English version
Parcourir Free-scores.com
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
0
Partitions
Numériques
6
Librairie
Musicale
0
Matériel
de Musique
19
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
192
PIANO & CLAVIERS
Piano seul
174
Piano, Voix et Guitare
43
Instruments en Do
28
Piano Facile
27
2 Pianos, 4 mains
9
Piano, Voix
7
Accordéon
6
Piano (partie séparée)
6
1 Piano, 4 mains
6
Orgue
5
Piano grosses notes
4
Accompagnement Piano
2
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
289
Ligne De Mélodie, (Paroles) et Accords
62
Guitare
28
Guitare (partie séparée)
16
Ukulele
8
Ensemble de guitares
4
Banjo
3
Piano, Guitare (duo)
2
Basse electrique
2
Dulcimer
1
2 Guitares (duo)
1
Paroles et Accords
1
4 Guitares (Quatuor)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
24
Voix seule
4
Chorale SSAA
4
Chorale TTBB
4
Chorale 2 parties
3
Chorale 3 parties
3
Voix Tenor
1
Instrumentations suivantes
Retracter
VENTS
Saxophone (partie séparée)
60
Saxophone
49
2 Saxophones (duo)
40
Saxophone, Clarinette (duo)
24
2 Clarinettes (duo)
24
Saxophone Alto
20
Quatuor de Saxophones: 4 saxophones
20
Clarinette
19
Flûte traversière et Piano
19
2 Flûtes traversières (duo)
18
Clarinette et Piano
18
Saxophone Tenor
17
Saxophone Alto et Piano
17
Saxophone Tenor et Piano
17
Clarinette, Violon (duo)
16
Flûte traversière
14
Clarinette, Trompette (duo)
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
2 Hautbois (duo)
12
Clarinette (partie séparée)
12
Quatuor de Clarinettes: 4 clarinettes
9
Clarinette et Alto
9
Quintette de Saxophone: 5 saxophones
9
Flûte, Violon
8
Flûte, Clarinette (duo)
8
Flûte, Alto (duo)
8
Hautbois, Basson (duo)
8
Flute (partie séparée)
8
Hautbois, Clarinette (duo)
8
Flûte, Trompette (duo)
7
Hautbois, Flûte
7
Quintette de Clarinettes: 5 clarinettes
6
Saxophone Soprano
5
Flûte, Saxophone (duo)
5
Flûte à Bec
5
Saxophone Soprano et Piano
5
Flûte à bec Soprano
5
Hautbois, Piano (duo)
5
Quatuor de Flûtes : 4 flûtes
5
Clarinette Basse, Piano
4
Flûte, Hautbois, Clarinette, Basson
4
3 Saxophones (trio)
3
Cor anglais, Piano
2
Ensemble de saxophones
2
3 Clarinettes (trio)
2
Ensemble de Flûtes
2
Harmonica
2
Quintette de Flûte : 5 flûtes
1
Hautbois (partie séparée)
1
Flûte traversière, Orgue (duo)
1
Clarinette Basse
1
Instrumentations suivantes
Retracter
CUIVRES
Trombone (partie séparée)
49
Trompette (partie séparée)
38
Trompette
32
Trombone
23
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Trompette, Saxophone (duo)
18
Quatuor de cuivres: 4 trombones
12
Cor (partie séparée)
9
Trombone et Piano
8
Tuba (partie séparée)
8
Trompette, Trombone (duo)
7
2 Trompettes (duo)
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
2 Trombones (duo)
6
Trompette, Piano
5
Euphonium, Piano (duo)
4
Ensemble de Trompettes
3
Bass Clef Instruments
3
Cor
3
Tuba
2
Tuba et Piano
2
Cor anglais, Piano
2
Trombone basse
1
3 Trombones (trio)
1
Trombone et orchestre
1
3 Trompettes (trio)
1
Quatuor de Cuivres
1
Ensemble de Tubas
1
Instruments en Sib
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
19
Contrebasse (partie séparée)
11
2 Altos (duo)
11
2 Violons (duo)
10
Violon et Piano
10
Violon
9
Violon, Alto (duo)
8
