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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I Stand
Non classifié
3 065
Piano & claviers
Piano seul
2 324
Piano, Voix et Guitare
2 316
Piano, Voix
954
Instruments en Do
753
Piano Facile
655
Piano grosses notes
183
Orgue
178
1 Piano, 4 mains
53
Accompagnement Piano
40
Accordéon
35
2 Pianos, 4 mains
33
Piano Trio: piano, violon, violoncelle
21
Ligne De Mélodie, Piano
16
Piano (partie séparée)
12
Piano Quatuor: piano, violon, alto, violoncelle
11
Accordéon, Voix
5
Clavecin
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Orgue, Piano (duo)
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Orgue, Trompette (duo)
2
2 Pianos, 8 mains
1
Clavier
1
+ 18 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
1 461
Guitare notes et tablatures
674
Guitare
425
Ukulele
315
Paroles et Accords
129
Basse electrique
112
Banjo
31
2 Guitares (duo)
27
Dulcimer
18
Guitare (partie séparée)
18
Ensemble de guitares
9
Piano, Guitare (duo)
8
3 Guitares (trio)
7
Mandoline
6
4 Guitares (Quatuor)
5
Ensemble de Ukulélés
4
Ukulele Baryton
3
2 Dulcimers (duo)
1
2 Ukuleles
1
Basse électrique (partie séparée)
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
469
Chorale 3 parties
187
Pack Instrumental pour Chorale
139
Chorale 2 parties
126
Voix seule
118
Chorale TTBB
107
Voix haute
89
Chorale Unison
56
Voix duo, Piano
55
Chorale SSAA
49
Chorale
24
Voix Soprano, Piano
15
Voix duo
11
Voix Alto, Piano
9
Voix Baryton, Piano
7
Voix moyenne, Piano
5
Voix basse, Piano
3
Voix Tenor, Piano
2
Voix Soprano
2
Chorale SSAATB
1
Voix Moyenne
1
Soli, choeur mixte et accompagnement
1
Voix, Guitare
1
Voix basse
1
+ 19 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
252
2 Saxophones (duo)
180
Quatuor de Saxophones: 4 saxophones
148
Flûte traversière et Piano
142
Flûte, Hautbois, Clarinette, Basson
140
2 Flûtes traversières (duo)
138
Quintette de Saxophone: 5 saxophones
135
Clarinette et Piano
133
Flûte traversière
124
Saxophone (partie séparée)
115
Clarinette
107
Saxophone Alto et Piano
103
2 Clarinettes (duo)
103
Saxophone Tenor
88
Saxophone Alto
87
Hautbois, Piano (duo)
81
Quatuor de Clarinettes: 4 clarinettes
80
Ensemble de saxophones
78
Saxophone Tenor et Piano
76
Ensemble de Clarinettes
69
Quatuor de Flûtes : 4 flûtes
64
Saxophone
60
Saxophone Soprano et Piano
59
2 Hautbois (duo)
48
Instruments en Mib
41
3 Clarinettes (trio)
37
Hautbois (partie séparée)
35
Saxophone Baryton, Piano
34
Flûte, Clarinette (duo)
32
Flûte et Guitare
30
Ensemble de Flûtes
23
Quintette de Flûte : 5 flûtes
23
Clarinette (partie séparée)
22
Trio de Flûtes: 3 flûtes
20
Flute (partie séparée)
20
3 Saxophones (trio)
18
Flûte, Hautbois, Clarinette (trio)
17
Saxophone, Clarinette (duo)
17
Cor anglais, Piano
16
Hautbois, Basson (duo)
14
Quintette de Clarinettes: 5 clarinettes
14
Flûte à bec Soprano
13
2 Flûte à bec (duo)
13
Hautbois, Clarinette (duo)
12
Clarinette Basse, Piano
12
Clarinette, Violon (duo)
11
Clarinette, Violoncelle (duo)
10
Flûte, Violon
10
Flûte, Violoncelle
9
Clarinette, Basson (duo)
9
Quatuor de Flûtes à bec
9
Harmonica
9
2 Cors Anglais Et Pianoforte
9
Clarinette, Trompette (duo)
9
Clarinette et Alto
8
Ocarina
8
Flûte, Trombone (duo)
7
Cor Anglais
6
Flûte irlandaise
6
Quintette de Clarinette: Clarinette, Quatuor à Cordes
6
Flûte, Clarinette et Basson
6
Hautbois, Flûte
6
Flûte, Alto (duo)
5
Flûte, Trompette (duo)
5
Flûte, Clarinette, Piano (trio)
4
