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PIANO & CLAVIERS
Orgue
3527
Orgue, Trompette (duo)
307
Piano seul
263
Orgue, Piano (duo)
208
Piano, Voix
101
Piano Facile
69
Piano, Voix et Guitare
45
2 Pianos, 4 mains
29
Piano Trio: piano, violon, violoncelle
22
Accompagnement Piano
14
Fake Book
13
Piano grosses notes
13
Piano Quatuor: piano, violon, alto, violoncelle
12
Instruments en Do
11
1 Piano, 4 mains
11
Piano (partie séparée)
8
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Clavier
4
2 Orgues (duo)
3
Orgue et Orchestre
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Orgue, Voix
1
2 Pianos, 8 mains
1
Clavecin
1
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GUITARES
Guitare
75
Guitare notes et tablatures
28
2 Guitares (duo)
10
4 Guitares (Quatuor)
10
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8
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6
Basse electrique
5
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5
3 Guitares (trio)
3
Mandoline
3
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2
Banjo
2
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2
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1
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1
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1
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1131
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580
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494
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143
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65
Chorale SSAA
25
Voix duo
11
Voix haute
11
Voix duo, Piano
8
Voix seule
7
Chorale SSAATTBB
6
Voix Soprano, Piano
4
Chorale SSATTB
4
Voix Alto, Piano
3
Voix moyenne, Piano
3
Voix basse, Piano
2
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1
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Chorale
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Saxophone et Orgue
63
Saxophone Tenor et Piano
60
Quatuor de Saxophones: 4 saxophones
54
Quintette de Saxophone: 5 saxophones
54
Quatuor de Clarinettes: 4 clarinettes
52
2 Saxophones (duo)
52
Flûte, Hautbois, Clarinette, Basson
50
Saxophone Soprano et Piano
47
Saxophone Alto
41
Flûte traversière, Orgue (duo)
41
Flûte à Bec
32
Hautbois (partie séparée)
31
Ensemble de Clarinettes
26
Saxophone Baryton, Piano
25
2 Flûtes traversières (duo)
25
Flûte, Clarinette (duo)
23
2 Clarinettes (duo)
23
Clarinette (partie séparée)
22
Clarinette, Orgue
21
3 Clarinettes (trio)
20
3 Saxophones (trio)
18
Cor anglais, Piano
17
Flute (partie séparée)
17
Quatuor de Flûtes : 4 flûtes
16
Quintette de Flûte : 5 flûtes
16
3 Flûtes à bec (trio)
14
Quatuor de Flûtes à bec
13
Flûte à bec Soprano
13
Saxophone
12
Flûte à bec Alto
12
Quintette de Clarinettes: 5 clarinettes
12
Saxophone, Clarinette (duo)
11
Ensemble de Flûtes
11
Ensemble de saxophones
10
Flûte, Violon
9
Clarinette Basse, Piano
9
Trio de Flûtes: 3 flûtes
8
2 Flûte à bec (duo)
7
Clarinette, Alto et Piano (trio)
7
Clarinette, Violon (duo)
7
Flûte, Violon, Piano
7
Clarinette, Trompette (duo)
6
Hautbois, Basson (duo)
6
Flûte et Guitare
6
Piccolo
6
Hautbois, Violoncelle et Piano
5
Cor Anglais
5
Flûte, Violoncelle
5
Hautbois, Violon, Piano
5
Flûte, Hautbois, Clarinette (trio)
5
Saxophone Soprano
5
Flûte, Violoncelle, Piano (trio)
5
Flûte, Saxophone (duo)
5
Saxophone et Harpe
4
Hautbois, Flûte
4
2 Hautbois (duo)
4
Clarinette, Violoncelle, Piano (trio)
4
Hautbois, Orgue
4
Hautbois, Clarinette (duo)
4
Hautbois, Harpe
4
Clarinette, Harpe (duo)
4
Flûte, Hautbois, Basson
4
Flûte, Alto (duo)
4
Clarinette et Alto
4
Hautbois et alto (duo)
4
Clarinette, Basson (duo)
3
Flûte, Trompette (duo)
3
Clarinette, Guitare (duo)
3
Flûte, Alto et Piano
3
Clarinette, Violoncelle (duo)
3
Ocarina
3
Flûte, Clarinette, Piano (trio)
2
Flûte à bec Tenor
2
2 Clarinettes, Piano
2
Flûte à bec Soprano, Piano
2
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1
Flûte, Hautbois (duo)
1
2 Flûtes traversières, Piano
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte irlandaise
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Piccolo, Piano
1
5 Flûtes à bec
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Flûte, Basson et Piano
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Cor anglais et Harpe (duo)
1
Flûte à bec Alto, Piano
1
Hautbois et Orchestre
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Clarinette, Basson, Piano (trio)
1
Clarinette Basse
1
Flûte, Clarinette, Violon (trio)
1
Clarinette, trompette et piano
1
2 Cors Anglais Et Pianoforte
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flute, harpe et violon
1
Harmonica
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Instruments en Mib