Violon, Violoncelle (duo)
8
2 Violoncelles (duo)
7
Violoncelle, Piano
7
Violon (partie séparée)
5
Alto, Piano
5
Alto seul
4
Trio à Cordes: violon, alto, violoncelle
3
4 Violoncelles
2
Alto (partie séparée)
2
Trio à cordes: 3 violins
2
Harpe
2
Trio à cordes: 3 altos
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Contre Basse
1
Violoncelle (partie séparée)
1
Violon, Guitare (duo)
1
Violoncelle, Orgue
1
Violoncelle
1
Violon, Orgue
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Ensemble Jazz
99
Orchestre d'harmonie
84
Batterie
25
Orchestre
21
Jazz combo
15
Orchestre à Cordes
11
Batterie (partie séparée)
9
Ensemble de cuivres
6
Ensemble d'École
4
Vibraphone
4
Percussion
3
Marimba
3
Ensemble de Percussions
2
Cloches
2
Percussion (partie séparée)
1
Fanfare
1
Orchestre de chambre
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
1
Vous avez sélectionné:
Jazz Five
Quintette de Clarinettes: 5 clarinettes
Partitions à imprimer
6 partitions trouvées
<
1
Take Five
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Clarinet - Level 2 - Digital Download SKU: A0.136844…
(+)
Clarinet Quintet,Woodwind Ensemble Clarinet - Level 2 - Digital Download SKU: A0.1368444 By Paul Desmond. By Paul Desmond. Arranged by Leszek Kościółek. Jazz,Standards. 21 pages. Leszek Kosciolek #952790. Published by Leszek Kosciolek (A0.1368444). Take Five (by Paul Desmond) for Clarinet Quintet. Full score and all parts.
$12.99
11.9 €
#
Quintette de Clarinettes: 5 clarinettes
#
Paul Desmond
#
Leszek Kościółek
#
Take Five
#
Leszek Kosciolek
#
SheetMusicPlus
Jazz Christmas Collection: Volume I (Clarinet Quintet)
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 2 - Digital Download SKU: A0.929900…
(+)
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 2 - Digital Download SKU: A0.929900 Composed by Various. Arranged by Noah Allen. Christmas,Holiday,Jazz. 32 pages. N.D.A. #4790047. Published by N.D.A. (A0.929900). All sheet music viewable here: https://www.youtube.com/playlist?list=PLFtGPyvifXkV8ZVufidOa3ytXrCGl5Bgp Enjoy five Christmas carols with a stylistic twist! They're great for holiday concerts, church services, jam sessions, and much more. Parts and scores are fully articulated, both for easy sightreading and accessibility for beginning ensembles. Includes complete score (with chord symbols) and set of parts for each carol. Carols included are:Go Tell It On The Mountain (concert Bb major)Silent Night (concert Eb major)God Rest Ye Merry, Gentlemen (concert G minor)Hark! the Herald Angels Sing (concert Bb major)We Wish You A Merry Christmas (concert Bb major)Need this arrangement for a different ensemble? Be sure to explore my other listings here: https://www.sheetmusicplus.com/publishers/n-d-a-sheet-music/3011808 Feel free to email the arranger at brassclass466.16@gmail.com if you have any questions or comments, or need alternative transpositions.Make sure to check out Jazz Christmas Collection: Volume II!Edit history: Reuploaded 10.10.19 with corrections to minor engraving errors in 2nd clarinet and bass clarinet parts.
$19.99
18.31 €
#
Quintette de Clarinettes: 5 clarinettes
#
Various
#
Noah Allen
#
Jazz Christmas Collection: Volume I
#
N.D.A.
