 1708. There is no surviving autograph manuscript. The oldest known source is an undated copy by Johannes Ringk, a student of one of Bach's pupils. It was first published in 1833 through the efforts of composer Felix Mendelssohn during the early Bach Revival period. It gained widespread recognition after being featured in Disney's 1940 film Fantasia, which Leopold Stokowski adapted for orchestra. The piece has become strongly associated with horror films and Gothic imagery in Western culture. The Toccata begins with dramatic flourishes and arpeggios, showcasing the organist's virtuosity. The fugue is characterized by overlapping repetitions of the central theme in different melodic lines. It employs simple triadic harmony but includes some unexpected elements, such as a C minor subject entry and a solo pedal statement.
$49.95
45.81 €
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Quintette de Clarinettes: 5 clarinettes
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Johann Sebastian Bach
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James M
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Bach: Toccata and Fugue, BWV 565, for Clarinet Quintet
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jmsgu3
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SheetMusicPlus
Lacrymosa by Mozart for Clarinet Quintet
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1274762 Com…
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Clarinet Quintet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1274762 Composed by Wolfgang Amadeus Mozart. Arranged by Ander. Christian,Classical,Easter,Religious. 8 pages. Woods Only, Arrangements #866910. Published by Woods Only, Arrangements (A0.1274762). Introducing the sheet music for Lacrymosa from the Requiem Mass (Missa pro defunctis), K. 626, by Wolfgang Amadeus Mozart, for Clarinet Quintet. This sheet music maintains the entire original structure of the work, without reductions in duration and the like, with only the reduction of the ensemble being made. This arrangement is intended for performance groups that already have experience in musical performance, but can also be used as teaching material for music students, and can be used in academic recitals, concerts and ceremonies, catering to various groups of varied tastes. The Requiem in D minor (K. 626) is a requiem mass by Austrian composer Wolfgang Amadeus Mozart from 17911. Mozart composed part of the Requiem in Vienna in late 1791 but it was unfinished at his death on December 5th of the same year. This sheet music is a unique opportunity to experience Mozart’s genius in an arrangement for quintet.
$9.99
9.16 €
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Quintette de Clarinettes: 5 clarinettes
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Wolfgang Amadeus Mozart
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Ander
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Lacrymosa by Mozart for Clarinet Quintet
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Woods Only, Arrangements
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SheetMusicPlus
A Night In Tunisia
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.746990…
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.746990 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5827845. Published by Keith Terrett (A0.746990). A great sounding arrangement of A Night in Tunisia, your Clarinet Quintet will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$14.99
13.75 €
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Quintette de Clarinettes: 5 clarinettes
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
5 Famous Songs by Bach for Clarinet Quintet
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 1 - Digital Download SKU: A0.957291…
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 1 - Digital Download SKU: A0.957291 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748235. Published by Woods Only, Arrangements (A0.957291). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for clarinet quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897532: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899733: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900234: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901475: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190363Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism;.
$39.99
36.68 €
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Quintette de Clarinettes: 5 clarinettes
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Bach, Martin Luther
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Ander
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5 Famous Songs by Bach for Clarinet Quintet
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Woods Only, Arrangements
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SheetMusicPlus
Adagio and Allegro in F minor, K. 594
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 4 - Digital Download SKU: A0.899605…
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 4 - Digital Download SKU: A0.899605 Composed by Wolfgang Amadeus Mozart. Arranged by Chris Blankenship. Classical. 22 pages. C Blankenship #6203575. Published by C Blankenship (A0.899605). The piece was commissioned by Count Joseph Deym von Stritetz for use as a funeral mass to be played on a mechanical organ clock in the mausoleum for the recently deceased Generalfeldmarschall (Fieldmarshall) Ernst Gideon von Laudon, part of the Müllersche Kunstgalerie, the wax art gallery and organ museum of Joseph Müller (which was the Count Deym's assumed name). This displayed a casket covered with glass, through which one could view a wax figure of the Field Marshall. When the clock struck the hour, a lament was heard: a new one each week, one of which was Mozart's Adagio and Allegro.Although Mozart intended the piece to be played on a mechanical clockwork organ, he wished later that it could be played on a conventional organ. In a letter to his wife Constanze dated 3rd October, 1790, he wrote, If it were on a large clock-work with a sound like an organ, I'd be glad to do it; but as it is a thing made up of tiny pipes only, which sound too shrill and childish for me. As time passed, Mozart seemed to be content with the decision, saying later that the work and its installation in the gallery in fruitlessness and purity and compatibility to the works of art eclipses anything that anyone has ever succeeded in producing.
$9.99
9.16 €
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Quintette de Clarinettes: 5 clarinettes
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Wolfgang Amadeus Mozart
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Chris Blankenship
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Adagio and Allegro in F minor, K. 594
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C Blankenship
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SheetMusicPlus
Clarinet Quintet - Ding Dong Merrliy on High
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.767532…
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.767532 Composed by Traditional. Arranged by Mike Lyons. Christian,Christmas. 32 pages. Lyons Music Services #5044657. Published by Lyons Music Services (A0.767532). This is a clarinet quintet arrangement of my brand new and somewhat quirky arrangement of the well-known Christmas Carol. I've given the 2nd. Clarinet and Bass some of the spotlight in this setting. At letter D the music slips into a Jazz Waltz style and it is important to swing the quavers to get the full effect, which produces some interesting results. and at letter F, we find ourselves creating a little Hocket, with fragments of the tune passed around the enemble - but without it losing any of its cohesion. At letter G the music returns (almost) to normal. and this reprise leads to the end. Please pay attention to all the articulations and slurs, which are very specific to create the effects.
$10.99
10.08 €
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Quintette de Clarinettes: 5 clarinettes
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Traditional
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Mike Lyons
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Clarinet Quintet - Ding Dong Merrliy on High
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Lyons Music Services
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SheetMusicPlus
Watermelon Man for Clarinet Quintet & Opt. Drumset
Quintette de Clarinettes: 5 clarinettes
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99
13.75 €
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Quintette de Clarinettes: 5 clarinettes
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Quintet & Opt. Drumset
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Music for all Occasions
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SheetMusicPlus
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