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Flûte, Hautbois, Piano (trio)
1
Flûte à bec, Guitare (duo)
1
Saxophone et Piano
1
Hautbois, Basson et Piano
1
Clarinette, Trombone (duo)
1
Clarinette, Orchestre
1
Hautbois, Violoncelle
1
Hautbois
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
222
Quatuor de Cuivres : 2 trompettes, trombone, tuba
174
Trompette, Piano
156
Tuba et Orgue
143
Trompette
97
2 Trompettes, Clavier (piano ou orgue)
93
Cor et Piano
88
Trombone
87
Trombone et Piano
81
Trombone, Orgue
60
Quatuor de Cuivres: 2 trompettes, Cor, trombone
38
Trompette (partie séparée)
37
Ensemble de Trombones
31
Trombone (partie séparée)
30
Cor
28
2 Trompettes (duo)
27
Tuba et Piano
27
Euphonium, Piano (duo)
22
Quatuor de cuivres: 4 trombones
22
Cor et Orgue
22
Tuba
20
Quatuor de Cuivres
19
2 Trombones (duo)
18
Cor anglais, Piano
17
Cor (partie séparée)
15
3 Trombones (trio)
13
Ensemble de Trompettes
13
Trompette, Cor (duo)
13
Quatuor de cuivres: 4 cors
11
Trompette, Trombone (duo)
10
2 Cors (duo)
9
3 Trompettes (trio)
8
Trompette, Saxophone (duo)
7
Quatuor de cuivres: 2 trompettes, 2 trombones
6
Cor Anglais
5
2 Euphoniums et 2 Tubas
4
Trompette, Violoncelle et Piano
4
Trombone, Tuba (duo)
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
2 Euphoniums (duo)
3
Cor et Harpe
3
2 Tubas (duo)
3
Euphonium
3
Tuba (partie séparée)
3
Trombone basse et Piano
2
Trombone, Violon (duo)
2
Trombone basse
2
Trio de Cuivres
2
Trompette, Harpe
2
Ensemble de Cors
2
Trombone, violoncelle (duo)
1
Trompette, Trombone, Piano
1
Cor anglais et Harpe (duo)
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Cor (duo)
1
4 Tubas
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Tuba (duo)
1
Instruments en Sib
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
255
Violon et Piano
163
Violoncelle, Piano
152
Alto, Piano
134
Violoncelle
75
Violon
67
Violon, Orgue
59
Trio à Cordes: violon, alto, violoncelle
54
Violoncelle, Orgue
51
Contrebasse, Piano (duo)
51
Violon, Violoncelle (duo)
41
Alto seul
38
Violon, Alto (duo)
29
Alto (partie séparée)
26
Violon (partie séparée)
25
2 Violons (duo)
21
Harpe
16
Contrebasse (partie séparée)
16
Alto, Orgue
15
Piano Trio: Violon, Alto, Piano
12
Violoncelle (partie séparée)
12
2 Harpes (duo)
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Ensemble d'Altos
11
Ensemble de Violons
10
2 Violoncelles (duo)
10
Contre Basse
9
Trio à Cordes: 2 violons, violoncelle
8
Harpe, Flûte (duo)
8
Alto, Violoncelle (duo)
7
4 Violoncelles
6
Violon, Clarinette, Piano (trio)
6
Harpe, Violon (duo)
6
Harpe (partie séparée)
5
2 Altos (duo)
5
Violon, Guitare (duo)
5
2 Violons, Piano
5
Trio à cordes: 3 violins
4
Violon, Trompette et Piano
4
Harpe, Trombone (duo)
4
2 Violoncelles, Piano
4
2 Altos, Piano
4
Harpe, Violoncelle (duo)
4
Alto, Guitare (duo)
4
Trio à Cordes: 3 violoncelles
4
Violoncelle , Guitare (duo)
4
Violoncelle, Contrebasse (duo)
3
Trio à Cordes: 2 violons, alto
2
Alto et Basson
2
Harpe, Voix
2
2 Contrebasses (duo)
2
Alto et Harpe
2
Trio à cordes: 3 altos
2
Harpe et Orgue
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Flûte, Contrebasse (duo)
1
Quatuor à cordes: 4 violons
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
281
Cloches
239
Orchestre
186
Ensemble de cuivres
176
Orchestre à Cordes
176
Orchestre de chambre
133
Ensemble Jazz
87
Jazz combo
28
Batterie
21
Fanfare
11
Percussion (partie séparée)
9
Ensemble de Percussions
5
Vibraphone
5
Marimba
4
Timbales (partie séparée)
3
Batterie (partie séparée)
3
Xylophone
2
Piano et Orchestre
1
Big band
1
Timbales
1
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Quintette de Clarinettes: 5 clarinettes
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François-Auguste Gevaert | A Joyful Christmas Song | for Clarinet Ensemble (5-Part)
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,Bassethorn,E-Flat Clarinet - Level 3 - Di…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,Bassethorn,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1477331 By François-Auguste Gevaert. By François-Auguste Gevaert. Arranged by Andrew Lamb. Christmas. 37 pages. Andrew Lamb #1054753. Published by Andrew Lamb (A0.1477331). 🎄✨ A Joyful Christmas Song for Clarinet Ensemble 🎶 Experience the festive spirit with this advanced Clarinet Ensemble adaptation of A Joyful Christmas Song by the renowned Belgian musicologist and composer, François-Auguste Gevaert. This arrangement is crafted to bring joy and cheer to your Christmas concert or recital.