#
SheetMusicPlus
Pennsylvania 6-5000
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downl…
(+)
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1437299 Composed by Carl Sigman and Jerry Gray. Arranged by Keith Terrett. Instructional,Jazz,Multicultural,Standards,World. 27 pages. Keith Terrett #1017368. Published by Keith Terrett (A0.1437299). An arrangement of Pennsylvania 6-5000 for Clarintet Quintet. By Jerry Gray, Carl Sigma.Pennsylvania 6-5000 (also written Pennsylvania Six-Five Thousand) is a 1940 swing jazz and pop standard recorded by Glenn Miller and His Orchestra as a Bluebird 78 rpm single. The music was by Jerry Gray and the lyrics by Carl Sigman.Many big band musicians played in Hotel Pennsylvania's Cafe Rouge in New York City, including the Glenn Miller Orchestra.The hotel's telephone number, Pennsylvania 6-5000, inspired the Glenn Miller 1940 Top 5 Billboard hit of the same name, which had a 12-week chart run.[2] The instrumental was recorded on April 28, 1940 at the RCA Victor Studios at 155 East 24th Street in New York City. The 78 single was released in June, 1940 as RCA Victor Bluebird 78 B-10754-A backed with Rug Cutter's Swing. The song was also an advertisement for attendance at the band's live performances, as a call could be put through to Hotel Pennsylvania’s venue the Cafe Rouge for a reservation.Johnny Best played the improvised trumpet solo on the recording. The Carl Sigman lyrics were not used, only the refrain was shouted by the band after the ringing of the telephone.Two different sheet music covers were released with different photos of Glenn Miller.The song became a jazz and big band standard also recorded by the Andrews Sisters, Judy Garland and Martha Raye in a duet, the Brian Setzer Orchestra, Jimmy Mundy and His Orchestra (1959), Louise Gold, Kathy Miller, Martin Brushane Big Band, the Blue Moon Big Band (1999), in a 1976 Carol Burnett Show episode in a tribute to Glenn Miller, Syd Lawrence, Michael Maxwell and His Orchestra, Richard Hunt and Jerry Nelson (Bobby Benson and the Baby Band) in The Muppet Show (1979, Episode 319), Fud Candrix and His Orchestra, Jerry Gray, Mina, Lou Haskins, Jack Livingston, Raquel Rastenni (1941) in Copenhagen, Starlight Orchestra, Klaus Wunderlich, New 101 Strings Orchestra, Heptet, Meco, Tex Beneke, The Modernaires, Jack Million Band, Al Pierson Big Band, BBC Big Band Orchestra, SWR Big Band, and by Captain Cook und seine singenden Saxophone in 2012.Fats Waller's arrangement of the song for piano was published in the UK songbook Francis & Day's Album of Fats Waller: Musical Rhythms in the 1940s.
$14.99
13.73 €
#
Quintette de Clarinettes: 5 clarinettes
#
Jerry Gray, Carl Sigma
#
Carl Sigman and Jerry Gray
#
Keith Terrett
#
Pennsylvania 6-5000
#
Keith Terrett
#
SheetMusicPlus
It's A Jungle Out There
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble,Woodwind Quintet Bass Clarinet - Level 4 - Digital Download SKU: A0.1…
(+)
Woodwind Ensemble,Woodwind Quintet Bass Clarinet - Level 4 - Digital Download SKU: A0.1359816 By Randy Newman. By Randy Newman. Arranged by Johan de Wit. 20th Century,Jazz,Pop,Ragtime. 25 pages. Johan de Wit #944296. Published by Johan de Wit (A0.1359816). A Joyfull arrangement for five Bass Clarinets. Also a snappy encore. Specially arranged for Tiefgang - Das Basklarinetten Kollektiv (the bass clarinet collective).
$14.50
13.28 €
#
Quintette de Clarinettes: 5 clarinettes
#
Randy Newman
#
Johan de Wit
#
It's A Jungle Out There
#
Johan de Wit
#
SheetMusicPlus
Moonglow
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 4 - Digital Download SKU: A0.100940…
(+)
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 4 - Digital Download SKU: A0.1009408 By George Cates. By Eddie De Lange, Irving Mills, and Will Hudson. Arranged by Cheryl Bray Jackson. Jazz,Pop. 18 pages. Cheryl Bray Jackson #615073. Published by Cheryl Bray Jackson (A0.1009408). Recorded by Benny Goodman in 1934, Moonglow, Moonglow offers a study of the rhythms and rich harmonies of that era. This arrangement is suited to a lighthearted addition to an entertaining program. Arranged for five clarinets, the selection is suited to community or school ensembles. With a length of about 3:30, it would fit well into most programs.
$14.99
13.73 €
#
Quintette de Clarinettes: 5 clarinettes
#
George Cates
#
Cheryl Bray Jackson
#
Moonglow
#
Cheryl Bray Jackson
#
SheetMusicPlus
Watermelon Man for Clarinet Quintet & Opt. Drumset
Quintette de Clarinettes: 5 clarinettes
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
(+)
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99
13.73 €
#
Quintette de Clarinettes: 5 clarinettes
#
Herbie Hancock
#
Keith Terrett
#
Watermelon Man for Clarinet Quintet & Opt. Drumset
#
Music for all Occasions
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale