English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Reach Out
Non classifié
385
Piano & claviers
Piano seul
308
Piano, Voix et Guitare
145
Piano Facile
113
Piano, Voix
111
Instruments en Do
62
Orgue
13
Piano grosses notes
8
1 Piano, 4 mains
2
Accordéon
2
Piano (partie séparée)
1
Clavecin
1
2 Pianos, 4 mains
1
Ligne De Mélodie, Piano
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
69
Ligne De Mélodie, (Paroles) et Accords
30
Guitare
27
Paroles et Accords
14
Basse electrique
13
2 Guitares (duo)
6
Dulcimer
5
Piano, Guitare (duo)
4
Ukulele
3
Guitare (partie séparée)
2
Mandoline
1
4 Guitares (Quatuor)
1
Basse électrique (partie séparée)
1
3 Guitares (trio)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
154
Chorale 3 parties
32
Chorale 2 parties
26
Chorale TTBB
24
Chorale Unison
16
Chorale SSAA
15
Voix Alto, Piano
10
Pack Instrumental pour Chorale
10
Voix haute
6
Voix duo, Piano
5
Male Voice
5
Voix Soprano, Piano
5
Voix seule
4
Voix duo
4
Voix Baryton, Piano
2
Voix basse, Piano
2
Voix Tenor
1
Voix Mezzo-Soprano, Piano
1
+ 13 instrumentations
Retracter
Vents
2 Saxophones (duo)
35
Clarinette
28
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
27
2 Flûtes traversières (duo)
27
Quatuor de Saxophones: 4 saxophones
21
Saxophone, Clarinette (duo)
20
Flûte traversière et Piano
18
Saxophone (partie séparée)
17
Saxophone Alto
17
Saxophone Tenor
16
Flûte traversière
15
Hautbois, Piano (duo)
14
Clarinette et Piano
14
Quatuor de Clarinettes: 4 clarinettes
14
Clarinette, Violon (duo)
14
2 Clarinettes (duo)
14
Clarinette, Trompette (duo)
14
Saxophone Tenor et Piano
10
Flûte, Hautbois, Clarinette, Basson
10
Saxophone Alto et Piano
10
Hautbois (partie séparée)
9
2 Hautbois (duo)
8
Clarinette et Alto
8
Hautbois, Basson (duo)
8
Ensemble de Clarinettes
7
Flûte, Violon
7
Hautbois, Flûte
7
Quintette de Saxophone: 5 saxophones
7
Flûte, Alto (duo)
7
Flûte, Trompette (duo)
7
Flûte, Saxophone (duo)
6
Hautbois, Clarinette (duo)
6
Flûte, Clarinette (duo)
6
Saxophone Soprano et Piano
6
Flûte et Guitare
4
Quintette de Clarinettes: 5 clarinettes
4
Trio de Flûtes: 3 flûtes
4
Saxophone Baryton, Piano
3
Clarinette Basse, Piano
3
Ensemble de saxophones
3
Clarinette (partie séparée)
2
Quatuor de Flûtes : 4 flûtes
2
Flûte, Clarinette, Piano (trio)
2
Flute (partie séparée)
2
Flûte à bec Soprano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Ensemble de Flûtes
1
5 Flûtes à bec
1
Saxophone et Orgue
1
Quintette de Flûte : 5 flûtes
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Cor anglais, Piano
1
3 Clarinettes (trio)
1
Ensemble à vent
1
Flûte, Violon et Violoncelle
1
Flûte, Hautbois, Clarinette (trio)
1
+ 51 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
34
Trompette
18
Trompette, Saxophone (duo)
15
Trompette, Piano
10
Trombone et Piano
10
Trompette (partie séparée)
9
Cor et Piano
9
2 Trombones (duo)
7
Trombone
7
2 Trompettes (duo)
7
Euphonium, Piano (duo)
7
Trombone (partie séparée)
6
Trompette, Trombone (duo)
5
Tuba et Piano
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Quatuor de cuivres: 4 cors
3
Cor
2
Ensemble de Tubas
1
Euphonium, Tuba (duo)
1
Trio de Cuivres
1
Ensemble de Cors
1
Trombone basse et Piano
1
2 Tubas (duo)
1
Quatuor de Cuivres
1
Cor (partie séparée)
1
Ensemble de Trompettes
1
4 Tubas
1
Cor anglais, Piano
1
Ensemble de Trombones
1
Quatuor de cuivres: 4 trombones
1
+ 25 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
67
Violon
52
Violon, Violoncelle (duo)
21
Violon et Piano
19
Violoncelle, Piano
16
2 Violons (duo)
13
Violoncelle
13
Alto, Piano
13
2 Violoncelles (duo)
11
Alto seul
10
Trio à Cordes: 2 violons, violoncelle
9
2 Altos (duo)
7
Trio à Cordes: violon, alto, violoncelle
7
Violon, Alto (duo)
6
Contre Basse
5
Violon, Guitare (duo)
5
Harpe
4
Contrebasse (partie séparée)
3
Contrebasse, Piano (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Alto (partie séparée)
2
Alto et Harpe
1
Violoncelle, Contrebasse (duo)
1
Violoncelle , Guitare (duo)
1
Alto, Guitare (duo)
1
4 Violoncelles
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
113
Fanfare
41
Orchestre
31
Ensemble Jazz
24
Orchestre à Cordes
19
Ensemble de cuivres
16
Jazz combo
9
Batterie
7
Orchestre de chambre
4
Percussion (partie séparée)
3
Batterie (partie séparée)
3
Cloches
3
Ensemble de Percussions
3
Vibraphone
1
Piano et Orchestre
1
+ 10 instrumentations
Retracter
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CLAIRON
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COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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FILM - TV
FILM WALT DISNEY
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Note4Piano
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Vous avez sélectionné:
Reach Out