Clarinette, Harpe (duo)
4
Flûte, Saxophone (duo)
4
Clarinette, Guitare (duo)
4
Flûte, Violon, Piano
4
Saxophone et Orgue
4
Flûte, Hautbois (duo)
4
5 Flûtes à bec
4
Flûte à bec Soprano, Piano
4
Flûte, Basson et Piano
3
Flûte, Hautbois, Basson
3
2 Clarinettes, Piano
3
Hautbois, Harpe
3
Flute, harpe et violon
3
Flûte à Bec
3
Flûte à bec Alto, Piano
3
Saxophone et Harpe
2
2 Flûtes traversières, Piano
2
Cor anglais, Guitare (duo)
2
Clarinette, Trombone (duo)
2
Clarinette, Basson, Piano (trio)
2
Hautbois, Violoncelle
2
Piccolo, Piano
2
Saxophone, Violon (duo)
2
2 Saxophones, Piano
2
Flûte à bec Alto
2
Saxophone Soprano
2
Saxophone et Guitare
2
Hautbois
2
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Ensemble De Flûte à bec
1
Flûte, Hautbois, Violon
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte traversière, Orgue (duo)
1
2 Clarinettes, Basson
1
Flûte, Violon et Violoncelle
1
Clarinette Basse
1
Flûte, Violon, Violoncelle et Piano
1
Clarinette, Orgue
1
Piccolo
1
+ 100 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
158
Quatuor de Cuivres : 2 trompettes, trombone, tuba
151
Trompette
150
Trombone
100
Trompette (partie séparée)
96
Bass Clef Instruments
88
Trombone (partie séparée)
87
Ensemble de Trompettes
77
Trombone et Piano
74
Trompette, Piano
71
Cor
62
2 Trompettes (duo)
49
2 Trombones (duo)
47
Quatuor de Cuivres: 2 trompettes, Cor, trombone
47
Quatuor de Cuivres
46
Cor et Piano
45
2 Cors (duo)
43
Instruments en Sib
36
Ensemble de Trombones
31
Euphonium, Piano (duo)
29
Trompette, Trombone (duo)
26
2 Euphoniums (duo)
23
Cor anglais, Piano
16
Tuba
15
Tuba et Piano
15
Cor (partie séparée)
14
2 Tubas (duo)
12
Trio de Cuivres
12
Trompette, Saxophone (duo)
10
2 Cors Anglais Et Pianoforte
9
Quatuor de cuivres: 4 trombones
9
Tuba (partie séparée)
9
3 Trombones (trio)
7
Cor Anglais
6
3 Trompettes (trio)
6
Euphonium
6
Trompette, violon (duo)
6
Quatuor de cuivres: 4 cors
5
Cor, Tuba (duo)
5
Quatuor de cuivres: 4 trompettes
5
Trompette, Cor (duo)
5
Trombone, Tuba (duo)
4
Euphonium, Tuba (duo)
3
4 Tubas
3
Cor anglais, Guitare (duo)
2
Trompette, Tuba (duo)
2
Trompette, Violoncelle (duo)
2
Trompette, Euphonium (duo)
2
Cor, Violoncelle (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trompette, Violoncelle et Piano
2
Trompette, Trombone, Piano
2
2 Trompettes, Clavier (piano ou orgue)
1
Trombone, Orgue
1
Ensemble de Tubas
1
Cor et Harpe
1
2 Euphoniums et 2 Tubas
1
3 Cors (trio)
1
Trompette, Harpe
1
+ 54 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
539
Violon et Piano
195
2 Violons (duo)
151
Violon
137
Violoncelle
120
Violoncelle, Piano
110
Alto, Piano
105
2 Altos (duo)
80
2 Violoncelles (duo)
74
Violon, Alto (duo)
71
Alto seul
68
Harpe
65
Trio à Cordes: violon, alto, violoncelle
64
Violon, Violoncelle (duo)
59
2 Harpes (duo)
58
Contrebasse (partie séparée)
27
Trio à cordes: 3 violins
25
Ensemble de Violons
24
Ensemble d'Altos
23
Contrebasse, Piano (duo)
20
Trio à Cordes: 2 violons, violoncelle
20
Trio à cordes: 3 altos
18
Contre Basse
18
Alto, Violoncelle (duo)
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
Violon (partie séparée)
15
Quatuor à cordes: 4 violons
14
Violon, Guitare (duo)
13
2 Contrebasses (duo)
12
4 Violoncelles
12
Piano Trio: Violon, Alto, Piano
11
Alto (partie séparée)
10
Trio à Cordes: 2 violons, alto
9
Violoncelle , Guitare (duo)
7
4 Contrebasses
6
Harpe, Violon (duo)
5
Violoncelle, Contrebasse (duo)
5
Trio à Cordes: 3 violoncelles
5