🎵 Scored for the following instruments: 🎼 Part 1: Clarinet in Bb, Clarinet in Eb 🎼 Part 2: Clarinet in Bb 🎼 Part 3: Clarinet in Bb, Basset Horn 🎼 Part 4: Alto Clarinet in Eb 🎼 Part 5: Bass Clarinet in Bb This arrangement allows for flexibility in the choice of instruments, making it adaptable for various ensemble configurations.Level of Difficulty: AdvancedPotential Uses: Perfect for Christmas concerts and recitals.About the Composer: François-Auguste Gevaert (31 July 1828 – 24 December 1908) was a Belgian musicologist and composer, born in Huise, near Oudenaarde. Gevaert's journey from being a baker's son to a celebrated composer and musicologist is inspiring. He studied at the Ghent Conservatory, became the organist of the Jesuit church in Ghent, and later won the Belgian Prix de Rome. His career took him to Paris, Spain, and Italy, and he eventually became the head of the Brussels Conservatoire. Although his own compositions are largely forgotten today, his legacy as a teacher, historian, and lecturer endures.📚 Notable Works: Treatise on Instrumentation, Vade Mecum for organistsPlease like and subscribe for more videos and music arrangements.
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Quintette de Clarinettes: 5 clarinettes
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François-Auguste Gevaert
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Andrew Lamb
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François-Auguste Gevaert | A Joyful Christmas Song | for Clarinet Ensemble
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Andrew Lamb
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SheetMusicPlus
Watermelon Man for Clarinet Quintet & Opt. Drumset
Quintette de Clarinettes: 5 clarinettes
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99
13.65 €
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Quintette de Clarinettes: 5 clarinettes
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Quintet & Opt. Drumset
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Music for all Occasions
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SheetMusicPlus
Three selections based on "Christ lag in Todesbanden" (Clarinet Quintet)
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.125001…
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Clarinet Quintet,Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.1250018 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 28 pages. Regis Bookshar #844432. Published by Regis Bookshar (A0.1250018). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Clarinet Quintet - Advanced/Intermediate - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex that the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Clarinet Quintet, consisting of 5 Bb Clarinets. Included are a score and a complete set of parts (28 pages).I hope will you enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
27.32 €
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Quintette de Clarinettes: 5 clarinettes
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Johann Sebastian Bach
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Regis Bookshar
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Three selections based on "Christ lag in Todesbanden"
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Regis Bookshar
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SheetMusicPlus
Adagio and Allegro in F minor, K. 594
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 4 - Digital Download SKU: A0.899605…
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 4 - Digital Download SKU: A0.899605 Composed by Wolfgang Amadeus Mozart. Arranged by Chris Blankenship. Classical. 22 pages. C Blankenship #6203575. Published by C Blankenship (A0.899605). The piece was commissioned by Count Joseph Deym von Stritetz for use as a funeral mass to be played on a mechanical organ clock in the mausoleum for the recently deceased Generalfeldmarschall (Fieldmarshall) Ernst Gideon von Laudon, part of the Müllersche Kunstgalerie, the wax art gallery and organ museum of Joseph Müller (which was the Count Deym's assumed name). This displayed a casket covered with glass, through which one could view a wax figure of the Field Marshall. When the clock struck the hour, a lament was heard: a new one each week, one of which was Mozart's Adagio and Allegro.Although Mozart intended the piece to be played on a mechanical clockwork organ, he wished later that it could be played on a conventional organ. In a letter to his wife Constanze dated 3rd October, 1790, he wrote, If it were on a large clock-work with a sound like an organ, I'd be glad to do it; but as it is a thing made up of tiny pipes only, which sound too shrill and childish for me. As time passed, Mozart seemed to be content with the decision, saying later that the work and its installation in the gallery in fruitlessness and purity and compatibility to the works of art eclipses anything that anyone has ever succeeded in producing.