Quintette de Clarinettes: 5 clarinettes
Partitions à imprimer
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Eleanor Rigby
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downl…
(+)
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.953445 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop. 10 pages. RayThompsonMusic #559185. Published by RayThompsonMusic (A0.953445). Arranged clarinet quintet: Eb, 2Bb, alto and bass. Alt Bbs provided for Eb and Alto. .Eleanor Rigby is a song by the English rock band the Beatles from their 1966 album Revolver. It was also issued on a double A-side single, paired with Yellow Submarine. The song was written primarily by Paul McCartney and credited to Lennon–McCartney. The song continued the transformation of the Beatles from a mainly rock and roll- and pop-oriented act to a more experimental, studio-based band. With a double string quartet arrangement by George Martin and lyrics providing a narrative on loneliness, Eleanor Rigby broke sharply with popular music conventions, both musically and lyrically. Richie Unterberger of AllMusic cites the band's singing about the neglected concerns and fates of the elderly on the song as just one example of why the Beatles' appeal reached so far beyond the traditional rock audience. YouTube Link is wind quintet version.
$17.95
16.52 €
#
Quintette de Clarinettes: 5 clarinettes
#
The Beatles
#
Ray Thompson
#
Eleanor Rigby
#
RayThompsonMusic
#
SheetMusicPlus
Watermelon Man for Clarinet Quintet & Opt. Drumset
Quintette de Clarinettes: 5 clarinettes
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99
13.8 €
#
Quintette de Clarinettes: 5 clarinettes
#
Herbie Hancock
#
Keith Terrett
#
Watermelon Man for Clarinet Quintet & Opt. Drumset
#
Music for all Occasions
#
SheetMusicPlus
Joy to the World by for Clarinet Quintet
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1317760 Com…
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Clarinet Quintet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1317760 Composed by Isaac Watts and Lowell Mason. Arranged by Ander. Chamber,Christian,Christmas. 14 pages. Woods Only, Arrangements #906442. Published by Woods Only, Arrangements (A0.1317760). If you are looking for a sheet music of an arrangement of Joy to the World for Clarinet Quintet, then you will love this version that we made, which brings a new look to this classic Christmas carol. Joy to the World is one of the most famous and oldest Christian songs, written by the poet, preacher, theologian and pedagogue Isaac Watts in 1719, based on Psalm 98 of the Bible. The melody that we know today was adapted by the American composer Lowell Mason in 1848, from a work by George Frideric Handel. In this arrangement, we have some fun with the melody, changing rhythms, harmonies and counterpoints, to give a new and magical air to the song, but without losing the essence of the original work. This arrangement is perfect for use in any Christmas event, such as chamber music in recitals, concerts, public shows, or as teaching material and incentive for music students. You will be amazed by the beauty and creativity of this arrangement, which will delight everyone who listens. Do not waste time and get your sheet music of Joy to the World, and be part of the history of this wonderful song.
$9.99
9.19 €
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Quintette de Clarinettes: 5 clarinettes
#
Isaac Watts and Lowell Mason
#
Ander
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Joy to the World by for Clarinet Quintet
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Woods Only, Arrangements
#
SheetMusicPlus
Fillmore: The Circus Bee (March) - CQ5
Quintette de Clarinettes: 5 clarinettes
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 4 - Digital Download SKU: A0.815362…
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 4 - Digital Download SKU: A0.815362 Composed by Henry Fillmore. Arranged by Mark A. Craig. 20th Century,Concert,Folk,Graduation,Patriotic. 23 pages. Mark Craig #6341667. Published by Mark Craig (A0.815362). This arrangement is for Clarinet Quintet including 4 Bb Clarinets and Bass Clarinet. The arrangement is appropriate for recitals, weddings, special events, patriotic events, and educational outreach performances. The arrangement can be performed by groups ranging from college groups to professional ensembles. .
$15.00
13.8 €
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Quintette de Clarinettes: 5 clarinettes
#
Henry Fillmore
#
Mark A
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Fillmore: The Circus Bee
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Mark Craig
#
SheetMusicPlus
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