Harpe, Voix
4
Quatuor à cordes : 4 altos
4
Harpe, Flûte (duo)
4
2 Violons, Piano
3
Violoncelle (partie séparée)
3
Harpe, Violoncelle (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto, Orgue
1
Harpe, Trombone (duo)
1
Alto et Basson
1
Alto et Harpe
1
Harpe et Piano
1
Flûte, Contrebasse (duo)
1
Violoncelle, Orgue
1
2 Violoncelles, Piano
1
Ensemble de Violoncelles
1
+ 49 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
392
Ensemble Jazz
305
Orchestre à Cordes
220
Orchestre
177
Orchestre de chambre
136
Fanfare
134
Ensemble de cuivres
73
Jazz combo
57
Ensemble de Percussions
36
Batterie
34
Cloches
30
Batterie (partie séparée)
17
Percussion (partie séparée)
10
Marimba
9
Vibraphone
7
Big band
5
Timbales (partie séparée)
3
Xylophone
3
Xylophone, Piano
2
Percussion
2
Quintette de Cuivres: autres combinaisons
1
3 Marimbas
1
Timbales
1
Vibraphone (partie séparée)
1
Ensemble d'École
1
+ 20 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
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Quintette de Clarinettes: 5 clarinettes
Partitions à imprimer
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1
Muss i denn, muss i denn, zum Städele hinaus - Wooden Heart (Elvis Presley) - Clarinet Quintet
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.56…
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.568471 Composed by Traditional. Arranged by Thomas Graf. Folk,Multicultural,Pop,World. 18 pages. Thomas Graf - the-hit-factory.com #2961055. Published by Thomas Graf - the-hit-factory.com (A0.568471). Muss i' denn zum Städtele hinaus - is a German folk song by Friedrich Silcher, originating from the Rems Valley in Württemberg, southwest Germany. A famous cover version called Wooden Heart is a song best known for its use in the 1960 Elvis Presley film G.I. Blues. Here you have a richly contrapuntal and rewarding arrangement to play which features all players. Not technically difficult, confident players of grade 3 standard should be able to get much from this music. Your audience will love it, too! Instrumentation: Clarinet 1/2/3 in Bb, Basset Horn/Clarinet 4 in Bb, Bass Clarinet in Bb Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic New catalogue includedVideo: https://www.youtu.be/NsHg6upe5Cs
$14.99
13.82 €
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Quintette de Clarinettes: 5 clarinettes
#
Traditional
#
Thomas Graf
#
Muss i denn, muss i denn, zum Städele hinaus - Wooden Heart
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Thomas Graf - the-hit-factory.com
#
SheetMusicPlus
Tchaikovsky: Casse-Noisette-Nutcracker Suite Danse de la Fée Fragée- Sugar Plum Fairy- clarinet 5
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downl…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.553686 Composed by Peter Ilyich Tchaikovsky. Arranged by Ray Thompson. Christmas,Holiday,Romantic Period,Standards. 8 pages. RayThompsonMusic #3497165. Published by RayThompsonMusic (A0.553686). This is a complete version of this popular piece: I have simplified the celesta passage in the middle of the movement.This makes it easier to perform, and reach a playable standard, for the average wind player. I have transposed the melody line down an octave. I have transposed the piece into F minor so the clarinets are playing in G minor, as in the original orchestration.Alt. Bb part provided for alto. Other mvts available.See related scores Something different for a Xmas gig!