$9.99
9.1 €
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Quintette de Clarinettes: 5 clarinettes
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Wolfgang Amadeus Mozart
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Chris Blankenship
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Adagio and Allegro in F minor, K. 594
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C Blankenship
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SheetMusicPlus
Emma Louise Ashford | Christmas Voices | for Clarinet Quintet
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,Bassethorn,E-Flat Clarinet - Level 4 - Di…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,Bassethorn,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1474941 By Emma Louise Ashford. By Emma Louise Ashford. Arranged by Andrew Lamb. 19th Century,Christian,Christmas. 22 pages. Andrew Lamb #1052533. Published by Andrew Lamb (A0.1474941). 🎵 Clarinet Quintet Adaptation of Christmas Voices by Emma Louise Ashford 🎄 🎶 This delightful Clarinet Quintet arrangement of the Christmas Carol Christmas Voices by the prolific American composer Emma Louise Ashford is perfect for your festive season performances! 🌟Scored for: 🎺 Part 1: Clarinet in Eb or Clarinet in Bb 🎺 Part 2: Clarinet in Bb 🎺 Part 3: Clarinet in Bb 🎺 Part 4: Alto Clarinet in Eb or Basset Horn 🎺 Part 5: Bass Clarinet in Bb Level of Difficulty: MediumPotential Uses: 🎄 Christmas concert 🎶 Christmas church service 🌟 Recital piece About the Composer: Emma Louise Ashford (1850–1930) was a distinguished American organist, composer, and music editor. With over 600 compositions, she made significant contributions to music. She was an editor at Lorenz Publishing Company from 1894 to 1930 and served in various roles as an organist and choir director in Nashville, Tennessee.📅 Born in Newark, Delaware, Emma began her musical training early, guided by her father. She played pivotal roles in church choirs and held organist positions in multiple churches. Her marriage to John Ashford brought her to Nashville, where she continued her impactful musical career.Please like and subscribe for more videos and music arrangements. 🎵.
$10.00
9.11 €
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Quintette de Clarinettes: 5 clarinettes
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Emma Louise Ashford
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Andrew Lamb
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Emma Louise Ashford | Christmas Voices | for Clarinet Quintet
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Andrew Lamb
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SheetMusicPlus
Filippo Capocci | Allegretto | for Clarinet Quintet
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,Bassethorn,E-Flat Clarinet - Level 3 - Di…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,Bassethorn,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1471363 By Filippo Capocci. By Filippo Capocci. Arranged by Andrew Lamb. 19th Century,Romantic Period. 32 pages. Andrew Lamb #1049139. Published by Andrew Lamb (A0.1471363). 🎼 Clarinet Quintet Arrangement of Allegretto by Filippo Capocci 🎶Discover the beautiful and flexible Clarinet Quintet arrangement of Allegretto by renowned Italian composer and organist Filippo Capocci. Born in Rome on May 11, 1840, Capocci was a celebrated organist, composer, and teacher, known for his adherence to nineteenth-century musical aesthetics.Instrumentation: 🎵 Part 1: Clarinet in Eb or Clarinet in Bb 🎵 Part 2: Clarinet in Bb 🎵 Part 3: Clarinet in Bb 🎵 Part 4: Alto Clarinet in Eb or Basset Horn 🎵 Part 5: Bass Clarinet in Bb This arrangement offers medium difficulty and is perfect for concert or recital performances. Enhance your musical repertoire with this exquisite piece.Please like and subscribe for more videos and music arrangements.
$10.00
9.11 €
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Quintette de Clarinettes: 5 clarinettes
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Filippo Capocci
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Andrew Lamb
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Filippo Capocci | Allegretto | for Clarinet Quintet
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Andrew Lamb
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SheetMusicPlus
5 Famous Songs by Bach for Clarinet Quintet
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 1 - Digital Download SKU: A0.957291…
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 1 - Digital Download SKU: A0.957291 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748235. Published by Woods Only, Arrangements (A0.957291). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for clarinet quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897532: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899733: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900234: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901475: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190363Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism;.