$5.95
5.49 €
#
Quintette de Clarinettes: 5 clarinettes
#
Peter Ilyich Tchaikovsky
#
Ray Thompson
#
Tchaikovsky: Casse-Noisette-Nutcracker Suite Danse de la Fée Fragée- Sugar Plum Fairy- clarinet 5
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RayThompsonMusic
#
SheetMusicPlus
Notturno, Opus 54 No. 4 for Clarinet Quintet
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 4 - Digital Download SKU: A0.805890…
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 4 - Digital Download SKU: A0.805890 Composed by Edvard Grieg. Arranged by G L Harvey. Concert,Graduation,Romantic Period,Standards,World. 16 pages. G L Harvey #5305649. Published by G L Harvey (A0.805890). This work is from Grieg's Lyric Pieces originally written for piano in 1891. I must confess that this is one of my favorite piano works to play and I've always thought that it would make great concert or recital repertoire for small ensembles. This arrangement for Clarinet Quintet (4 clarinets in Bb and bass clarinet) keeps mostly to the original voicing and style, with the melodic elements flowing between different players. A convincing performance should be well within the grasp of players of advanced intermediate standard and above (about grade 6/7 ABRSM).
$15.99
14.74 €
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Quintette de Clarinettes: 5 clarinettes
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Edvard Grieg
#
G L Harvey
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Notturno, Opus 54 No. 4 for Clarinet Quintet
#
G L Harvey
#
SheetMusicPlus
A Night In Tunisia
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.746990…
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.746990 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5827845. Published by Keith Terrett (A0.746990). A great sounding arrangement of A Night in Tunisia, your Clarinet Quintet will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$14.99
13.82 €
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Quintette de Clarinettes: 5 clarinettes
#
Dizzy Gillespie
#
Keith Terrett
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A Night In Tunisia
#
Keith Terrett
#
SheetMusicPlus
God Rest Ye Merry Gentlemen
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.769742…
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.769742 Composed by Traditional. Arranged by David D. Mason. Christmas,Praise & Worship. 21 pages. David D Mason #3873729. Published by David D Mason (A0.769742). I have arranged this lovely Christmas Carol at intermediate standard.
$7.00
6.45 €
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Quintette de Clarinettes: 5 clarinettes
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Traditional
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David D
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God Rest Ye Merry Gentlemen
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David D Mason
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SheetMusicPlus
Clarinet Quintet - It Came Upon the Midnight Clear
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.767529…
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.767529 Composed by Traditional. Arranged by Mike Lyons. Christian,Christmas. 12 pages. Lyons Music Services #5044639. Published by Lyons Music Services (A0.767529). A brand new setting of this carol for clarinet quintet (Eb, 3xBb, Bass). After a short introduction, we hear a fairly normal rendition of the tune with standard harmony. The second verse has the addition of fanfare-like motifs in the top two parts which add some sparkle to the tune. The intention is merely to heighten the feeling of 'announcement' which we get from the words. The melody is also much more decorated and placed into the middle of the ensemble. From Letter C there is an interlude of fanfares before the final verse at the grandioso. This is the loudest part of the setting and needs to sound warm, full and rich. This setting is intended to be played by any ensemble. I have kept the range used reasonable and it does not require any special techniques.
$10.99
10.13 €
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Quintette de Clarinettes: 5 clarinettes
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Traditional
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Mike Lyons
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Clarinet Quintet - It Came Upon the Midnight Clear
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Lyons Music Services
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SheetMusicPlus
Satie: Gymnopédie No.1 - clarinet quintet
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downl…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.553498 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Holiday,Standards,Wedding. 10 pages. RayThompsonMusic #2990987. Published by RayThompsonMusic (A0.553498). An arrangement for wind quintet of Satie's most popular piece of music. My arrangement differs from most other arrangements that you may find, in that the melody is given to every player, the bass line moves between the three lower clarinets, and the five members of the quintet do not play together all of the time.This, I feel gives a bit of variation and interest to the players!!It is scored for Eb, 2 Bb, alto and bass clarinets (using this instrumentation will give some variation in tone colour to the melody line)I have also provided Bb parts for the Eb and alto.Please check out the rest of my Satie arrangements for varying instrument combinations :3 Gymnopédies and 3 Gnossiennes. ( sold separately and as collections).
$7.95
7.33 €
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Quintette de Clarinettes: 5 clarinettes
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Erik Satie
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Ray Thompson
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Satie: Gymnopédie No.1 - clarinet quintet
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RayThompsonMusic
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SheetMusicPlus
Satie: Gnossienne No.3 - clarinet quintet
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Downl…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.553497 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Holiday,Standards,Wedding. 9 pages. RayThompsonMusic #2989179. Published by RayThompsonMusic (A0.553497). This piece,originally for piano, is one of three. Satie wrote it without bar lines: I have added dashed ones to aid performance. The melody moves around the instruments,and I have varied the accompaniment giving the bass to the three lower clarinets. The expression marks are my own. Satie marks the piece p throughout, with some cresc/dim. My arrangement differs from many others, in that the melody is NOT given to one instrument throughout. More interesting for the players! The piece is in Satie's original key. Alternative Bb parts provided for Eb clt. and alto clt.
$7.95
7.33 €
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Quintette de Clarinettes: 5 clarinettes
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Erik Satie
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Ray Thompson
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Satie: Gnossienne No.3 - clarinet quintet
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RayThompsonMusic
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SheetMusicPlus
Satie: Trois Gymnopédies Nos.1,2 & 3 - clarinet quintet
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downl…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.553500 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Holiday,Standards,Wedding. 20 pages. RayThompsonMusic #2994189. Published by RayThompsonMusic (A0.553500). An arrangement for clarinet quintet of  3 of Satie's most popular pieces of music: The Gymnopédies No.1 is the best known.My arrangement differs from most other arrangements that you may find, in that the melody is given to every player, the bass line moves between the three lower clarinets, and the five members of the quintet do not play together all of the time. This, I feel gives a bit of variation and interest to the players!! It is scored for Eb, 2 Bb, alto and bass clarinets (using this instrumentation will give some variation in tone colour  to the melody line) I have also provided Bb parts for the Eb and alto.  Please check out  the rest of my Satie arrangements for varying instrument combinations : 3 Gymnopédies and 3 Gnossiennes. ( sold separately and as collections).
$14.95
13.78 €
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Quintette de Clarinettes: 5 clarinettes
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Erik Satie
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Ray Thompson
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Satie: Trois Gymnopédies Nos.1,2 & 3 - clarinet quintet
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RayThompsonMusic
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SheetMusicPlus
'Adagio And Tarantella' by Ernesto Cavallini for Solo Clarinet & Clarinet Quintet.
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 5 - Digital Download SKU: A0.891968…
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 5 - Digital Download SKU: A0.891968 Composed by Ernesto Cavallini. Arranged by Stephen Davies. Romantic Period,Standards. 57 pages. Stephen Davies #6245255. Published by Stephen Davies (A0.891968). Ernesto Cavallini the great mid-19th century virtuoso Clarinettist was described during his lifetime as' The Paganini of the Clarinet', by none other than the English Clarinettist of the time, Henry Lazarus. Indeed he was féted by many contemporary composers, one of whom was Verdi, who wrote the famous Clarinet solo in 'La Forza Del Destino' after having heard Cavallini perform in concert. Most well versed Clarinettists will be familiar with this bravura piece, I used to play this myself at break-neck speeds when I was younger and my fingers worked!
$29.99
27.65 €
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Quintette de Clarinettes: 5 clarinettes
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Ernesto Cavallini
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Stephen Davies
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'Adagio And Tarantella' by Ernesto Cavallini for Solo Clarinet & Clarinet Quintet.
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Stephen Davies
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SheetMusicPlus
Watermelon Man for Clarinet Quintet & Opt. Drumset
Quintette de Clarinettes: 5 clarinettes
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99
13.82 €
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Quintette de Clarinettes: 5 clarinettes
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Quintet & Opt. Drumset
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Music for all Occasions
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SheetMusicPlus
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