$39.99
36.41 €
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Quintette de Clarinettes: 5 clarinettes
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Bach, Martin Luther
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Ander
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5 Famous Songs by Bach for Clarinet Quintet
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Woods Only, Arrangements
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SheetMusicPlus
Pater Noster for Clarinet Quintet
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1425711 Composed by Giuseppe Verdi. Arranged by James Haynor. Romantic Period. 20 pages. James Haynor #1006469. Published by James Haynor (A0.1425711). Giuseppe Verdi was born in Le Roncole on the 9th October 1813, the son of an innkeeper and small-scale farmer. Although he grew up in poor circumstances his extraordinary musical talent was soon recognized and he received organ lessons, then – assisted by a patron – he entered the Busseto Gymnasium.Scored here for Clarinet Quintet, his setting of the “ Pater Noster “ is a lovely piece originally written for five part vocal. It is an eternal religious subject set to more progressive harmonies.Duration - 5:58.
$10.00
9.11 €
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Quintette de Clarinettes: 5 clarinettes
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Giuseppe Verdi
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James Haynor
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Pater Noster for Clarinet Quintet
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James Haynor
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SheetMusicPlus
Parry: "Jerusalem" (And did those feet in ancient times)(original key of D) - clarinet quintet
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downl…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.553698 Composed by Charles Hubert Hastings Parry. Arranged by Ray Thompson. 20th Century,Patriotic,Standards. 8 pages. RayThompsonMusic #3515599. Published by RayThompsonMusic (A0.553698). Arranged for clarinet quintet of 3 Bb, alto and bass. (Alt. Eb for clt.1)This arrangement is in the original key of D major, to enable the quintet to play along with standard organ/piano part.Check out my other arrangement in the easier key of Eb.
$6.95
6.33 €
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Quintette de Clarinettes: 5 clarinettes
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Charles Hubert Hastings Parry
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Ray Thompson
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Parry: "Jerusalem"
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RayThompsonMusic
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SheetMusicPlus
Parry: "Jerusalem" (And did those feet in ancient times) (trans into key of Eb) - clarinet quintet
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downl…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.553699 Composed by Charles Hubert Hastings Parry. Arranged by Ray Thompson. 20th Century,Patriotic,Standards. 8 pages. RayThompsonMusic #3515601. Published by RayThompsonMusic (A0.553699). Arranged for clarinet quintet of 3 Bb, alto and bass. (Alt. Eb for clt.1)This arrangement is in the transposed  key of Eb major, which is an easier key to play in.Check out my other arrangement in D which will enable the quintet to play along with the standard organ/piano part.
$9.95
9.06 €
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Quintette de Clarinettes: 5 clarinettes
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Charles Hubert Hastings Parry
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Ray Thompson
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Parry: "Jerusalem"
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RayThompsonMusic
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SheetMusicPlus
Prelude and Fugue VI (Clarinet)
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 4 - Digital Download SKU: A0.840189…
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 4 - Digital Download SKU: A0.840189 Arranged by Glen D. Lienhart. Baroque,Classical. 20 pages. Glen D. Lienhart #3000345. Published by Glen D. Lienhart (A0.840189). From the Little Preludes and Fugues for Organ. Grade IV saxophone ensemble. Includes extra alternate transposed parts. This arrangement is compatible with the clarinet ensemble and woodwind quintet arrangements of the same title.
$15.00
13.66 €
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Quintette de Clarinettes: 5 clarinettes
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Glen D
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Prelude and Fugue VI
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Glen D. Lienhart
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SheetMusicPlus
Stille Nacht (Silent night) - Jazz Waltz - Clarinet Quintet
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.504097…
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Clarinet Quintet,Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.504097 Composed by Traditional. Arranged by Thomas Graf. Christmas,Jazz. 18 pages. Thomas Graf - the-hit-factory.com #116032. Published by Thomas Graf - the-hit-factory.com (A0.504097). Silent night – the Christmas classic in a very sophisticated Jazz Waltz arrangement with some reharmonisation that will give to you a new view on the Christmas classic by Organist Franz Xaver Gruber (1787–1863). Instrumentation: Clarinet 1 & 2 in Bb, Basset Horn/Clarinet 3 in Bb, Bass Clarinet in Bb Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Important note: All our arrangements, esp. Big Band and Concert Band arrangements are played and prooved with our own ensembles with great fun and success. Please let us know if you have any request, question or if you need transposed parts. Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 - E-Mail: info@the-hit-factory.com. - www.the-hit-factory.com - facebook: https://www.facebook.com/hitfactorymusic.
$20.00
18.21 €
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Quintette de Clarinettes: 5 clarinettes
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Traditional
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Thomas Graf
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Stille Nacht
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
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